-
[Fantastic Fest Review] ‘The Autopsy of Jane Doe’ Proves Brian Cox is Still One of the Best in the Business
-
[Fantastic Fest Review] ‘A Monster Calls’ is a Heartfelt Coming-of-Age Fairytale
-
[Interview] Nicolas Winding Refn Talks ‘Maniac Cop’, Dark Rituals and the Plus Side of Polarizing Your Audience
-
[Interview] Alexandre Aja on ‘Friday the 13th’, the Right Way to Do a Remake, and ‘The 9th Life of Louis Drax’
-
[BCHFF Review] ‘Beyond the Gates’ is a Wickedly Fun ’80s Homage Worth Playing
-
[Review] ‘Ghostbusters’ – More Culturally Important than Well Made
-
[Review] ‘The Purge: Election Year’ – Same Old Story Despite Shiny New Trump Tie-In
-
[Review] ‘The Shallows’ – Fun Summertime Popcorn Flick, But Not Much Else
-
[Interview] Nicolas Winding Refn on ‘The Neon Demon’ and ‘Maniac Cop’
-
[Set Visit Report] Nicolas Winding Refn’s ‘The Neon Demon’
-
[LAFF Review] ‘Villisca’ is a Promising But Uneven Tale of True Crime
-
[LAFF Review] ‘Abattoir’ Offers Up Unique Premise, But Bousman Fails to Branch Out
-
[Interview] ‘Clown’ Producer Eli Roth on What It Means to Make a Movie that Offends People
-
[Interview] ‘Clown’ Producer Eli Roth On Marketing Indie Horror Movies in a Marvel-Heavy World
-
[Interview] What ‘The Conjuring 2’ Director James Wan Learned from Working On ‘Furious 7’
-
[Interview] Director James Wan Says No ‘Amityville’ Spin-Off Movie, Insinuates Further ‘Conjuring’ Entries
-
[LAFF Review] ‘Lights Out’ Provides Sound Argument for Taking a Chance on Independent Filmmakers
-
[LAFF Review] ‘Officer Downe’ Fails to Deliver An Effective Parody Film
-
[LAFF Review] ‘Beyond the Gates’ is a Wickedly Fun ’80s Homage Worth Playing
-
[Interview] ‘Clown’ Producer Eli Roth’s Sick and Twisted Love Affair with Body Horror
-
[LAFF Review] Hard to Wish ‘Mercy’ On Any of Chris Sparling’s Characters
-
[Review] James Wan’s ‘The Conjuring 2’ Surpasses the First!
-
[Review] Absolutely Nothing Happens in ‘The Darkness’
-
[Event Report] Fede Alvarez’s Trailer Launch Event for ‘Don’t Breathe’