Revenge of the Remakes
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‘Funny Games’ vs. ‘Funny Games’ – One of the Most Curious Remake Experiments of Them All
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Why Fede Álvarez’s ‘Evil Dead’ Is a Gonzo and Gore-Soaked All-Timer
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‘The Wizard of Gore’ – Only Crispin Glover Shines in 2007’s Herschell Gordon Lewis Update [Revenge of the Remakes]
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‘Willard’ – An Inferior Remake Despite the Dream Casting of Crispin Glover [Revenge of the Remakes]
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‘Halloween’ – How Rob Zombie Made a Horror Classic Entirely His Own [Revenge of the Remakes]
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‘Goodnight Mommy’ – The Kind of Remake That Gives Remakes a Bad Name [Revenge of the Remakes]
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‘The House on Sorority Row’ and ‘Sorority Row’ Fulfill Different Horror Cravings [Revenge of the Remakes]
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How ‘Firestarter’ Fails to Clear Even a Low Bar for Stephen King Adaptations [Revenge of the Remakes]
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David Cronenberg’s ‘The Fly’ Continues to Make a Strong Pro-Remake Argument [Revenge of the Remakes]
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‘The Town That Dreaded Sundown’ Proves Originality Can Come from Recreations [Revenge of the Remakes]
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‘House of Wax’ 2005 Turned a 1950s Horror Movie into a Slasher Spectacle [Revenge of the Remakes]
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‘The Texas Chainsaw Massacre’ Kick-Started the Modern Franchise Remake With Relentless Inhumanity [Revenge of the Remakes]
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The ‘April Fool’s Day’ Remake Kills Off All the Charm of the Original Slasher [Revenge of the Remakes]
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Nia DaCosta’s ‘Candyman’ Reimagines the Mythology With a Sequel-Reboot Hybrid [Revenge of the Remakes]
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‘House on Haunted Hill’ Will Live in Glorious Infamy for Its Over-the-Top Theatrics [Revenge of the Remakes]
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The ‘Thir13en Ghosts’ Remake Ushered Old-School Horror Into a New Millennium [Revenge of the Remakes]
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‘The Blob’ and Its Transformation Into a Violent Highlight Reel of Practical ’80s Gore [Revenge of the Remakes]
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‘My Bloody Valentine 3D’ and Its Reinvigorated Take on a Slasher Classic [Revenge of the Remakes]
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‘Friday the 13th’ and Its Bigger, Badder, and All Around Better Upgrade [Revenge of the Remakes]
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Bob Clark’s ‘Black Christmas’ vs. Glen Morgan and Sophia Takal’s ‘Black Christmas’ Remakes [Revenge of the Remakes]
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Robert Harmon’s ‘The Hitcher’ vs. Dave Meyers’ ‘The Hitcher’ [Revenge of the Remakes]
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Joe Dante’s ‘Piranha’ vs. Alexandre Aja’s ‘Piranha 3D’ [Revenge of the Remakes]
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William Lustig’s ‘Maniac’ vs. Franck Khalfoun’s ‘Maniac’ [Revenge of the Remakes]
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Wes Craven’s ‘A Nightmare on Elm Street’ vs. Samuel Bayer’s ‘A Nightmare on Elm Street’ [Revenge of the Remakes]
