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[Review] It’s a Welcome Sight for Arrow’s LE Release of ‘The Hills Have Eyes’
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[Review] NECA’s Ultimate ‘Dream Warriors’ Freddy a (Good) Nightmare
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[Review] ‘The Triangle’ Immerses the Viewer in Found Footage Eeriness
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[Review] ‘Rats’ is the Perfect Creepy Documentary for Halloween
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[Review] NECA’s ‘New Nightmare’ Freddy Has Some Gingerbread for You
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[Review] ‘Phantasm: Remastered’ Shines and Terrifies Again in 4K
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[Review] ‘Phantasm: Ravager’ Charms Its Way to a Satisfying Series Conclusion
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[Review] NECA’s Contra Figures Need No Konami Code
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[Review] QC Issues Aside, NECA’s ‘Alien3’ Figures are Again Top Notch
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[Review] ‘Daylight’s End’ Boasts Guns and Vampire Action, Even if Derivative
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[FrightFest Review] ‘The Rezort’ Promises, But Struggles to Deliver
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[Review] NECA Serves Up Another High-Detailed Figure in the ‘Weyland-Yutani Commando’
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[BCHFF Review] ‘Here Alone’ Doesn’t Do Enough to Stand Alone
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[Fantasia Review] ‘Tank 432’ Puts the Pedal to the Paranoia, But Runs Out of Gas
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[Fantasia Review] ‘We Are the Flesh’ is a Polarizing but Intriguing Début
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[Review] NECA Updates the Tech Noir ‘Terminator’ Almost Flawlessly
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[Review] ‘Dead Rising: Endgame’ Turns Serious…ly Dull
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[Review] NECA’s Continues its Awesome Kenner Throwbacks with Ripley
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[Review] ‘Mark of the Witch’ Strikes with Strong Visuals, Misses with Weak Story
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[Review] ‘The Wailing’ Oozes Tension with Atmosphere and Dread
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[Review] NECA’s 8-Bit ‘Terminator 2’ Figure Passes Judgment
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[DVD Review] Gary Busey Left ‘Mansion of Blood’, as Should You…
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[Review] ‘Scherzo Diabolico’ is Devilishly Clever
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[BD Review] Drafthouse Films Polishes a Turd That is ‘Dangerous Men’