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10 Top “Cabin In The Woods” Movies!!!

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Evil Dead Month marches on here at Bloody-Disgusting! One of the most important aspects of the Evil Dead films (sans Army Of Darkness of course), is the cabin they take place in. Having seen the new remake, I can verify that the aesthetic and layout are more or less the same as they were in the first two films of the original trilogy. Of course, while they may be the pinnacle of the “Cabin In The Woods” subgenre – there’s a sh*t ton more where that came from!

These kind of films are among my favorite in horror, I love a good rural setting. So I’m almost jealous that The Wolfman (@TheWolfmanCometh – on the boards) got the idea for this list – which he wrote – first!

There always seems to be an understadable amount of confusion whenever I post a story from “The Wolfman.” It’s NOT ME you should be praising (or bashing) in the comments, IT’S HIM! So head inside for The Wolfman’s 10 Top “Cabin In The Woods” Movies!!!

10: ANTICHRIST

Definitely not your traditional horror film, and even as far as ANY genre of film go, Lars von Trier’s Antichrist is far from traditional. While trying to cope with the death of their small child, a couple goes on vacation to a cabin in the woods. While there, the question is posed to both them, and more importantly, to the audience, is whether the world is a good place where sometimes terrible things happen or is the world a terrible place and sometimes good things happen? Through visuals like stillborn deer fetuses to foxes eviscerating themselves, von Trier’s Antichrist is hard to watch, but it is a film that takes a more existential approach to the idea of people versus nature, as opposed to just a couple people in a cabin trying to not to die.

9: THE HILLS HAVE EYES (2006)

Yup, that’s right, I like Alexandre Aja’s remake of Wes Craven’s The Hills Have Eyes more than the original. Even though the remake might have less of a social message behind it, it’s a much more graphic representation of “us vs. them”. Granted, there’s not a cabin in this movie, but rather a family staying in an RV – and instead of the woods it’s the desert. But I still feel like there’s a lot of elements of isolation and the general fearing of unknown attackers made popular in most “cabin in the woods” horror films. Greg Nicotero’s special effects and makeup are some of his best work, the music provided by tomandandy combined with Baxter’s editing and the cinematography of Aja and Maxime Alexandre make the violence in the desert look gorgeous.

8: TUCKER AND DALE VS. EVIL

As a kid, I remember reading a book that told the story of the “Three Little Pigs” through the wolf’s perspective. He was just a guy trying to borrow some sugar and these little pigs started acting like jerks. Tucker & Dale vs. Evil takes the familiar plot of backwoods hillbillies murdering college kids and tells the story from the perspective of these hillbillies just trying to set up their vacation home and all these college kids keep accidentally dying all around them. Even though it’s more of a parody of the genre than an actual “horror” film, this is a comedy MADE for horror fans who will recognize all the situations that these hillbillies find themselves in. It also has enough comedic gore to satiate any horror fan’s bloodthirst.

7: I SPIT ON YOUR GRAVE

Although only a fraction of the atrocities that our lead character goes through take place in a cabin, this film still represents the idea of trying to go on a relaxing vacation and having things go incredibly, terribly wrong. When Sarah (Camille Keaton) rents a secluded, lakeside cabin she encounters a group of local thugs who violently rape her multiple times. This turn of events leaves her so damaged psychologically that she turns the table and plans the violent torture and murder of her attackers. Considering most films involving cabins are people vacationing there instead of living in them, this film serves as the absolute WORST vacation anyone could ever go on.

6: THE BLAIR WITCH PROJECT

I’m sure some would argue this is “tent” horror more than “cabin” horror, but there’s no need to be so literal! We’re all friends here, right? RIGHT? Anyways, a big theme in cabin horror films are being isolated in the wilderness, trying to fight back the unknown. Well, I’d say that possibly being stalked by a witch counts as the unknown, right? And think about how much more vulnerable a tent is than a cabin! All of the characters were incredibly exposed and helpless while wandering in the woods, and they did stumble into a house at the end of it, didn’t they? Let’s just call that a cabin.*

5: DEAD SNOW

Most cabin horror films take place in some secluded forest, but what happens if you turn that forest into snow? Well, a forest AND snow. What I’m saying is that it’s freezing in Norway so imagine how cranky the characters on Easter vacation must have been in their cabin? I suppose that people typically group this in with other zombie movies, but I definitely think it earns a spot amongst all other “trapped in isolation against something trying to kill you” films. In fact, one of the characters even mentions how stereotypical it is to see college kids heading into seclusion for a vacation and how similar the scenario is to something like Evil Dead II. Sorry guys, this one totally counts.

