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[Album Review] Depeche Mode “Delta Machine”

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If you follow some of my articles or my twitter (hint hint), you know by now that I’m a huge fan and supporter of UK electronic band Depeche Mode. Since I was a young ‘un adjusting the antenna on my radio to get the local pop/rock radio station (how many of you can say you’ve done that?), their sound and attitude always appealed to me. I don’t know if it was Martin Gore’s fantastic songwriting, Andy Fletcher’s mesmerizing sounds, or Dave Gahan’s incredibly unique and versatile voice (I would probably commit some grave crimes to be able to sing like that man) or if it was simply the group as a whole, but I was always hooked when they came on.

Fast forward some 20 years later and I’m still a fan, as eager to hear new music from them as ever. That’s why I’ve been chomping at the bits for a chance to listen to their latest release Delta Machine. Now, having spun the record several times and thinking about it more than is probably healthy, I’ve come to a rather interesting theory. In my mind, I think that Depeche Mode wanted the listener to go through a religious experience when listening to this album.

If you’re scratching your head and asking yourself, “What the hell is he talking about?”, then I encourage you to head on below to hear me out. And if you have a different theory, I’d love to hear it!

Let me paint the picture of how I came to this realization, shall I? I’m laying back on my couch, wearing my Grado SR60i headphones, and just letting Delta Machine play from beginning to end. I’m not writing, I’m not watching or reading anything, I’m not playing any games. Nope, I’m just listening, absorbing the music and letting it all wash over me.

On the second playthrough, I was thinking on how Gahan sounded almost like a preacher at his pulpit, addressing his flock, in the second track “Angel”. That image was like a light bulb going off above my head. Suddenly, it was much more clear what was going on with this album. Within that song alone, Gahan sings of snakes, the Lord, angels, and more. It begins somewhat sinister but evolves into something more energetic and exciting.

With this realization and this theory in mind, I restarted the album and noticed that “Welcome To My World”, a very cinematic and engaging track, featured some sweeping, escalating synths that called to mind a choir of angels. The lyrics to “Heaven” were suddenly much more religious and pious, with phrases such as “I will scream The Word/Jump into the void/I will guide the world/up to Heaven”.

“Secret To The End”, which showcases Gahan’s stellar vocals, have him calling out “Thank god” while the music of “My Little Universe” reminded me symbolically of the beginning of Genesis. It begins minimalistic and empty, growing more and more lush while adding layers of depth and structure. Even the lyrics have a slight Genesis theme about them.

Each song on this album can have a religious aspect drawn from it if one were to choose to do so. I not being religious at all, it was still fascinating to try and pick out what was and what wasn’t a religious theme.

Now, with all that being said, I should at least tell you what I thought of the album from a musical standpoint, right? Well, to that I say that the album, while engaging and fascinating, simply didn’t speak to me in the same ways that other Depeche Mode albums have. I definitely enjoyed it but were I pressed to choose between this and other of their albums, I know I would always turn to Playing The Angel.

Sonically the album is, as with any Depeche Mode album, a joy to listen to. On top of the fantastic production (the mixing and use of panning alone is applaud-worthy), the various tones, patches, synths, and effects used ensure that something new will pop out each time you listen to it. Get some good headphones and ease back with this one.

The Final Word: While Delta Machine is a great album that continues the legacy of one of the greatest bands of my generation, I simply didn’t find myself as engrossed or intrigued by it as I was hoping. Still Depeche Mode have delivered something that made me think and investigate, which I can truly appreciate.

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

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Movies

‘The Lost Boys’ Musical Extends Broadway Run With North American Tour Set for Spring 2028

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The Lost Boys: A New Musical officially kicked off on Broadway last month, and Deadline now reports that the show’s Broadway run has been extended into next year.

The show was originally set to run through November, but Deadline reports that The Lost Boys: A New Musical “has released a block of tickets through Sunday, March 7, 2027.”

The news comes in the wake of The Lost Boys: A New Musical becoming the most Tony-nominated musical of the season with twelve nominations including Best Musical.

Additionally, “The Lost Boys will launch a North American National Tour in Spring 2028, at Playhouse Square in Cleveland. Additional cities and tour dates will be announced later.”

The Lost Boys: A New Musical is of course an adaptation of the 1987 horror classic from director Joel Schumacher, with the cast including Ali Louis Bourzgui as lead vampire David (originally played by Kiefer Sutherland), Maria Wirries as Star (originally played by Jami Gertz), and LJ Benet as the soon-to-be-turned Michael (originally played by Jason Patric).

The horror musical’s cast also includes Shoshana Bean as Lucy Emerson, Benjamin Pajak as Sam Emerson, Paul Alexander Nolan as Max, Jennifer Duka as Alan Frog, Miguel Gil as Edgar Frog, Brian Flores as Marko, Sean Grandillo as Dwayne, and Dean Maupin as Paul.

The Lost Boys: A New Musical is Directed by Michael Arden, featuring Music and Lyrics by The Rescues, Book by David Hornsby & Chris Hoch, Story by James Jeremias & Janice Fischer, and Produced by James Carpinello, Marcus Chait & Patrick Wilson (The Conjuring) by special arrangement with Warner Bros. Theatre Ventures.

When a mother and her two teenage sons move to Santa Carla in desperate need of a fresh start, they soon uncover the darker side of this sunny coastal community. While Lucy tries to piece her family’s life back together, Michael keeps pulling away in search of belonging.

As he finds connection with a local rock band and its charismatic leader, his younger brother Sam comes face-to-face with a terrifying reality: When night falls, Michael’s new friends are even more dangerous than they first appeared.

Joel Schumacher directed the original The Lost Boys vampire movie in 1987, wherein two brothers move to a new town and discover that the area is a haven for vampires.

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