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[Fantastic Fest Review] ‘You Might Be the Killer’ Runs Its Only Joke Into the Ground
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[Horror Queers] ‘Urban Legend’ Should Be an Inspiration to Drag Queens Everywhere
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[Fantastic Fest Review] Greed is Not Good In the Gorgeous ‘Tumbbad’
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[Fantastic Fest Review] ‘The Perfection’ Delivers Twisted, Shocking and Hilarious Perfection
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[Horror Queers] Post-Breakup Ghosts and an Open-Ended Conclusion in the Icelandic ‘Rift’
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[Horror Queers] ‘Sorority Row’: Generic Slasher or Genius Comedy?
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[Horror Queers] Queering Up Heterosexual Horror Tropes in ‘Hellbent’
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[Interview] ‘Hereditary’ Director Ari Aster and Actor Alex Wolff on Living Up to Audience Expectations
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[Interview] ‘Upgrade’ Writer/Director Leigh Whannell on CGI Gore and His Upcoming Mystery Project
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[Horror Queers] The Enduring Appeal of ‘I Know What You Did Last Summer’
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[Review] ‘Marrowbone’ Is An Overstuffed Ghost Story/Period Romance/Mystery Film
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(Re)Ranking All 12 Films in the ‘Friday the 13th’ Franchise!
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[Horror Queers] ‘The Hunger’ and Its Notorious Lesbian Sex Scene
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10 Years Later, ‘The Ruins’ Still Gets Under the Skin!
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[Review] Low-Budget Thriller ‘Prodigy’ Boasts a Strong Central Performance
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The Best and Worst Horror Films at the 2018 SXSW Film Festival!
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[SXSW Interview] The Cast & Crew of ‘Most Likely to Murder’ Discuss Douchebag Characters and Raunchy Women
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[SXSW Interview] The Director and Producer of ‘Unfriended: Dark Web’ Talk Computer Screens and Unlikable Characters!
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[SXSW Interview] ‘Unfriended: Dark Web’ Director Stephen Susco Talks PG-13 Horror Movies!
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[SXSW Review] Creature Feature ‘Wildling’ is An Accomplished Debut for Director Fritz Böhm
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[SXSW Review] ‘Most Likely to Murder’ Features a Compelling Mystery But Few Laughs
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[SXSW Review] Punk Horror Film ‘The Ranger’ Has an Identity Crisis
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[SXSW Review] The Chilling ‘Hereditary’ Rewards Your Patience With Nightmare Fuel
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[SXSW Review] ‘Blood Fest’ Isn’t Nearly as Clever as It Thinks It Is