TIFF
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‘The Predator’ Will Open This Year’s Midnight Madness at TIFF!
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‘Halloween’ to World Premiere at the Toronto International Film Festival!
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First Look at Emile Hirsch as a Disturbed Father in ‘Freaks’ [TIFF]
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KinoVortex Film Series Strikes With ‘Five Deadly Venoms’ & More!
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Ten GIFs to Mark The Toronto Premiere of “Mon Mon Mon Monsters”!
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‘Ichi The Killer’ 4K Hits Toronto As Part of KinoVortex Film Series!
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IFC Acquires ‘Mary Shelley’ Biopic Ahead of AFM
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[TIFF Review] ‘Veronica’ is a Stylish, Albeit Familiar, Possession Film
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Kino Lorber Acquires ‘Let the Corpses Tan’ Out of TIFF
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IFC Midnight Calls Upon ‘Pyewacket’ Out of TIFF
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Trailer for ‘Les Affamés’ (‘Ravenous’) Looks Like it Slays!
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[TIFF Review] ‘Vampire Clay’ is an Unintentionally Funny Mess
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[TIFF Review] ‘Mom and Dad’ is Peak Cage (Not in a Good Way)
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[TIFF Review] ‘The Shape of Water’ is a Beautiful and Captivating Fairytale
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[TIFF Review] ‘Downrange’ is Gloriously Vicious and Mean-spirited
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[TIFF Review] ‘The Ritual’ Will Make You Reconsider a Hike in the Woods
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[TIFF Review] Occult Film ‘Pyewacket’ Succeeds by Teasing and Delaying the Horror
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[TIFF Review] ‘Brawl in Cell Block 99’: Brutality of Fights Worth the Price of Admission
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Bloody ‘Downrange’ Clip: It’s Not So Funny Anymore, Is It?!
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30WEST Harbors a Murderer with TIFF Thriller ‘Beast’
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[Interview] ‘Let the Corpses Tan’ Directors Hélène Cattet and Bruno Forzani
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IFC Acquires Ellen Page Zombie Flick ‘The Cured’
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[TIFF Review] ‘Revenge’ is a Bloody Revisionist Take On the Rape-Revenge Film
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[TIFF Review] ‘Marrowbone’ is An Overly Complicated Ghost Story