Horror Reviews
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[Review] Surprises Cut Deep In Unpredictable ‘The Forest of Lost Souls’
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[Fantasia Review] ‘Tales from the Hood 2’ is the Timely Horror Anthology We Need Right Now
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[Fantasia Review] ‘The Witch in the Window’ is One of the Most Exciting Horror Movies of the Year
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[DVD Review] ‘The Violence Movie’ Or What Happens When Horror Fans in the 80’s Get a Camcorder
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[Review] Netflix’s ‘Extinction’ Is a Sedate Play Through of Sci-Fi’s Greatest Hits
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[Review] ‘King Cohen: The Wild World of Filmmaker Larry Cohen’ is Fascinating and Inspiring
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[Fantasia Review] Aptly Titled ‘Hurt’ Is a Bleak Halloween-Set Slasher
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[Fantasia Review] Comely ‘Cold Skin’ Swims in Shallow Waters
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[Fantasia Review] ‘Pledge’ Delivers Twisted Thrills to Familiar Story
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[Fantasia Review] ‘Under the Silver Lake’ is an Ambitious Look at the Lack of Mystery in Modern Times
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[Review] ‘The Last Warrior’ Battles Clichés with Brutal Action and a Fresh Setting
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[Fantasia Review] ‘Knuckleball’ Turns ‘Home Alone’ Into Deadly Thriller
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[Fantasia Review] ‘Lifechanger’ is Body Horror at Warp Speed
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[Fantasia Review] ‘The Night Eats the World’ is a Well-crafted Nightmare
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[Fantasia Review] ‘Just a Breath Away’ Is Well Shot, Tightly Wound, and Expertly Paced
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[Review] ‘Nightmare Cinema’ Attempts to Revive ‘Masters of Horror’ With Mixed Results
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[Review] Atmospheric “Castle Rock” is a Creepy and Immersive Stephen King Mashup
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[Review] ‘The First Purge’ is Another Undercooked Film With Nothing to Say
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[Review] ‘Big Legend’ Lacks Polish But Is Highly Entertaining
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[Cinepocalypse Review] Found Footage ‘Gags’ Carried by Dark Humor
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[Review] ‘La Quinceañera’ is a Fun But Rushed Neo-Grindhouse Romp
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[Cinepocalypse Review] ‘The Russian Bride’ Only Half Works But Earns Points for a Wild Final Act
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[Cinepocalypse Review] Clunky ‘Malicious’ Lacks Elegance
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[Cinepocalypse Review] Christmas-themed ‘Await Further Instructions’ is Smart, Bleak and Effective