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[Horror Queers Podcast] Is ‘Fatal Frame’ the Best Video Game Movie Adaptation Ever Made?
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[Horror Queers Podcast] ‘The Wicker Man’: Camp-tastic Hilarity or a Misogynistic Affront to Cinema?
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[Review] Dennis Quaid Channels Nicolas Cage in ‘The Intruder’
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[Horror Queers] The Inherent Queerness of Clive Barker’s ‘Nightbreed’
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[Interview] The Curious Case of Marketing ‘The Curse of La Llorona’
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[Horror Queers Podcast] Discussing the Sibling Protagonists of Mike Flanagan’s ‘Oculus’
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Texas Frightmare Weekend Announces 2019 Film Festival Lineup
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[Horror Queers Podcast] Sing Your Heart Out in the Underwhelming ‘Stage Fright’!
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[Podcasts] Horror Queers and Halloweenies Discuss ‘A Nightmare on Elm Street 2’
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The 2019 SXSW Film Festival Horror Movie Report Card
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[Horror Queers Podcast] No Virgin is Safe in the Town of ‘Cherry Falls’
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[SXSW Review] ‘Tone-Deaf’ Forgets to Be Funny
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[SXSW Review] ‘Porno’ is a Flaccid Attempt at Fun
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[SXSW Review] Pollyanna McIntosh’s ‘Darlin’ is an Underwhelming Follow-Up to ‘The Woman’
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[Horror Queers Podcast] Party Like It’s 1999 With ‘The Rage: Carrie 2’
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[Review] ‘Villains’ is Cuckoo Bananas and Revels in Every Minute of It
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[SXSW Review] ‘Us’ Proves That Jordan Peele Isn’t a One-Trick Pony
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[Horror Queers Podcast] The Toxic Female Friendship of ‘Always Shine’
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[Horror Queers Podcast] A Queer Director and a Star-making Lead Performance in ‘Happy Death Day’
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[Horror Queers] The Delicious Camp of ‘Fright Night Part 2’ and its Genderqueer Henchvamp
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Texas Frightmare Weekend Announces Sam Raimi as a Guest!
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Orion Pictures Hosted a Pregnant Moms Screening of ‘The Prodigy’…and We Were There!
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‘Horror Queers’ Podcast Launched, Listen Now!
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[Review] Despite Its Flaws, ‘Escape Room’ is a Game Worth Playing