4: CABIN FEVER

Considering how big writer/director Eli Roth’s reputation is in contemporary horror circles, both positive and negative, it’s crazy to me that he’s only directed 4 feature-length films. Of course he’s been involved in plenty of other horror projects in various capacities, but none of those opportunities would’ve presented themselves if it weren’t for Cabin Fever. I remember knowing nothing about the film, but I saw Peter Jackson talk about loving it so I randomly checked it out. What followed was a hilarious and incredibly gory parody of many different horror movie themes. The dialogue is ridiculously immature and the characters are such exaggerations that they feel like cartoons, but Roth still managed to gross you out with the virus they’re all trying to avoid that causes your skin and flesh to melt off of you. Also, I’d argue that the leg shaving scene with Cerina Vincent is one of the most memorable moments in the past ten years of horror.

3: FRIDAY THE 13TH/THE BURNING/SLEEPAWAY CAMP

One of the most common reasons for characters to find themselves in a cabin in the woods in horror films is the excuse of a summer camp. If it wasn’t for vacations or summer camps, would there really be ANY people going to the woods? Sorry to make you guys look at three different movie titles, but I really can’t pick which one of these films is my favorite summer camp horror, and I know that if I picked any one of the three, people would be upset about the others not being included. Anyways, if you’re a teen attending summer camp and someone disappears or dies, LEAVE IMMEDIATELY. Wait until it’s daytime and get out of there, because as summer camp films teach us, you’ll have worse things to fear than everyone laughing at you in the outdoor showers!

2: THE CABIN IN THE WOODS

If Cabin Fever is a parody of a cabin horror film, then The Cabin in the Woods is a film ABOUT a parody of a cabin horror film, where the characters REALIZE they’re in a parody of–wait, this is getting confusing. Not only does this movie have every stereotypical character and villain you’d come to expect in a cabin horror film, let alone EVERY horror film, but The Cabin in the Woods even ACKNOWLEDGES that its main characters are intentionally archetypes. I don’t want to give too much away for anyone who hasn’t seen the movie yet (which is probably like, 3 people), but Cabin holds a mirror up to not just every common horror movie theme, but also makes the viewer confront why they get so much enjoyment out of horror films.

1: EVIL DEAD 2

I remember first hearing about Evil Dead and being told about a character whose hand gets infected with evil so he chops off his hand and replaces it with a chainsaw. SOLD! I ran to the video store and rented the Evil Dead. When it was over, I couldn’t help but think, “Hey, where’s the chainsaw?!” Even though Evil Dead is really good, I’ve always thought that Evil Dead 2 goes that extra step to become great. I think you can tell a lot about a person when they tell you which is their favorite film in the Evil Dead series. If they say it’s Army of Darkness, then it’s the comedy they prefer. If they say Evil Dead, then they prefer more traditional scariness of the original film. And if someone says Evil Dead 2 is their favorite, then I know that’s someone I want to hang out with because it means they equally respect the comedic and horrific elements of being stuck in the woods with a faceless “evil” lurking around every corner. Also, it’s the moments where our lead character Ash is alone in the cabin that Bruce Campbell’s talent shines through, solidifying himself as an incredibly talented physical comedian and Evil Dead II as the best horror movie featuring a cabin in the woods. Hail to the King, baby.

*Editor’s note: There actually is a cabin at the end of Blair Witch, so technically he’s right anyway.

Editorials

‘Leprechaun Returns’ – The Charm of the Franchise’s Legacy Sequel

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leprechaun returns

The erratic Leprechaun franchise is not known for sticking with a single concept for too long. The namesake (originally played by Warwick Davis) has gone to L.A., Las Vegas, space, and the ‘hood (not once but twice). And after an eleven-year holiday since the Davis era ended, the character received a drastic makeover in a now-unmentionable reboot. The critical failure of said film would have implied it was time to pack away the green top hat and shillelagh, and say goodbye to the nefarious imp. Instead, the Leprechaun series tried its luck again.

The general consensus for the Leprechaun films was never positive, and the darker yet blander Leprechaun: Origins certainly did not sway opinions. Just because the 2014 installment took itself seriously did not mean viewers would. After all, creator Mark Jones conceived a gruesome horror-comedy back in the early nineties, and that format is what was expected of any future ventures. So as horror legacy sequels (“legacyquels”) became more common in the 2010s, Leprechaun Returns followed suit while also going back to what made the ‘93 film work. This eighth entry echoed Halloween (2018) by ignoring all the previous sequels as well as being a direct continuation of the original. Even ardent fans can surely understand the decision to wipe the slate clean, so to speak.

