Movies
[TV] Meet “True Blood’s” New King Of Louisiana!
“True Blood” has crowned the new king of Louisiana.
Arliss Howard (“Rubicon,” “Medium”), pictured, is joining the HBO drama’s forthcoming sixth season in the series regular role of Louisiana Governor Creighton Burrell, TVLine has learned.
The character is described as a good ol’ boy politician who has a major beef with vampires ever since his wife ran off with one, leaving him as a single father to their only daughter. Politically savvy and perhaps overly ambitious, Creighton tends to let his personal aspirations overshadow his humanity.
Howard’s other credits include the films Full Metal Jacket, Ruby, The Lost World: Jurassic Park and Moneyball.
“True Blood‘s” sixth season is slated to premiere in June.
Books
Netflix Reteams with ‘Emilia Perez’ Director on ‘La Nuit ravagée’ Horror Adaptation
Netflix is reuniting with Emilia Perez director Jacques Audiard on an adaptation of French horror novel La Nuit ravagée, Variety reports today.
The project is described as an elevated horror film based on the critically acclaimed horror novel by Jean-Baptiste Del Amo.
It’s set in “Saint-Auch, a fictional suburb on the outskirts of Toulouse in Southern France, in the early 1990s. It follows a group of teenagers drawn to an abandoned house that exerts a strange power on them. After one of their friends dies under disturbing circumstances, they decide to enter the house, not suspecting it’s alive with something supernatural. Once they enter it, it begins to feed on their private fears, desires, and traumas, turning their psychological vulnerabilities into something monstrous and inescapable.“
The French-language Netflix original marks Audiard’s first foray into horror.
The divisive Emilia Perez, Audiard’s Spanish-language musical crime drama, amassed 13 nominations at the 97th Academy Awards but also met with controversy when offensive tweets by star Karla Sofía Gascón during the film’s award campaign.
Del Amo’s source novel was published last year and has been described as an homage to ’80s and ’90s horror in the vein of Stephen King, though its social realism is what lends itself to the elevated horror concept and Audiard’s attachment to the project.
Stay tuned for more as it arrives.


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