Sundance 19
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Jennifer Kent is Working on “Something Scary” With Guillermo del Toro! [Exclusive]
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‘Memory: The Origins of Alien’ Director on Ridley Scott’s Lack of Involvement in the Documentary [Interview]
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[Sundance Review] Dan Gilroy Goes Full Horror With ‘Velvet Buzzsaw’!
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[Sundance Review] ‘Extremely Wicked, Shockingly Evil and Vile’ Entertains But Feels Irresponsible
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Neon and Hulu Team on Sundance Zombedy ‘Little Monsters’!
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Neon Acquires Hot Sundance Title ‘The Lodge’!
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[Sundance Review] ‘I Am Mother’ Brings the Suspense to Smart Sci-Fi
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[Sundance Review] Hitchcockian ‘The Wolf Hour’ is Grimy, Tense and Menacing
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’78/52′ Director Working With William Friedkin On an ‘Exorcist’ Documentary! [Exclusive]
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[Sundance Review] ‘Memory: The Origins of Alien’ Offers Fans of the 1979 Classic a Remarkable Amount of Insight
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The Statue of Liberty Hails Satan on New Poster Art [Sundance]
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Netflix’s ‘Velvet Buzzsaw’ Art Spray-painted in Blood
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Sundance Extras: ‘Judy and Punch’ and ‘Kaiju Confidential’
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Fresh Shot of Sundance’s ‘Corporate Animals,’ Ed Helms and Demi Moore
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IFC Acquires ‘Babadook’ Director Jennifer Kent’s ‘The Nightingale’
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‘Creep’ Director Heads to Sundance with ‘Corporate Animals’
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New Shots of ‘I Am Mother’ Robot Raising a Child [Sundance]
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New Look at Zac Efron’s Ted Bundy in ‘Extremely Wicked, Shockingly Evil and Vile’ [Sundance]
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Magnolia Acquires Sundance Doc ‘Hail Satan?’