Editorials
This Doesn’t Suck on So Many Levels: A Look Back at ‘Jason X’
Friday the 13th franchise has gone through quite a few changes since its inception almost 40 years ago. Jason Voorhees has been to Vancouver Manhattan, fought Freddy Krueger, fought a psychic teenager, died multiple times and been resurrected multiple times, but his most outlandish outing was undoubtedly 1993’s atrocious Jason Goes to Hell: The Final Friday, which had Jason’s physical body absent for most of the film as his spirit jumped from body to body (it’s even dumber than it sounds). While the effort was somewhat commendable, the film betrayed everything that fans loved about the series (with the exception of that rather impressive opening sequence). That betrayal was met with poor critical reception and even an worse box office performance. It grossed a mere $15.9 million and earned some of the worst reviews of any film in the franchise. The next plan was to bring Jason Voorhees and Freddy Krueger together in Freddy Vs. Jason. While that film suffered in development hell in the late ’90s, series creator Sean S. Cunningham wanted to release another Friday the 13th installment to make sure that Jason Voorhees didn’t leave the public eye. Screenwriter and actor Todd Farmer (The Messengers, My Bloody Valentine 3D, Drive Angry) was then brought on and he pitched one idea: send Jason to space. New Line Cinema was sold and Jason X, which celebrates(?) it’s 15th anniversary today, was born.
You really have to wonder how desperate New Line Cinema was to accept the whole “Jason in space” idea so quickly. They didn’t want to hear any other ideas? Not a single one? Hell, even Kane Hodder hesitated when he read the script for the film. Who could blame him? The last horror franchises to go to space (Critters, Leprechaun, Hellraiser) were all duds. Jason X is the kind of movie that ends up on the How Did This Get Made? podcast. Nevertheless, it was made and we’re stuck with it forever. Even knowing that space is known to kill horror franchises, New Line moved forward with Jason X because they needed to make another Friday the 13th film but they had to make it different enough so that it wouldn’t interfere with any potential Freddy Vs. Jason storyline (and there were a lot of potential Freddy Vs. Jason storylines).
To stand out from earlier installments, a significant amount of self-referential humor and camp was injected into Jason X. This was, of course, influenced by the massive success of Scream back in 1996. The original script for the film was darker than the final product would turn out to be, but the studio kept insisting that the film be more like Scream. What the studio didn’t realize was that Jason X would be released at the tail end of Scream’s success. In fact, it came out two years after Scream 3 was released to a tepid critical response, and by that point that meta well had dried up. When Jason X was released on April 26, 2002, no one cared. To say the film was late to the party would be an understatement.
It is important to note that while Jason X was released in 2002, the movie was actually filmed in 2000. This doesn’t completely excuse its dated attempts at meta humor, but it does somewhat explain it’s “late to the party” feel. During filming Michael De Luca, the President of Production of New Line Cinema, left the company. Unfortunately for Jason X all support for the film left with him. You see, De Luca was one of the main reasons Jason X even got the greenlight. After he left the film was shelved for roughly 18 months before finally being released in April 2002 (though it did get released in Germany in July 2001). That delay didn’t help the film, as a copy of it leaked online, making it one of the most pirated movies of that year. Upon its American release it received even worse reviews than Jason Goes to Hell and earned its place as the lowest grossing film in the franchise. Ouch.
I’m not writing this article to tell you that Jason X is a good movie. It’s not. It’s actually a laughably bad movie. That being said, I can’t help but sort of love it. I actually rank it 5th in the franchise. I started writing this article as a defense of Jason X and about halfway through realized that I can’t really defend it. I can explain my admiration for it though, and it really all boils down to the lack of pretension in the film. Jason X is never particularly scary, and the jokes miss more than they hit, but it still feels very much like a Friday the 13th film.
Director James Isaac doesn’t really have a signature style, choosing to film the movie in as straightforward a way as possible. Isaac, who died from multiple myeloma back in 2012, has even stated that he wishes he could have filmed the script that the initially read before all of the tweaks, but the film we have is still a solid effort from the director. This isn’t to say that Isaac made a gem of a movie of course. Let’s be honest, even with its $13 million(?!) budget, Jason X looks like a SyFy movie. Would you believe that there were 800 special effects shots in the film?
The cast, which includes a pre-Lizzie McGuire Movie Yani Gellman, Peter Mensah and a cameo be David Cronenberg, is mostly made up of unknowns. They do their best with the material, but they can’t help the fact that (at the time) they were just a bunch of C-level actors trying to make a quick buck off of a dying horror franchise. Still, a handful of them really look like they are having fun, particularly Andromeda’s Lisa Ryder as the android Kay-Em 14. That’s all you can really ask from the cast of a Friday the 13th film, isn’t it? If the cast isn’t having fun, the audience isn’t either. As dumb as Jason X is, at least it’s fun and entertaining. On top of that, it knows exactly what it’s trying to be. That may not be as big a deal to some of you, but I have a great deal of respect for films that know what they are. That trait makes a film more likable, and Jason X is infinitely more likable because it doesn’t take itself seriously.
As mentioned above, the jokes are hit or miss in the film, but the one joke that really lands is the now-famous virtual reality sequence in which Jason is transported back to Camp Crystal Lake via virtual reality, in a meta sequence that comments on the more ridiculous aspects of the franchise while paying its respects at the same time. Hell, it even recreates one of the best kills of the franchise with a pair of sleeping bags.
Take 92 minutes today to rewatch Jason X. Maybe it’s not as bad as you remember. Or maybe it’s worse than you remember. Either way, try to go in with an open mind and just have fun with it. That’s the way Jason X was meant to be seen. It’s neither the best nor the worst entry in the Friday the 13th series, but it has its charms.
All facts referenced in this article were sourced from Daniel Farrands’s 2013 documentary Crystal Lake Memories.
Editorials
6 Dark Fantasy Films That Every Genre Fan Should Watch
From child-eating witches to village-burning dragons, fairy tales have always had a foot in the horror genre. That’s why it makes sense that, for every The Hobbit and The Chronicles of Narnia, there are also darker and more adult-oriented stories about magical worlds inhabited by ravenous monsters and cruel villains.
Funnily enough, these sinister tales were precisely the ones that I gravitated towards back when I was a kid, and I was reminded of this while watching Netflix’s recently released I Am Frankelda, Mexico’s first ever feature-length stop-motion animation and one hell of an entertaining parable about the intersection between fiction and reality.
In honor of this special kind of horror-adjacent fairy tale, today I’d like to share this list recommending six Dark Fantasy films that horror fans might enjoy.
For the purposes of this list, we’ll be defining Dark Fantasy as fantastical stories that don’t shy away from the more macabre elements that fuel classic fairy tales. That being said, don’t forget to comment below with your own grim favorites if you think we missed a particularly thrilling one.
With that out of the way, onto the list!
6. Hansel & Gretel: Witch Hunters (2013)

