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[Review] The ‘Tragedy Girls’ Leave a Hilarious and Bloody Mess at SXSW!

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After suffering through countless overtly serious genre films at this year’s SXSW, I was saved by Tyler MacIntyre’s fiercely entertaining Tragedy Girls.

Boasted as a “new spin on the slasher genre,” the film delivers on this promise, approaching the killing from a different perspective. Alexandra Shipp and Brianna Hildebrand, pictured above, star as two death-obsessed teenage girls who use their online show (“Tragedy Girls”, of course) about real-life tragedies to send their small mid-western town into a frenzy.

**SPOILER WARNING**

Tragedy Girls opens with an instant twist; the two girls bait a local slasher (Kevin Durand) into the woods where they knock him out and capture him. With hopes of learning the tricks of the trade, they embark on their own killing spree with one goal in mind: popularity on social media. Yes, tackling teens’ obsession with social media is pretty obvious social commentary, but it does open the door to a lot of the film’s genuinely funny moments.

[SXSW 2017] Keep up with all of the news and reviews here!

Speaking of humor, the obvious (and overused) comparison would be to Wes Craven’s Scream, or maybe Joseph Kahn’s criminally underrated Detention. MacIntyre, who co-wrote the script with Justin Olson and Chris Lee Hill, understand what audiences want – and that’s to have a good time. So many independent genre films get lost in their own art, focusing way too hard on visuals and not enough on an engaging experience. Tragedy Girls does it all, is lightning fun, and is over in a blink of an eye.

So, it’s fun. Big deal. We’re talking about a slasher film. How gory is it? While you won’t see pools of blood by any means, there are some vicious death sequences that are not only over-the-top awesome but also hilarious. The girls are trying to kill people, but suck at it, and the result are victims accidentally murdering themselves. The comedy rolls over as the police refuse to accept there’s a mass murderer on the loose, instead deeming the deaths an “accident”. The deaths are brutal, Final Destination brutal, directed and edited with precision for maximum impact that surely will have audiences roaring in delight.

While I doubt you’ll see Tragedy Girls opening in theaters across the country, it’s a film worthy of seeking out in what will probably be some sort of limited release.  You’ll most definitely fall in love with these girls and will be boasting admiration for them across all social media platforms.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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