Movies
‘The Titan’ Trailer Looks Like a Huge Misstep
Voltage has released a disappointing first trailer for Lennart Ruff‘s The Titan, available in cinemas and on Digital HD from April 13, 2018, courtesy of Signature Entertainment.
In the film, a military family takes part in a ground-breaking experiment of genetic evolution and space exploration.
While it boasts an impressive cast that includes Sam Worthington (Terminator Salvation, Clash of the Titans), Taylor Schilling (Orange Is the New Black), and Tom Wilkinson (The Exorcism of Emily Rose), the footage looks awful, almost laughable.
“When Earth’s resources start rapidly depleting, the human race is faced with the threat of swift and inevitable extinction. As the clock ticks down, and options become increasingly limited, space exploration emerges as mankind’s last hope. Hotshot Air Force pilot, Rick Janssen (Worthington), is chosen for a military experiment that will create a human being capable of surviving the harsh environments of Saturn’s moon, Titan. The experiment is successful, turning Rick into a super-human. But it also creates deadly side-effects which threaten the lives of Rick, his wife, Abigail (Schilling), his family, and possibly humanity itself.”
Updated with a new synopsis and UK release date.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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