I’m fascinated by bizarre attempts at blockbuster filmmaking – especially when the resulting movies are somehow still fun despite their corporate-mandated origins. Hansel & Gretel: Witch Hunters is precisely one of these strangely compelling studio projects, as this surprisingly successful action-thriller boasts a lot of heart (and tongue-in-cheek humor) for a CGI-heavy creature feature.
Directed by Dead Snow’s Tommy Wirkola, Witch Hunters re-frames the classic fairy tale as an origin story for a duo of badass monster-slayers. Of course, it’s the flick’s anachronistic aesthetic and overall visual flair that make it stand out from other action-horror endeavors from around the same time.
5. The Wolf House (2018)

Made in the tradition of faux cursed films in the same vein as Antrum: The Deadliest Film Ever Made, the eerie backstory to 2018’s Chilean animated flick The Wolf House (La Casa Lobo in the original Spanish) already makes it a nightmarish experience before the flick even really begins.
After all, the movie is presented to us as a faux propaganda film produced by the leader of a death cult (heavily inspired by the real life Colonia Dignidad), with this hybrid animated feature using complex movie magic to simulate a single uninterrupted shot as it tells the story of a lazy young girl who runs away from an isolated colony and encounters a creepy old house in the woods.
4. The Brothers Grimm (2005)

Out of all the Monty Python alumni, Terry Gilliam has had the most interesting career outside of the original comedy group. From fascinating canceled projects (such as his scrapped adaptation of Watchmen) to dystopian parodies that feel more relevant by the minute (1985’s Brazil), even his “lesser” films are still intriguing in their own way.
2005’s The Brothers Grimm is one such project, with this peculiar movie attempting to combine the comedian-turned-filmmaker’s unique visual style with a more blockbuster-oriented plot reimagining the titular brothers as con-artists rather than mere writers. The end result isn’t exactly a masterpiece, but it’s still a legitimately fun ride with plenty of memorable monsters and wonderful performances by both the late, great Heath Ledger and Matt Damon.
3. Dante’s Inferno: An Animated Epic (2010)

2010’s Dante’s Inferno game may have a reputation as something of an unapologetic God of War clone, but I’d argue that the now-obscure game was aesthetically unique enough to deserve a bigger fanbase. However, while the title remains trapped on the seventh console generation, its highly underrated anime adaptation is a lot easier to get a hold of!
Animated by 6 different studios in order to make the 9 circles of hell feel unique from each other, this may not be a completely faithful adaptation of Dante Alighieri’s poem, but it’s still one heck of a great (not to mention gory) time that I’d highly recommend to fans of Netflix’s take on Castlevania.
2. Underworld: Rise of the Lycans (2009)

My personal favorite entry in the Underworld franchise, Rise of the Lycans, is a highly ambitious prequel that actually works better if you haven’t had the story spoiled to you by the previous Underworld films.
While the rest of the series features plenty of urban fantasy elements as the movies combine machine guns and modern environments with gothic storytelling, Patrick Tatopoulos’ prequel fully embraces its fantastical origins and tells a classic tale about a doomed romance between a werewolf and a vampire amid a medieval uprising.
And the best part is that we get a lot more Michael Sheen as the fan-favorite Lucian.
1. Solomon Kane (2011)

One of my personal favorite movies on this list, MJ Basset’s criminally underseen adaptation of Robert E. Howard’s other iconic warrior is thoroughly steeped in horror ambience and features plenty of memorable monsters. However, it’s also a classic origin story for a swashbuckling hero that wouldn’t feel out of place in a tabletop RPG.
While I’ve already written about how the film deftly combines both horror and fantasy elements without breaking the bank, I’ll never pass up an opportunity to recommend the bizarre movie where James Purefoy expertly plays a puritan John Wick.
It’s just too bad that we never got the other films in this intended trilogy.
You must be logged in to post a comment.