Cannes 18
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Laurence Fishburne and Thomas Jane Topline ‘Hour of Lead’ [Exclusive]
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Gaspar Noé’s ‘Climax’ Party Descends Into Hell [Trailer]
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Devilworks Enters ‘The Axiom’s World of Monsters [Trailer]
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First ‘The House That Jack Built’ Clips Remind Us That We Still Have ‘American Psycho’
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‘The House That Jack Built’ Art Recreates “Dante’s Inferno”
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Saban Films Goes ‘Between Worlds’ With Nicolas Cage
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‘The House That Jack Built’ Called “Vomitive,” “Torturous”, and “Vile” In Mass Cannes Walkout!
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‘Painkillers’ Posters: Only Blood Can Alleviate the Pain
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New ‘The Russian Bride’ Art Commits For Life
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German-based ‘Smile’ and ‘Death Strip’ Become Horror Influencers
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Another Look at Neon’s ‘Border’ Troll Love Story
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Ray Wise Must Kill to Be Killed In ‘The Chain’
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Violence Implanted Into Brandon Cronenberg’s ‘Possessor’
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‘Baskin’ Director’s ‘Girl With No Mouth’ Finds Backing at Cannes
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Lars von Trier’s ‘The House That Jack Built’ Trailer Looks Like a Slasher Fan’s Wet Dream!
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Lena Headey and Juno Temple Battle In Mickey Keating’s Heist Thriller ‘Crooks’!
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‘Saw’-like Games Torture Berenice Marlohe In ‘Meander’
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Stephen King’s ‘The Gingerbread Girl’ the Latest Adaptation
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‘[REC]’ Director Gets An ‘Eye For an Eye’ In New Revenge Thriller Out of Cannes
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‘Cruel Summer’ Director Spends ‘3 Days On Planet Earth’
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Cannes Trailer for ‘The Lure’ Director’s ‘Fugue’ Struggles to Remember
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‘The Hollow Child’ Calls Vertical Entertainment Into the Woods
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Mads Mikkelsen Thriller ‘Arctic’ Sold After Cannes Screening
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Shudder Catches a Glimpse at ‘The Witch In the Window’