Leprechaun Returns “continued the [franchise’s] trend of not being consistent by deciding to be consistent.” The retconning of Steven Kostanski and Suzanne Keilly’s film was met with little to no pushback from the fandom, who had already become accustomed to seeing something new and different with every chapter. Only now the “new and different” was familiar. With the severe route of Origins a mere speck in the rearview mirror, director Kotanski implemented a “back to basics” approach that garnered better reception than Zach Lipovsky’s own undertaking. The one-two punch of preposterous humor and grisly horror was in full force again.

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Pictured: Linden Porco as The Leprechaun in Leprechaun Returns.

With Warwick Davis sitting this film out — his own choice — there was the foremost challenge of finding his replacement. Returns found Davis’ successor in Linden Porco, who admirably filled those blood-stained, buckled shoes. And what would a legacy sequel be without a returning character? Jennifer Aniston obviously did not reprise her final girl role of Tory Redding. So, the film did the next best thing and fetched another of Lubdan’s past victims: Ozzie, the likable oaf played by Mark Holton. Returns also created an extension of Tory’s character by giving her a teenage daughter, Lila (Taylor Spreitler).

It has been twenty-five years since the events of the ‘93 film. The incident is unknown to all but its survivors. Interested in her late mother’s history there in Devil’s Lake, North Dakota, Lila transferred to the local university and pledged a sorority — really the only one on campus — whose few members now reside in Tory Redding’s old home. The farmhouse-turned-sorority-house is still a work in progress; Lila’s fellow Alpha Epsilon sisters were in the midst of renovating the place when a ghost of the past found its way into the present.

The Psycho Goreman and The Void director’s penchant for visceral special effects is noted early on as the Leprechaun tears not only into the modern age, but also through poor Ozzie’s abdomen. The portal from 1993 to 2018 is soaked with blood and guts as the Leprechaun forces his way into the story. Davis’ iconic depiction of the wee antagonist is missed, however, Linden Porco is not simply keeping the seat warm in case his predecessor ever resumes the part. His enthusiastic performance is accentuated by a rotten-looking mug that adds to his innate menace.

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Pictured: Taylor Spreitler, Pepi Sonuga, and Sai Bennett as Lila, Katie and Rose in Leprechaun Returns.

The obligatory fodder is mostly young this time around. Apart from one luckless postman and Ozzie — the premature passing of the latter character removed the chance of caring about anyone in the film — the Leprechaun’s potential prey are all college aged. Lila is this story’s token trauma kid with caregiver baggage; her mother thought “monsters were always trying to get her.” Lila’s habit of mentioning Tory’s mental health problem does not make a good first impression with the resident mean girl and apparent alcoholic of the sorority, Meredith (Emily Reid). Then there are the nicer but no less cursorily written of the Alpha Epsilon gals: eco-conscious and ex-obsessive Katie (Pepi Sonuga), and uptight overachiever Rose (Sai Bennett). Rounding out the main cast are a pair of destined-to-die bros (Oliver Llewellyn Jenkins, Ben McGregor). Lila and her peers range from disposable to plain irritating, so rooting for any one of them is next to impossible. Even so, their overstated personalities make their inevitable fates more satisfying.

Where Returns excels is its death sequences. Unlike Jones’ film, this one is not afraid of killing off members of the main cast. Lila, admittedly, wears too much plot armor, yet with her mother’s spirit looming over her and the whole story — comedian Heather McDonald put her bang-on Aniston impersonation to good use as well as provided a surprisingly emotional moment in the film — her immunity can be overlooked. Still, the other characters’ brutal demises make up for Lila’s imperviousness. The Leprechaun’s killer set-pieces also happen to demonstrate the time period, seeing as he uses solar panels and a drone in several supporting characters’ executions. A premortem selfie and the antagonist’s snarky mention of global warming additionally add to this film’s particular timestamp.

Critics were quick to say Leprechaun Returns did not break new ground. Sure, there is no one jetting off to space, or the wacky notion of Lubdan becoming a record producer. This reset, however, is still quite charming and entertaining despite its lack of risk-taking. And with yet another reboot in the works, who knows where the most wicked Leprechaun ever to exist will end up next.


Horror contemplates in great detail how young people handle inordinate situations and all of life’s unexpected challenges. While the genre forces characters of every age to face their fears, it is especially interested in how youths might fare in life-or-death scenarios.

The column Young Blood is dedicated to horror stories for and about teenagers, as well as other young folks on the brink of terror.

Leprechaun Returns movie

Pictured: Linden Porco as The Leprechaun in Leprechaun Returns.

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