Fantastic Fest
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‘She Will’ Director Charlotte Colbert, Alice Krige, and Malcolm McDowell Talk Highlands Witchcraft and Dario Argento [Fantastic Fest]
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[Fantastic Fest Review] ‘Alone With You’ Is a Mixed Bag of Queer Paranoia
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[Fantastic Fest Review] ‘Slumber Party Massacre’ Updates a Feminist Classic for the Modern Era
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[Fantastic Fest Review] Tommy Wirkola’s Zany ‘The Trip’ Puts Its Protagonists Through Intensive Couples Therapy
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Saban Films Acquires ‘The Exorcism of God’ Out of Fantastic Fest
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[Fantastic Fest Review] ‘The Exorcism of God’ Muddles Its Possession Subversion
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[Fantastic Fest Review] ‘She Will’ Casts a Beguiling Spell of Retribution
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[Fantastic Fest Review] ‘Black Friday’ Gifts Audiences With Toothless Satire
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[Fantastic Fest Review] ‘Bingo Hell’ Champions Unlikely Heroes in Splatstick Horror-Comedy With Heart
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[Fantastic Fest Review] ‘There’s Someone Inside Your House’ Offers a Bland Intro to Teen Slashers
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First Look at Ethan Hawke as a Sadistic Killer in Scott Derrickson’s ‘The Black Phone’! [Photo]
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Shudder and Bloody Disgusting’s ‘V/H/S/94’ to World Premiere at Fantastic Fest! [Photo]
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Fantastic Fest’s Final Wave Includes ‘V/H/S/94’, ‘The Black Phone’, ‘Bloody Oranges’, and ‘Silent Night’!
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Fantastic Fest Returns With Killer Line-Up That Includes Neon’s ‘Titane’, A24’s ‘Lamb’, and Documentary ‘This Is Gwar’!
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[Review] ‘Random Acts of Violence’ is a Brutal and Merciless Slasher from Jay Baruchel
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Fantastic Fest 2020 Has Officially Been Cancelled
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[Review] ‘We Summon the Darkness’ Unleashes a Metal Mayhem Joyride
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[Review] ‘VFW’ Pits Vets Versus Mutant Punks in Ferocious Throwback Siege Thriller
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[Horror Queers Podcast] A LIVE! Recording With Mark Patton on the 34th Anniversary of ‘A Nightmare on Elm Street 2’!
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[Horror Queers Podcast] Hacking Into The Gonzo Twists and Turns of ‘The Perfection’
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[Fantastic Fest] 10 Upcoming Horror Films to Keep On Your Radar
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‘The Pool’ Review – It’s Man vs. Croc vs. Abortion in Ridiculously Fun Thriller! [Fantastic Fest]
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Fantastic Fest 2019 Brought a Spotlight to the Extensive History of Horror Cinema from Mexico
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[Fantastic Fest Review] Ambitious ‘The Long Walk’ Offers Genre-Bending Treatise on Guilt and Grief