Horror Reviews
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[Cinepocalypse Review] Character-driven ‘Empathy, Inc.’ Channels “Black Mirror”
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[Cinepocalypse Review] ‘Wolfman’s Got Nards’ Celebrates ‘Monster Squad’, But Doesn’t Offer Much Insight
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‘Boogeyman Pop’ Review – Disjointed and Confused [Cinepocalypse]
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[Review] ‘Inheritance’ Crawls to an Unsatisfying End
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[TV Review] “Preacher’s” Third Season Digs Up Its Family Tree, For Better and For Worse
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[Cinepocalypse Review] Mechanical ‘The Devil’s Doorway’ Plays Like a Collection of Horror’s Greatest Hits
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[Cinepocalypse Review] ‘The Domestics’ Satisfies with Guns Blazing, Blood Splattering and Explosions!
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[Review] Pascal Laugier’s ‘Incident in a Ghostland’ is Problematic Shock Value in a Half-Baked Story
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[Blu-ray Review] ‘The Return of Swamp Thing’ is Horror Fun with a Green Thumb
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[Review] ‘Bloodlines: The Art and Life of Vincent Castiglia’ is a Fascinating Look at a Unique Artist
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[TTCFF 18] Taking a Look at the First Annual Toronto True Crime Film Festival
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[Review] Scarier, More Intense ‘Jurassic World: Fallen Kingdom’ Still a Disappointing Ride
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[Review] ‘Delirium’ is Boring and Stumbles Over Itself
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[Blu-ray Review] Cult Classic ‘Blood Suckers from Outer Space’ Gets a Second Life on Blu-ray
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[UK Blu-ray Review] Martino’s Gruesome Classic ‘Torso’ Gets a Stunning Blu-ray Release
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[Blu-ray Review] ‘Threads’ is a Devastating Look at Nuclear Holocaust
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[Blu-ray Review] CultFilms Delivers the Ultimate ‘Suspiria’ Blu-ray
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[Review] ‘Who’s Watching Oliver’ is a Tragic Love Story Dressed Up as a Raw Serial Killer Tale
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[Blu-ray Review] ‘Grizzly’ Is a ‘Jaws’ Ripoff With a Bear
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[Review] ‘Monochrome’ Isn’t Quite the Character Study It Strives to Be
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[Review] ‘Deadpool 2’: Jokes Don’t Save the Superhero Genre Like They Used to…
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[Review] ‘The Dark’ Is a Chilling Tale of Friendship and Abuse
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[Review] ‘Breaking In’ Breaks Our Spirit With a Lame, Tame Home-Invasion Debacle
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[Review] ‘Family Blood’ Has Teeth, But Lacks a Strong Bite