News
New Screens And A Possible Demo Revealed For Resident Evil: Revelations
As we all mentally prepare ourselves for our return to a more horrifying Resident Evil when Revelations releases on February 7, some new details have come out regarding the creatures we’ll be fighting and the possibility of a demo. The monsters definitely rank up there in the what-the-fuck-is-that category that Resident Evil 4’s Regenerators fell into — seriously, those things terrified me — so that’s good for a game that promises a return to the series’ roots in survival horror.
Most of these things look like they were ripped from Silent Hill; the Ooze in particular is something I could easily picture lurking in a foggy alley. Head past the break some details on a possible demo and a look at some of the ass-ugly creatures we’ll be fighting when Revelations hits next month. First off, there’s a distinct possibility that we’ll be able to get our anxious fingers on a Revelations demo. Christian Svensson, Senior Vice-President at Capcom took to the Capcom Unity message boards to discuss the possibility.
“A RE: Revelations demo for NA and Europe is coming.
In the case of NA, we’re awaiting our date confirmation and code approval from NOA (we have a tentative from them, but I’ll have to keep you in suspense).
When we have something more concrete to share, you won’t be able to miss it on the Capcom-Unity blog.” Svensson said.
Good thing too, because I’d like to practice my girlish scream for when I come across one of those fantastically creepy new enemies. You can really get to know them by visiting the Revelations website, but if that’s too much work you can always check out some screens of these sexy beasts below.
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Source: Capcom Unity & Resident Evil JP
All of us here at Bloody Disgusting are deeply saddened to learn that George A. Romero Foundation Founder and President Suzanne Desrocher-Romero has passed away.
GARF shared in a statement on socials, “It is with a heavy heart that we announce the passing of Suzanne Desrocher Romero. Suzanne passed away of natural causes on June 24 at her home in Toronto after a prolonged illness.”
The statement continues, “Suzanne was the fierce leader of the George A. Romero Estate and The George A. Romero Foundation. She worked tirelessly to preserve George’s legacy. Her work at the foundation will continue to inspire and live on for generations to come. The family asks for privacy at this time.”
Desrocher-Romero founded GARF in 2018, after her late husband’s passing in 2017, and has been a fierce advocate for his legacy and the arts. It was her mission to “strengthen horror as a serious field of global study,” and she was a tremendous fighter on behalf of Romero’s works and supporting new filmmakers inspired by his legacy.
It was Desrocher-Romero who spearheaded the recovery and restoration of The Amusement Park, and, as the person in charge of the George A. Romero estate, worked closely with author Daniel Kraus on completing unfinished novels like Pay the Piper and The Living Dead. She most recently celebrated the restoration of her favorite of Romero’s zombie films, Day of the Dead, and was hard at work producing the upcoming film Twilight of the Dead.
That passionate advocacy led to Suzanne Desrocher-Romero becoming family to Bloody Disgusting as well.
2023 marked the start of an ongoing partnership between Bloody FM and GARF on The Dead, a scripted audio series spanning multiple seasons that saw Desrocher-Romero working closely with the Bloody FM team and mentoring the series’s contributing writers with GARF. To say her loss will be felt internally is an understatement.
“Anytime George Romero is mentioned is good, because what we are doing is to provide a healthy legacy. We’re uplifting his legacy, we’re supporting the archive, and we’re also supporting the Horror Study Center. So, all of these three things are what the Foundation is striving to do. As far as I’m concerned, the more we say George Romero’s name, the better it is,” Desrocher-Romero recently told BD.
It’s the perfect encapsulation of her unwavering enthusiasm for supporting Romero’s legacy and the horror genre, and just a glimpse at how much she contributed to preserving it. She is, in short, an inspiration.
We send our deepest condolences to Suzanne Desrocher-Romero’s family, friends, and GARF.
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