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Joe Dante Talks Return to Horror and ‘The Hole’ Being 3-D

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It’s pretty exciting to see the director of GREMLINS, PIRANHA and THE HOWLING making a huge return to horror with The Hole, but did you know that director Joe Dante doesn’t really find much of an interest in horror films? Beyond the break you can read a portion of an interview where he talks about how he returned to horror and why he decided to shoot in 3-D.
Joe Dante talks to Screen Daily about his new feature, THE HOLE, which was funded by Bold films for approx $15m. First on the list is why he’s returning to horror.

I’ve made a lot of horror movies but generally don’t find much of interest in them because the material doesn’t appeal to me,” Dante says as he prepares to begin production in Vancouver in December. “This was different: it’s essentially a family-oriented story and I found the quality of the writing and characters to be above average.

When he read the script for The Hole, a lightbulb clicked on inside his head. “3D seems to be in the news again due to the peripatetic efforts of Jeffrey Katzenberg, so I thought this might be the time to do a 3D movie.

The story features a family who move into a new house where the children find a bottomless hole in the basement. “Of course, there’s something bad in the hole and I thought we could use 3D to enhance the telling of the story with things not so much coming at you but going away from you.

Teri Polo, Chris Massoglia and Haley Bennett will star in the film written by Mark L. Smith.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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