Cinepocalypse 18
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Bloody Disgusting Presents ‘Gags the Clown’, a New Horror-Comedy Starring Lauren Ashley Carter!
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Orion Classics Haunted By ‘Clara’s Ghost’ [Trailer]
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The Five Best Genre Films We Saw at Cinepocalypse 2018
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Godzilla Battles Zombies and Eats Waffles with Eleven in Hilarious Cinepocalypse Bumpers
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‘The Captain’ Wins “Best Film” at Music Box’s Cinepocalypse; Fest Shatters Attendance Record!
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[Cinepocalypse Review] Found Footage ‘Gags’ Carried by Dark Humor
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[Cinepocalypse Review] ‘The Russian Bride’ Only Half Works But Earns Points for a Wild Final Act
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[Cinepocalypse Review] Clunky ‘Malicious’ Lacks Elegance
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Two Bizarre ‘Demon Knight’ Scenes That Didn’t Make It into the Film
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[Cinepocalypse Review] Christmas-themed ‘Await Further Instructions’ is Smart, Bleak and Effective
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[Cinepocalypse Review] Character-driven ‘Empathy, Inc.’ Channels “Black Mirror”
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John Carpenter Wrote a Script for ‘Judgment Night’
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[Cinepocalypse Review] ‘Wolfman’s Got Nards’ Celebrates ‘Monster Squad’, But Doesn’t Offer Much Insight
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Joel Silver Wanted Cameron Diaz to Star in ‘Tales from the Crypt: Demon Knight’
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‘Boogeyman Pop’ Review – Disjointed and Confused [Cinepocalypse]
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[Cinepocalypse Review] Mechanical ‘The Devil’s Doorway’ Plays Like a Collection of Horror’s Greatest Hits
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Blumhouse’s ‘Boogeyman Pop’ Premieres at Cinepocalypse Tonight!
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The Church Has Suppressed the Trailer for ‘The Devil’s Doorway’ [Cinepocalypse]
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Orion Classics Acquires Indie ‘Clara’s Ghost’ Ahead of Cinepocalypse
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Period Horror ‘The Appearance’ Brings Witchcraft to Cinepocalypse [Exclusive Trailer]
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Tech Goes Bad In This Exclusive ‘Empathy, Inc.’ Trailer [Cinepocalypse]
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Grab Some Cotton Candy, Cinepocalypse is Closing Out Their Festival with ‘Killer Klowns From Outer Space’s 30th Anniversary Celebration!
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Orion Classics Returns With ‘The Domestics’, World Premiering at Cinepocalypse!
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‘Malicious’ to World Premiere Chicago’s Cinepocalypse; Scott Derrickson to Head Jury!