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Life of Agony Evokes ‘Hellraiser’ in Newest Music Video

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It’s such a strange feeling writing an article on Life of Agony, one of my favorite bands in high school. In fact, the original lineup hasn’t even been together for 20 years, breaking up for a short period of time. From River Runs Red (1993) to Soul Searching Sun (1997), the bend devolved from heavy metal to something a bit more mainstream. No matter the sound, Keith/Mina Caputo’s potent vocals were the biggest draw, which is why the 2005 Broken Valley was a big pass for me.

I digress, as the original lineup is back again with A Place Where There’s No More Pain,  out now through Napalm Records and it brings back the punch of River Runs Red with new/modern vocal stylings by Mina. If you grew up listening to Life of Agony, there’s a lot to like on the new album, for everyone else, here’s a Hellraiser-inspired music video for “World Gone Mad” that resurrects a demon from a bloody mattress much like Uncle Frank in Clive Barker’s seminal horror film.


Order “A Place Where There’s No More Pain” now!
Napalm Records: http://smarturl.it/APWTNMP-NPR
Amazon: http://smarturl.it/APWTNMP-Amazon
EMP: http://emp.me/SNH
iTunes: http://smarturl.it/APWTNMP-DL

Produced by Firebelly films
Directed by Leigh Brooks
DOP Scott Vaughan Jaeger
Production designer Will Randall / formaldehyde design Co
make up artist Ruth pease
Editor And Online Colourist: JP Davidson
VFX artist Lucien Devivo
Model: Simona martini
Post house tone films

“Life Of Agony’s return is set to blow you away!”

Life Of Agony emerged from the New York music scene in the early ’90s with one of the most distinctive sounds in its genre. Best known for its 1993 metal/crossover debut River Runs Red, the band instantly built a die-hard, cult following. For over two decades, the group toured relentlessly all over the world, sharing stages with the biggest names in rock, including Metallica, Black Sabbath, Ozzy Osbourne, Foo Fighters, and The Red Hot Chili Peppers. After the much-praised Ugly (1995), LOA opted for a highly energetic alternative rock approach on Soul Searching Sun (1997) and Broken Valley (2005) – the latter produced by Greg Fidelman (Slipknot, Metallica). Life of Agony has sold over one million albums to date.

In 2016, LOA signed a deal with Napalm Records to record the group’s 5th studio album, titled A Place Where There’s No More Pain. Rolling Stone hailed it as “One of the Most Anticipated Albums of the Year”. The album is produced by Matt Brown & Life Of Agony and mastered by Ted Jensen (Alice in Chains, Machine Head, Deftones). The drive and intensity these ten blistering new tracks possess, surpass all expectations that built up in the past 12 years – a cathartic Sturm & Drang experience for the listener that matches the ferocity of River Runs Red with gut wrenching rock melodies. Raging guitar riffs, heartfelt lyrics and killer grooves mark the return of LOA’s signature sound and turn A Place Where There’s No More Pain into a passionate, soul-searching affair.

The highly emotional lyrics by singer Mina Caputo link all songs by the four-piece together, then and now: born as Keith Caputo, she had her Transgender coming out in 2011, changed her name, but kept her inimitable style of writing deeply from the heart. “And I just want to disappear and hide,” she sings and shines a light on the path of all lost souls – while steadily walking her own. „Many of our fans have told us over the years that sharing our personal struggles has been cathartic for them in healing the pain in their own lives. That uplifting energy we share at the shows, gives us hope that there’s light at the end of the tunnel. And for us and hopefully our fans, that short time when we’re all together is a place where there’s no more pain.”

The famed River Runs Red line-up, featuring vocalist Mina Caputo, guitarist Joey Z, bassist Alan Robert, and drummer Sal Abruscato are excited to take the stage together once again this Spring.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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