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5 Awesome Demon Films Selected By ‘The Possession of Michael King’s’ Director

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Anchor Bay Films’ supernatural thriller The Possession of Michael King, another found-footage horror, is set to release in limited theaters August 22 with an iTunes, On Demand, DVD and Blu-ray release set for August 26.

From Gold Circle Films (White Noise, The Haunting In Connecticut), Bloody Disgusting caught up with director David Jung who shared his favorite demon-themed horror films!

The Exorcist, William Friedkin, 1973

“Probably on the top or near the top of everyone’s list. The Exorcist remains the quintessential possession movie that all the others stand up against. Friedkin pulled off so many things that had never been done before. He actually piped in air conditioners and freezer units to cool the set so that you could see the actor’s chilly breath. Groundbreaking makeup and effects, like the words appearing on the chest, and the fact that they didn’t shy away from getting really nasty, with the demon projectile vomiting, and masturbating with a crucifix. So many things, especially for that time period, that were just amazing and trailblazing. Bravo.”

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Rosemary’s Baby, Roman Polanski, 1968

“Not necessarily a straightforward demon movie, but one about a woman impregnated by a demon, or the king of demons himself, the devil. Polanski does an amazing job of slowly tightening the noose around Mia Farrow, who perfectly portrays an unsuspecting and innocent young housewife. We feel that slow sinking feeling of dread almost from the beginning, and it just keeps intensifying all the way until the end of the movie. We’re with her every step of the way as she begins to realize that everyone around her is in on the secret, they’re all against her, and there’s nowhere for her to turn for help. A masterpiece.”

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The Shining, Stanley Kubrick, 1980

“This movie was actually one of the main inspirations for The Possession of Michael King. Ever since I was a kid, I loved and was terrified of Jack Torrance, how he went mad, and wanted to slaughter his own family. I wanted to do a movie from the point of view of Jack Torrance. Get into his head. To hear from him, what it was like to go mad. That was the idea that launched my movie. Kubrick is a genius as a filmmaker. There are so many seminal and “classic” moments in this film.”

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The Evil Dead, Sam Raimi, 1981

“Including Evil Dead II and of course Army of Darkness. “Okay, I said the words…” “This is my BOOMSTICK!” I still pull numerous daily quotes from these movies to this day. Ask my wife how tired she is of me grabbing her, bending her back for a kiss and saying, “Gimme some sugar, baby!” Never before had I seen someone intentionally mix horror and comedy in such an effective way (usually the comedy came from bad acting and bad scripts). The inventiveness of these movies, for the budget that they made them for is incredible. The mythology he creates is clear and cool as well. True inspiration.”

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Insidious, James Wan, 2011

“I wanted to put something a little more recent on this list of classics. My dearly departed buddy Gregg Hoffman discovered James Wan when he watched the short for the first Saw film. He then went on to mortgage his house to raise the capital to make and produce the first Saw movie. Wan has gone on to prove himself as a wonderfully talented filmmaker. I saw Insidious twice in the theater because I was so impressed. There is inspiration in this movie from all over the place (the two ghost hunters Specs and Tucker remind me of something straight out of a Raimi film). The scares are great and highly original. I’ll continue to be first in line to see his films when they come out.”

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About The Possession of Michael King

David Jung directs the movie that “Tells of a documentary filmmaker who does not believe in God or the Devil. When his wife dies, he sets out to make his next movie on religion and spirituality, hoping to prove those things are just myth. But in allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals on him, he unleashes a horrifying force.

Shane Johnson (Starz’ upcoming “Power”), Dale Dickey (Iron Man 3), Julie McNiven (TV’s “Supernatural”) and Tomas Arana (Guardians of the Galaxy) star.

The movie was by Paul Brooks and executive produced by Scott Niemeyer and Guy Danella. The screenplay was written by Jung with a story by Jung and Tedi Sarafian.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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