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Bruce Campbell’s 6 Most Memorable Horror Movie Roles

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Evil Dead

The ratio of heroes and protagonists in horror tends to favor women by a wide margin. We celebrate final girls like Laurie Strode, Nancy Thompson, Ellen Ripley, and more on the regular, but not nearly as many men reach the end credits of a horror film; even less often are they the ones who save the day. Beloved actor Bruce Campbell is a pioneer in that respect.

The definitive scream king, Bruce Campbell has played so many characters that have been put through the ringer in horror, saving the world time and time again from demonic armies, ancient mummies, vengeful dead, witches, and various other creatures. It’s difficult to think of any other actor working in horror who has been consistently dealt such physically demanding roles, and Campbell manages to make it all look effortless every time. His talent for physical comedy surely helps.

Campbell has reached a major milestone, turning 60 today, so in honor of his birthday we look back at 6 of his greatest contributions to the genre.


Joe Fasulo – The Woods

Lucky McKee’s 2006 supernatural film isn’t as celebrated as it should be. Starring Agnes Bruckner, Patricia Clarkson, and Rachel Nichols, this is primarily a female driven horror film set in an isolated all-girls boarding school in 1965. Agnes Bruckner plays lead Heather, a rebellious teen sent to Falburn Academy when her parents no longer can deal with her destructive ways. Falburn Academy, however, is a front for a coven of witches that intend to use the students for their nefarious plans. Campbell plays Heather’s father, Joe. Truthfully, he isn’t in it very much, but his role is crucial to Heather’s story and his scenes important. It’s also a different side to Campbell than what we’ve seen from the actor’s work before; his portrayal of a devoted but broken dad is great.


John Loftmore – Waxwork II: Lost in Time

This underappreciated sequel once again finds protagonists Mark Loftmore (Zach Galligan) and Sarah Brightman travelling through alternate worlds, each a self-contained horror film inspired segment. Campbell appears in a black and white segment that’s an homage to The Haunting. Or rather, if The Haunting was a comedy thanks to the comedic chops of Campbell. His character, John Loftmore, is the lead of the investigation team sent into the haunted house, and to say that the poltergeist activity gets dangerous would be an understatement. Especially for poor John Loftmore. Fans of Campbell’s humor should not miss this one.


Elvis Presley – Bubba Ho-Tep

I’m not sure really anything else needs to be said other than Campbell plays an elderly man living in a retirement home in Texas, claiming to be Elvis Presley. If you need more than that, then just know that it was written and directed by Don Coscarelli (Phantasm series), and that Elvis Presley teams up with President John F. Kennedy to save the residents of the retirement home from an ancient Egyptian mummy. Their battle is far tougher than it sounds considering they need motorized wheelchairs to get around. It’s also as hilarious as it sounds.


Himself – My Name is Bruce

A horror comedy that stars Campbell and directed by Campbell, My Name is Bruce features the actor playing himself. While “Bruce Campbell” is on set filming a B-horror movie, he’s mistaken for the character Ash and forced to fight a real monster invasion. In other words, this is a movie made specifically for Bruce Campbell fans by Bruce Campbell himself, filmed in his hometown. There’s an added level of humor to an already goofy horror comedy with in jokes aimed squarely at Campbell fans. Example: Ellen Sandweiss plays a character named Cheryl, a wink to the Evil Dead.


Jack Forrest – Maniac Cop 

This action horror film written by Larry Cohen and directed by William Lustig is fun for a lot of reasons, but foremost for bringing horror’s two best scream kings together in one film: Tom Atkins and Bruce Campbell. When a killer dressed as a cop begins slaying people in New York City, Officer Jack Forrest (Campbell) becomes the number one suspect. By his own wife, no less. Granted, his suspicious behavior is because he’s having an affair with another officer. Campbell gets to play both the suspect seeking to clear his name and one of the lead protagonists going toe to toe with the real killer.


Ashley J. Williams – The Evil Dead series

One of horror’s most beloved characters, and one that fans have refused to let go of since the release of the 1981 film that started the journey, Ashley J. Williams is a true horror icon. From the DIY spook fest of The Evil Dead to the third season’s conclusion of Ash vs Evil Dead, Campbell has evolved Ash from a quiet university student with romance in mind on that fateful weekend away in the woods to a wise-cracking screw up discovering he’s a dad. He also happens to be the prophesied hero that falls from the sky to save the world from the deadites, time and time again. From barely surviving his youth to an older, wiser(ish) antihero, Campbell made every step of Ash’s journey memorable. More importantly, he made it a blast to watch. After three films and three seasons of a television series, Campbell has officially retired from the role. Considering all that Ash has been through over the decades, Campbell has earned his rest.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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