Horror Queers
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[Horror Queers Podcast] Beef and His Beef in Brian De Palma’s ‘Phantom of the Paradise’
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[Horror Queers Podcast] A LIVE! Recording With Mark Patton on the 34th Anniversary of ‘A Nightmare on Elm Street 2’!
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[Horror Queers Podcast] This 20th Anniversary Party for ‘House on Haunted Hill’ is to Die For
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[Horror Queers Podcast] Gentrification, Incest and Leather in ‘The People Under the Stairs’
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[Horror Queers] Boring Men and Bisexual Erasure in ‘Basic Instinct 2: Risk Addiction’
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[Horror Queers Podcast] Hacking Into The Gonzo Twists and Turns of ‘The Perfection’
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[Horror Queers Podcast] The Red & Blue Camp Aesthetic of LiLo’s ‘I Know Who Killed Me’
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[Horror Queers Podcast] ‘Texas Chainsaw Massacre: The Next Generation’ is a Comedic Masterpiece
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[Horror Queers Podcast] Yet Another Homo-Repressed Bully in Wes Craven’s Dismal ‘Cursed’
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[Horror Queers Podcast] So About That Shaving Scene in ‘Jason Goes to Hell’…
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[Horror Queers] “Stanning” Goes Too Far in ‘The Fan’
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[Horror Queers Podcast] A Not-So-Subtle Queer Reading of ‘IT: Chapter One’
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[Horror Queers Podcast] The Lola of it All in Sean Byrne’s ‘The Loved Ones’
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[Horror Queers Podcast] Lesbian Parenting in ‘Good Manners’
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Season 3 of “The Boulet Brothers Dragula” Makes the Jump to Amazon Prime Next Week!
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[Horror Queers Podcast] Like, Fave and Subscribe To McKaylah’s Desire For Sadie In ‘Tragedy Girls’
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[Horror Queers] Bemoaning Unequal LGBTQ Sexy Time in ‘The Town That Dreaded Sundown’
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[Horror Queers Podcast] Takashi Miike’s ‘Audition’: Feminist, Misogynistic or Both?
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[Horror Queers Podcast] The Subversive Secret Queer in Family Film ‘ParaNorman’
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[Horror Queers] Inverting the Male Gaze Through the ‘Eyes of Laura Mars’
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[Horror Queer Podcast] Celebrating Sisterhood and Canada Day With ‘Ginger Snaps’
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[Horror Queers Podcast] Celebrating Don Mancini and Jennifer Tilly’s Weird, Hilarious ‘Seed Of Chucky’
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[Horror Queers Podcast] ‘Knife + Heart’ Is A Queer Horror Classic
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[Horror Queers Podcast] Debating Art Cinema vs Pornography in Bruce LaBruce’s ‘Otto; Or Up With Dead People’