Horror television is in a good place right now. The Exorcist, Channel Zero and Stranger Things are all taking small screen horror to interesting new places,...
In recent years, we’ve seen countless genre mashups in the superhero world – Logan’s a western, Guardians of the Galaxy’s a space opera, Spider-Man: Homecoming’s a...
What a weekend! New Line Cinema’s adaptation of Stephen King’s “IT” has just had the best opening weekend for a horror film ever. But, let’s be...
The official final numbers aren’t even in yet, but IT is set to have the biggest opening weekend ever for a horror film. But just how...
The strangely titled The End? combines a single location survival thriller with a zombie film, as successful money man Claudio’s (Alessandro Roja) elevator experiences a technical...
The opening of The Terror of Hallow’s Eve feels very familiar. It’s October 30, 1981. Three high school girls walk the suburbs. When separated, a rustle...
Guillermo Del Toro has become the king of blending the worlds of the living and the dead. So many of his films explore a world of...
Veronica is an example of a titling oversight gone right. I went into Carlos Algara and Alejandro Martinez-Beltran‘s film expecting a Ouija board shocker from [REC]...
For anyone still struggling to understand why Brexit happened, Dominic Brunt has put together a unique British social class farce to help you out, Attack of...
The remake of Alexandre Bustillo and Julien Maury’s extreme French shocker Inside might be unnecessary, but that doesn’t mean director Miguel Ángel Vivas doesn’t still mine...
Zombie movies rarely look as good as the evocatively titled It Stains the Sand Red and it isn’t all that common to find a zombie flick...
It’s difficult when watching any British horror comedy not to be drawn into comparisons with Edgar Wright’s standout Shaun of Dead. And Double Date is another...
It’s hard to know where we stand with the twisted timelines of the three incarnations of The Texas Chain Saw Massacre franchise. Technically, Leatherface shares a...
Nica Pierce (Fiona Dourif), the lone survivor of Curse of Chucky, is bound to a mental institution, brainwashed into thinking that Chucky’s most recent victims were...
Okja, one of Netflix’s first Asian co-productions, isn’t just a clash of cultures: it’s a clash of tones, performances, music and visuals. On the one hand,...
Under the gaze of a microscope, everyday objects can seem immense. A fracture in a metal beam becomes a vast canyon and a human eyeball a...
I wasn’t much of a fan of Yorgos Lanthimos‘ last feature, the bizarre indie hit The Lobster, but The Killing of a Sacred Dear is a...
While IMDb has it categorized as a mystery thriller, for the sake of argument, let’s deem Gore Verbinski’s latest, A Cure for Wellness, a horror film....
The behind-the-scenes details of the chestburster scene from Ridley Scott’s 1979 sci-fi/horror classic, Alien, are widely known, at this point: the Nostromo’s crew (minus John Hurt’s...
Spaceship isn’t an easy film to describe. But, suffice to say, if the synopsis seems strange, it’s an even more idiosyncratic film in execution. In the...
Kristen Stewart is on uncharacteristically weak form in Olivier Assayas’ psychological drama, Personal Shopper. She plays Maureen, a personal shopper for an A-list celebrity in Paris,...
Tensions fray between an occult practitioner and a desperate mother in Liam Gavin‘s flawed chamber piece, A Dark Song. Struggling to come to terms with the...
Adam Wingard and Simon Barrett (the director and writer duo behind such films as You’re Next and The Guest) have done it: their Blair Witch is...
Saw franchise veterans Marcus Dunstan and Patrick Melton (co-writers here, with the former on directing duties) channel their inner Hitchcock (with flashes of Scorsese and Michael...
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