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A Wish List for the ‘Resident Evil’ Franchise

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The Resident Evil we know and love (to hate) is growing up. I’ve looked at the last decade like it’s been one long identity crisis, when the truth of it is we’ve just been overprotective of little Resi.

We were there in the mid 90s to witness its first steps. We laughed at the clumsy way it once spoke, spewing nonsense like “Jill Sandwich” as it waddled about trying to shove shaped “keys” into their corresponding holes. We were there for its countless awkward phases, we got uncomfortable when it developed a fascination with leeches, and we were relieved when it tried, and succeeded, in reinventing itself. When it got curious about its Wii, we tried our best to dodge its many questions.

Next year, it will be old enough to drink, and though we can remember what it was like to be that young, we can’t understand what it’s going through right now. It was never struggling to find its identity, that was just a clumsy way of saying we don’t approve of what it’s become. And as much as we’d like to have total control over its future, we can only help guide it. Where it goes and what it becomes is out of our hands.

I’m done hovering just so I can chastise every mistake and bad decision. I’ve given up my best years already, it’s time to take a step back. But before I go, here are some ideas that Resident Evil ought to consider seeing as I sacrificed everything for it so take notes you ungrateful little shit or I swear to Christ I’ll leave you with Konami.

RELF_1

Let’s start with what we know about. For example, we know Capcom is working on Resident Evil 7. We also know that it won’t be another bloated amalgam of five different games, thanks to the lessons learned after the spectacular failure of the last big release. But whether or not RE7 makes good on the numerous promises we’ve heard about “bringing the series back to its roots” doesn’t matter. Not really. What matters to me is the frightening lack of insight that went into everything else.

Resident Evil 6 wasn’t scary. It tried to be, but it lacked an understanding of how to set about constructing an effective scare. The game relied too heavily on poorly realized ones, such as having zombies play opossum so they could startle us the moment we turned our backs to it, despite how obvious it is that that’s what’s happening. Capcom even knew this, and I know they knew it because they made it so you can’t fire a cautionary bullet into each of their heads, since that’d ruin their shitty scare.

That’s lazy game design, and for as ambitious as Resident Evil 6 was with its grand ideas and scope, it was exceedingly lazy in executing them. This ruined potentially cool ideas, like its impressive cast of boss fights, which it recycled over and over again until they became torturous. The quick-timed events (QTEs) that sort of worked in Resident Evil 4 were abused until they became controller-snappingly stupid, and so on.

The point is, Resident Evil 7 needs to be a real reboot. It needs to wipe the slate clean, and rid itself of all the excess crap this franchise has accumulated over its many clumsy attempts at attracting new players. We need a stripped down survival horror experience that’s tightly paced, polished and free to focus on the little details that make good games great, rather than waste its limited imagination by spreading it too thinly over too much bland content.

One campaign with optional co-op — Dead Space 3 did a wonderful job of this — a new-and-improved wave survival mode, and possibly another secret campaign that gets unlocked after the first has been completed. That’s a nice tradition to keep going. Oh, and bring back the Merchant. I miss him so.

RELF_2

I like what I’ve seen of Umbrella Corps, even if its announcement has felt somewhat passive aggressive. Capcom knows we’re desperate for another Outbreak, and they’ve answered our pleas by giving us games like this and Operation Raccoon City, or the Resident Evil equivalent to a flashing neon sign that says something like, “Hey, Call of Duty fans, Resident Evil has guns too!”

The time, cost and effort it took to ship these games could have been spent on a third Outbreak, and/or even a remaster of the first two games. This short-lived series was always ahead of its time, and it’s also the only real chance Capcom has at releasing a game that appeals to fans of the series and the shooter crowds they’d like to get at.

Outbreak is a long shot, and it’s hardly the only Resident Evil that’s worth remastering. Code: Veronica could use one, if only to remove the bitter taste that was left in my mouth by the deeply unnecessary remaster we got back in 2011. Nemesis seems like another obvious choice, but I’d rather see it remade following the release of Resident Evil 2.

A remastered Chronicles bundle — the on-rails shooters Umbrella Chronicles and Darkside Chronicles — has some appeal, especially if it comes with VR support. It could be beneficial to ease the tech in quietly, naturally, rather than go all out with a standalone VR release. This would lower the stakes considerably by highlighting the strengths and weaknesses for improvement before any significant investment has been made in the tech. It’d also leave time for Capcom to gather community feedback that could guide the development of future VR titles.

Capcom might not need to play it safe. Resident Evil should pair nicely with virtual reality headsets like the Oculus Rift and PlayStation VR, and by all accounts, their “Kitchen” demo sounds it’s one of the more impressive uses of the tech we’ve seen so far.

RELF_3

It felt appropriate to end this wish list with Revelations, aka my second favorite spin-off, behind Outbreak. The first game was notable for being the singular bright spot in one of the worst years this series has ever had. It’s fitting that 2012 would be a year of such harsh revelations, as we watched a historically reliable franchise deliver what was arguably the worst game in the main series. It was certainly the worst reviewed.

Revelations was proof that Capcom hasn’t completely forgotten what makes this series so special. If anything, it proved RE6 was just a very, very bad idea, and not the “beginning of the end” some doomsayers claimed it to be. Revelations was the much-needed lifesaver the franchise needed to rescue itself from the murky depths that threatened to consume it. It was legitimately scary, atmospheric and challenging, without sacrificing any of the content we’ve come to expect from a modern Resident Evil.

More than that, it was eager to innovate. It put a welcome twist on the Mercenaries survival mode — now dubbed the Raid mode — brought back weapon customization, introduced us to a freaky cast of enemies and the handy Genesis OCD Starter Kit. When its sequel released last year, it built on that out-of-the-box approach with an episodic format and the most robust survival mode to date.

Capcom hasn’t said anything about our getting a Resident Evil: Revelations 3, but I hope they’re thinking about it. It’d be a shame to see another promising spin-off series end before it’s had time to come into its own. If it continues, I’d like to see the episodic structure return with it, and it’ll need more Barry, obviously.

So, what do you think? On a scale of 1 to Angry Mob With Torches and Pitchforks, how strongly do you disagree with me? It’s okay, I can take it. Let me know where you’d like to see this series go next in the comments.

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Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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