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[World of Death] Love and the Internet with “Chat Room”, “A/S/L”, and “I’m Streaming Death”

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Greetings Creeps and Creepy Kid Creatures!! It is that time… it’s summer but so close to fall you can taste it! What better time than now to sink your teeth into August’s episode filled with treacherous territory on World of Death? This month’s evil images deal with two things that no one can get away from these days; Love and the Internet. Whether it is physical, emotional or unrequited once you add the Internet to the mix, the results are not pleasant as these three films show us.

First up, we present to you, “Chat Room”. Written and directed by Emily Bennett, I was immediately hooked by the great scenes of Chicago and the familiarity of a true Chicago apartment where I may actually KNOW someone who lives in the building. What seems like a normal girl, on a normal day, on her normal birthday, is anything but that. The performance by Mary Tilden holds you captive and was heartbreaking as every tap she made on her keyboard led her closer to what would be her birthday wish. Beautiful use of candlelight signifying a perfect balance of romance and the birthday norm with captivating closeups that enhance the suffocating tone and tension of being with the one you love and waiting for each word to manifest your desire on screen. Tilden’s performance, as well as the alluring direction, cinematography and superb editing make this short one of my favorites of the year and one that should get more recognition. Bennett is a director whose work I look forward to seeing more of for years to come. Word to the wise, when you are looking for love, look them in their actual eyes before you make a lifelong commitment.

Next up, “A/S/L” written and directed by Benjamin Swicker tells the tale of a married middle-aged man and a child who meet online and the outcome is what I call, you get what you GET! The performances by Brendan Boogie and Claire Candela anchor the film but it was the details of Boogie’s wardrobe choices and the momentary glimpse of an awkward family photo with the collection of his children, not much older than our lead character’s female Internet friend, that really UPPED the creep factor for me. This film also made me aware of what ASL is: Age, Sex, Location. Once I found that out, the obvious crimson flags went off, Stop, Stop now, Okay NOW Stop and even though the conclusion wasn’t exactly surprising, it was more… rewarding to the audience. Like I said kids, You get what you GET!!! Kudos to Tristan Risk for being the leader of today’s youth, I know I would like to see more of in the circumstance presented.

For your final viewing pleasure is director Ron Purtee‘s “I’m Streaming Death”. This film clocks in at a little over three minutes and cuts right to the chase with two young women; one tied up to a chair, the other with a BIG knife who is proclaiming her vexation while live streaming with viewers and anyone else watching of the wanted acceptance, accolades and most of all LOVE from the number of strangers that she hopes are watching on her site. Once her competition is gone, who else could these strangers, who are nothing more than numbers, love? This is a tale I am actually surprised has not been done before… in reality. My biggest critique would be to invest in red dye, corn syrup and lighter apparel for your victim so when the audience experiences the final outcome onscreen, it will be more shocking to the viewer.

Keep slaying it this summer and enjoy these August delights!

Scaring, sharing and caring,

– Cati Glidewell
The Blonde In Front

World of Death is the web series that fans of independent horror have been waiting for.  Featuring short horror films from all over the globe created by the largest variety of talent that a collection has ever been able to boast, WOD provides plenty of blood, guts, screams and laughs for all fans of the macabre.  WOD is the perfect entertainment for a fan base constantly on the go.  Watch it anywhere, at any time, for FREE! New episodes premiere the first Wednesday of every month at 10am CST.

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Indie

“Bite Size Short: Her House of Horrors” Announce Short Grant Program!

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Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.

The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.

The 2024 Bite Size Short Grant Program judge lineup is as follows:

“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.

“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.

“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.

“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”

Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.

WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.

To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.

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