Sundance 19
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[Review] ‘Goodnight Mommy’ Directors Deliver Punishing Unease With ‘The Lodge’
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[Review] Jennifer Kent Subverts Sophomore Expectations With ‘The Nightingale’
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Screen Media Acquires ‘Memory: The Origins of Alien’ Documentary
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Chilling ‘The Lodge’ Trailer Evokes ‘The Shining’ [Video]
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Netflix Hires A.I. Caregiver, Acquires Sundance Hit ‘I Am Mother’
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Cannibalism Makes Sundance Midnighter ‘Corporate Animals’ a Bloody Dark Comedy [Interview]
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‘Little Monsters’ Director Discusses the Creation of the Zombies in His Sundance Hit [Interview]
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‘Little Monsters’ Director On Turning Lupita Nyong’o into a Badass Heroine for Today’s Kids [Interview]
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[Sundance Review] ‘The Death of Dick Long’ is a Bizarre and Kinky Comedy
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‘Hail Satan?’ Director Penny Lane Believes the Satanic Temple Will Lead the Anti-Satanic Panic [Interview]
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How ‘The Hole in the Ground’ Put its Own Twist on Creepy Kids [Interview]
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[Sundance Review] ‘Wounds’ is the Nastiest and Grossest Horror Film of the Year (So Far)
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‘The Hole in the Ground’ Clip Spooked by a Creepy Old Woman [Video]
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The Orchard Acquires Gothic Thriller ‘Them That Follow’ Out of Sundance
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How the Massive Sinkhole Was Created for A24’s ‘The Hole in the Ground’ [Interview]
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[Sundance Review] Kiersey Clemons Shines in Desert Island Creature Feature ‘Sweetheart’
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Director Jennifer Kent Comments on Those LGBTQ ‘Babadook’ Memes [Interview]
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‘The Hole in the Ground’ Used Little CGI and a Finnish Contortionist for the Monster [Interview]
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[Sundance Review] ‘Little Monsters’ is an Adorable, Raunchy Blast!
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Millennials Are the Real Monsters of ‘Wounds’, From ‘Under the Shadow’ Director Babak Anvari [Interview]
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[Sundance Review] ‘Don’t Let Go’/‘Relive’: Performances Carry This Time Travel Thriller
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Jennifer Kent Says the Revenge in ‘The Nightingale’ is Not Supposed to Be Satisfying [Interview]
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[Sundance Review] ‘The Hole in the Ground’ Rewards Patience with a Killer Premise
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What ‘Memory: The Origins of Alien’ Reveals About the Sexual Metaphors in the 1979 Film [Interview]