Movies
Introducing [Trailer Tracks] Dissecting ‘The Helpers’ Trailer!
Movie commercials offer us a great service; they not only show us which upcoming movies look good, but also which ones to avoid. And if one looks closely, they often reveal more than intended about the film in question. In honor of this profound art, I give you TRAILER TRACKS, an examination of upcoming movie commercials: What they say, what they don’t say, and what they say on accident about the product being sold to you, the excited chump.
Today’s entry:
The Helpers (Dir. Chris Stokes)
Introduction
If you were looking for a half-assed iterations of the tired Found Footage genre and the tired Torture Porn genre only with really lame, pedestrian looking villains, you came to the right place. This movie trailer doesn’t just copy genres; it gets steals with specifics, using a clear Sheri Moon Zombie stand-in as well as Platinum Dunes’ dusty visual aesthetic, not to mention the crowbar bit at the end which totally cops from the Friday the 13th remake. This is one derivative movie.
The Setup
A bunch of young folk are on their way to Las Vegas (even if you don’t speak English or know anything about America, you should know movie characters are going to Vegas if they suddenly start cheering and woo-ing in a moving vehicle, and they are not children). The grim and gritty title card tells us there are seven of them — a blonde couple, a dark-haired couple, a black couple, and an annoying nerd (found-footage cameraman). They, uh, don’t make it to Vegas. Vegas, uh, does not miss them.
The Problem
Whether by hick trap or legit accident, the Vegasmobile gets a flat tire, and the seven pretty young people seek aid from the closest car garage/hotel/karaoke bar they can find. Things seem nice at first. The establishment is filled with a bunch of helpful and interesting looking Hipster Hicks who would be played by Jeremy Davies and John Hawks and Garret Dillahunt if this movie really were made by Platinum Dunes. Everyone gets drunk and sings “I Will Survive” and only the chorus of TLC’s “Waterfalls” until it gets late, at which time they all go to hotel rooms.
Unfortunately, the hotel rooms appear to be high tech kill boxes. Even more unfortunately, they all have security cameras, through which The Helpers will apparently force us to watch most of the good stuff (kind of reminiscent of Cabin in the Woods). Given that there are only seven protagonists (that we know of) and we witness them in various forms of dead, we can consider this a pretty spoiler-filled trailer. We know something really awful and wet-sounding happens to the dark-haired girl while her boyfriend watches. The black lady dies in a bathtub, and her boyfriend dies sitting in a chair right next to her. We even see the blonde girl get killed in the face with a crowbar (although, just like the Friday the 13th moment The Helpers is lifting here, this could ultimately be a fakeout).
But we don’t see the nerd, which means something special must happen to him. He may provide the film with its shocking first death. Or he may hobble along helping the final girl along with his superior nerd knowledge until he ultimately sacrifices himself. Or he may himself be the final girl and live all the way to the end. It’s impossible to say from the trailer. (Please God, let it be option number one.)
The Solution
Despite giving so much away, the third act of this film remains mysterious. Depending on whether this is an 80 minute horror film or a 100 minute horror film, we might get stuck learning a bit of the killers’ backstory — the concept of being “Helpers” and how they came up with it. We do know some wrinkle is coming because we hear one of the three females in the group place a call to 911. The question is whether this phone call arrives early or late in the film and if it actually matters.
In other promotional materials, the film purports to have been based on a true story, so the climax may be more simple than most horror fans are looking for. Then again, some pretty crazy horror films have supposedly been based on true stories as well, and that didn’t stop them from going nuts when the time came. What I’m saying is, I doubt this one will end with all the Hipster Hicks getting arrested or anything boring like that, but it’s something to keep in mind when setting your own expectations.
Actually, I can see this film’s ending a mile away. After making that 911 call, the lone survivor girl will be saved by these gals:
The Helpers will fight The Help. Personally, I don’t think The Helpers stand a chance. They all look like vegetarians.
Summation
This could be a decent entry in the Torture Porn category, since the kills appear halfway intriguing. The found footage aspect, however, looks tacked on and stupid, and the only hope I can derive from it is an outside chance that it’s being meta, which is really just a different flavor of annoying.
My main fear is that the awful song featured over and over again in this trailer will be as omnipresent in the film. If so, The Helpers might achieve a nearly 3D representation of audience torture to match the terror onscreen. The film will be released “Soon,” so it won’t be much longer before we can all see for ourselves. Personally, I’m dying to know what’s going on with all those ropes, that bucket, and the bathtub.
Editorials
Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.



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