Movies
Another Take On ‘The Hunger Games’, Write In With Your Reviews!
Lionsgate’s Gary Ross-directed adaptation of The Hunger Games hits theaters today, and judging from it’s $19 Million midnight haul, plenty of you have seen it already!
From my 8/10 review, “Ultimately ‘The Hunger Games’ is almost a minor miracle. What could have been a quick and easy cash-in on an existing property is instead a carefully considered, thrilling and touching piece of populist entertainment. It’s sort of an exciting prospect that, for the first time in a long time, we’re going to have a pop culture “moment” centered around a film that actually made the effort to tell its story well (even though it’s a shame that this is now the exception to the rule).”
We also have another review for the film – through the lens of someone who has read the books – from BD’s Jonathan Barkan. While he didn’t dislike the film, his take is certainly less enthusiastic than my own. “As a book-to-film adaptation, this rightfully deserves a 9/10. But in terms of my enjoyment of the film, I find that I can’t be so generous.”
In theaters today from director Gary Ross, the film stars Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, Dayo Okeniyi, Amandla Stenberg, Chris Mark, Jacqueline Emerson, Wes Bentley, Lenny Kravitz, Toby Jones, and Stanley Tucci.
Write in with your review now! And hit the jump for Barkan’s take! The Hunger Games – Jonathan Barkan
I feel that I have to throw in my view on The Hunger Games film, as it seems I’m the only reviewer at Bloody-Disgusting that’s also read through the series. As a result, I felt like throwing in my two cents couldn’t hurt anyone, right?
So, let’s get the plot out of the way: in the future, North America, now referred to as Panem, has been divided into 12 districts and a major city known as The Capitol. Every year, each district sends one male and one female between the ages of 12 and 18 to a tournament known as the hunger games. In this tournament, the contestants must fight to the death until only one is left alive. Our protagonist, Katniss Everdeen (Jennifer Lawrence), chooses to volunteer in order to take the place of her 12 year old sister, Primrose, who was originally chosen. And so begins the tale.
Split basically into three parts, the movie begins with Katniss and her life in District 12. Thankfully, this section of the film is kept short and direct. Even in the book, nothing of any great importance happened during this segment, aside from the introduction of Gale, Katniss’s best friend and hunting companion. By whittling this down, the film was able to go directly to the second part, which is the preparation for the games themselves. This included training, interviews, planning, etc… And then finally, we get to the games themselves.
This is where the movie shines, but who really expected it to be the most interesting at any other point? The purpose of this book and this movie is to show the games themselves, fueling our need to voyeuristically relish in the slaughter of teenagers (something I fully admit to doing). It would be like saying the best part of Alien is when Kane had the facehugger attached to his face and that the rest of the movie was, well, meh.
For as much as Katniss goes through some incredibly trying and difficult moments during the games, it never seems that she changes all that much or goes through any sort of growth. This could very well be that her character in the book and the movie is just so damn dull. Yup, I said it. I think Katniss is an incredibly boring, selfish character that doesn’t deserve the fascination or appreciation of the audience.
The film was shot very well but had a very bad case of the camera being smack dab in the middle of any sort of action sequence, shaking from side to side as though the cameraman was in the midst of a grand mal seizure. Whatever happened to the days when a fight could be shot from a bit of a distance, allowing the filmgoer to actually understand what is happening?
The movie was also rather uninteresting when it came to the music department. There weren’t any cues that stood out nor did any of them serve to amplify the emotion of the scene. The music was just…there.
I must make it clear that I wasn’t exactly a fan of the books. They were written well enough but nothing about them stood out as anything special. Truly, it felt like (as everyone and their mother have referenced) Koushun Takami’s Battle Royale with a dash of the 1987 sci-fi action film The Running Man. However, the books never captured the same intensity, instead feeling like a lackluster hodgepodge for Twilight fans to salivate over.
That being said, I have to give it to the writers of the film. For a book-to-film adaptation, this movie remained remarkably accurate to the source material. And even though there were a great many details that had to be left out for time constraint purposes, there were several little winks to the audience for those who read the books. For instance, when Katniss leaves the house in the beginning of the film, Prim’s cat hisses at her. Anyone who has read the books will understand how significant that is as the story progressed in the second and third novels.
Speaking of time constraints, the movie, as I said, did a remarkable job of knowing how to take richly detailed scenes from the book and get the most important parts transitioned onto screen. Which is why I found it so strange that I felt like the movie was somewhat too long. At 142 minutes, the film felt like it dragged during some scenes and I shifted in my seat, resisting the urge to look at the time.
In conclusion, I find myself torn. As a book-to-film adaptation, this rightfully deserves a 9/10. But in terms of my enjoyment of the film, I find that I can’t be so generous. In the end, The Hunger Games never thrilled, it never excited, and it ultimately left me bored.
3/5 Skulls
Movies
7 New Horror Movies Releasing This Week Including ‘Lockbox’
The holiday weekend means a light week for new horror releases, but it does bring the return of Dark Castle Entertainment to select theaters. It’s being joined by 6 new horror movies.
Here’s all the new horror releasing June 29, 2026 – July 3, 2026!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.

