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‘The Blackening’ Review – All-Black Slasher Is Equal Parts Comedy and Commentary
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‘House of Darkness’ Review – A Simple, Hilarious Dark Comedy
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The Dark Fairytale of Polish Mermaid Musical ‘The Lure’ [Horror Queers Podcast]
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‘The Eternal Daughter’ TIFF Review – A Gothic Family Drama That Struggles to be Memorable
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Homoeroticism Beneath The Surface of ‘Tremors’ [Horror Queers Podcast]
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Dancing Around Homoeroticism (and Farts) in ‘The Lighthouse’ [Horror Queers Podcast]
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Re-Evaluating the Trans “Twist” in ‘Sleepaway Camp’ [Horror Queers Podcast]
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‘Dark Glasses’ Review – Dario Argento’s Return Is a Bloody and Sentimental Throwback [Fantasia]
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The Lurid 3D Sexual Hijinks of Paul Morrissey’s ‘Flesh For Frankenstein’ [Horror Queers Podcast]
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‘The Harbinger’ Review – Combines Genre Nightmares With Real World Anxieties [Fantasia]
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‘Dark Nature’ Review – All-Female Wilderness Thriller Gets Lost in the Woods [Fantasia]
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‘Female Trouble’ Is a Classic John Waters Trashterpiece [Horror Queers Podcast]
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‘Final Cut’ Review – ‘One Cut of the Dead’ Remake Isn’t Original, but It Is Funny and Heartfelt [Fantasia]
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Disasterpiece ‘Nurse 3D’ Is the Definition of Modern Camp [Horror Queers Podcast]
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‘The Righteous’ Review – A Slow-Burn Religious Thriller That’ll Creep Under Your Skin
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The Camp Appeal of Genre-Blurring ‘Wild Things’ [Sex Crimes]
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The Inexcusable Transphobia of Controversial ‘Incident in a Ghostland’ [Horror Queers Podcast]
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‘Friday the 13th’ Got Smart With ‘Part VI: Jason Lives’ [Horror Queers Podcast]
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The Dysmorphia of Being Online in ‘We’re All Going to the World’s Fair’ [Horror Queers Podcast]
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The Moralistic Family Values of ‘Fatal Attraction’ [Sex Crimes]
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The Bullying at the Center of ‘Let the Right One In’ [Horror Queers Podcast]
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The Voyeuristic Pleasures of Proto-Slasher ‘Peeping Tom’ [Horror Queers Podcast]
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Before ‘Deep Water,’ ‘The Voyeurs’ Tried to Modernize the Erotic Thriller [Sex Crimes]
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The DIY Gay Aesthetics of ‘Death Drop Gorgeous’ [Horror Queers Podcast]