You wished for it. The highest-grossing horror movie of the year (so far), Curry Barker’s Obsession, arrived on Digital on June 30.
In Curry Barker’s theatrical debut Obsession, after breaking the mysterious One Wish Willow to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.
Michael Johnston (“Teen Wolf”), Inde Navarette (“Superman & Lois”), Cooper Tomlinson (“That’s a Bad Idea,” Milk & Serial), Megan Lawless (The Death That Awaits), and Emmy Award-nominee Andy Richter (“Conan,” Elf) star.

Based on a story by director James Kondelik (Behind The Walls) and a screenplay by Canadian writer Victor Rose, survival thriller Pitfall headed home to Digital on June 30. Family is murder in this Cineverse release.
In Pitfall, a young man becomes separated from his friends in the woods and plunges into a ten-foot pit lined with spikes, impaling his leg and leaving him helpless. As reality sinks in and his situation grows dire, he realizes the fall wasn’t an accident.
The film stars Richard Harmon (Final Destination: Bloodlines), Alexandra Essoe (The Pope’s Exorcist), and UFC champion Randy Couture (The Expendables) as the ruthless killer who stalks his prey in the woods. Marshall Williams (The Ice Road), Jordan Claire Robbins (The Umbrella Academy), and Matt Hamilton (Murder for Sale) also star.

The Amityville IP leans into Jaws with Amityville Shark House, just in time for the Fourth of July holiday too, as it released on Digital June 30.
Will Collazo Jr. (Amityville Thanksgiving) and Shawn C. Phillips (Amityville Karen) co-direct from a script they wrote with Julie Anne Prescott.
In the movie, after discovering an ominous shark idol hidden beneath the decaying floorboards, Richard unknowingly awakens an ancient and savage force. As the entity begins to merge with him, a quiet coastal town descends into blood-soaked chaos.
With each victim claimed, the monstrous predator grows stronger, fueling a cult’s belief that their dark god has been reborn. Now, the race is on to stop the carnage before evil consumes everything in its path.
Phillips and Prescott also star alongside Tasha Tacosa, Maritza Brikisak, Gigi Gustin (The Retaliators), Adam Marino, and Carl Solomon.

Available on Digital, Blu-ray, and DVD as of June 30 is Jacked, directed by John Fucile from a script he co-wrote with Simon Fraser.
The synopsis: “Set in the summer of 1987, JACKED follows two small-town teenagers whose day at the lake turns into a fight for survival after their car breaks down and they encounter a violent stalker.”
Marla Jean Robison, Tom Koch, Anthony Cipriani, Wynn Reichert, Kam Perez and Bella Marie star.

Get ready to work up a killer sweat and maybe spill some blood with Slashercise, a workout meets slasher hybrid that arrived exclusively on Bloodstream on July 1.
Written and directed by Ama Lea (Deathcember), the retro-styled feature follows “a masked killer known only as Meathead as he stalks the fitness clubs of Los Angeles, turning workout sessions into blood-soaked nightmares. As the city’s top trainers are picked off one by one, a group of determined fitness fanatics must fight back before they become the next bodies on the mat.”
Vanessa Decker (Stiletto), John Bloom (The Last Drive-In With Joe Bob Briggs), Spencer Charnas (Ice Nine Kills), Sarah French (Blind), Kelli Maroney (Night of the Comet), Sarah Nicklin (V/H/S/Halloween), Diana Prince (The Last Drive-In With Joe Bob Briggs), Jared Rivet (The Once and Future Smash), Felissa Rose (Sleepaway Camp), Tiffany Shepis (Victor Crowley), and Lisa Wilcox (A Nightmare on Elm Street 4: The Dream Master) star.

After a record-breaking box office run, A24 and director Kane Parsons’ feature debut is heading back to theaters with bonus footage. AMC Theatres is unleashing Backrooms: Everything Must Go Editiontoday, July 3.
In the film written by Will Soodik, the owner of Cap’n Clark’s Ottoman Empire discovers a strange doorway in the basement of the furniture showroom. He sets out to explore the mysterious, liminal space, walking headfirst into a creepypasta nightmare.
Chiwetel Ejiofor and Renate Reinsvestar.
AMC describes this release as a “theatrically exclusive post-credit” with additional footage from Kane Parsons. Expect 16 minutes of bonus footage, with the new version clocking in at 2 hours and 6 minutes.
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The Last Exorcism director Daniel Stamm and Dark Castle Entertainment are back with Lockbox, in select theaters July 3. It adapts Soren Narnia‘s Knifepoint Horror Podcast story “Winthrop” by Emmy-winning playwright Justin Yoffe.
In Lockbox, “Seeking peace after her mother’s death, Ellen retreats to a rural town and takes in her severely traumatized cousin Winthrop. Their fragile domestic balance shatters when an erratic neighbor warns that Winthrop is dangerous. As strange phenomena escalate, Ellen must put everything on the line to defend Winthrop from a dangerous otherworldly entity determined to track him down.”
Lou Taylor Pucci (Touch Me, Evil Dead), Carla Gugino (The Haunting of Hill House, Gerald’s Game, The Fall of the House of Usher) and Katharine Isabelle (Ginger Snaps, Backrooms) star.
This week’s new release roundups are presented by Lockbox.
Be careful who you let in. Carla Gugino and Lou Taylor Pucci star in Lockbox, only in select theaters this Friday. Get tickets.
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