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[Set Visit] The Characters and Storylines That’ll Expand the Franchise in “The Purge” TV Series

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Do you support your local Purge? Are you a real patriotic American? Are you in favor of all the good that The Purge does? These are the questions your hometown politician will be asking, so make sure you have your answers at the ready – lest you become a target yourself on the annual Purge night, when all crime, including murder, is legal for twelve hours straight.

Based on James DeMonaco’s popular Blumhouse horror franchise, USA Networks’ The Purge television show follows basically the same premise as the first three films. Set in a dystopian America under the rule of a Totalitarian party, the TV show takes place in the year 2027, between the second and third film, The Purge: Anarchy and The Purge: Election Year. The Purge will be an anthology show, with all new characters, set mostly during the twelve hours once a year that the Purge is active, but also containing flashbacks which will help further explain each characters’ past and how he or she came to be in each person’s specific position on Purge night. It only makes sense that a franchise which can so easily veer off into different directions would eventually delve into television for deeper world building, if for no other reason than to explore the freedom that a multi-episode cinematic universe offers. Just imagine the type of character development that can happen when the writer isn’t limited to two and a half hours!

Also, based on the impressive amount of bank that the series has churned up so far — $447 million in profits from a combined budget of $35 million – it stands to reason that director-producer Jason Blum would like to see how far his dollar can stretch when bringing his trustworthy formula to the small screen, especially with such a reliable new director behind the camera, Golden Globe award winner Anthony Hemingway (American Crime Story, Orange is the New Black, Empire, Shameless). Michael Bay, Brad Fuller and Andrew Form are also set to executive produce the show under the Platinum Dunes banner.

Bloody Disgusting was fortunate enough to visit the set of the new Purge TV series, down in New Orleans, Louisiana, and learn all about the exciting upcoming spin-off and how it will expand the mythology of this extremely popular horror franchise. Read on to see what we learned, and make sure to tune in when the show is aired simultaneously on USA Network and SYFY in September.

First of all, let’s back up for a second. For those who are unfamiliar with the franchise, the original 2013 Purge film starred Ethan Hawke and Lena Headey, and played out a kind of Rio Bravo scenario in a strictly suburban neighborhood. The first movie introduces the idea of the Purge, which is the new Founding Fathers’ very Machiavellian response to the increase in crime and depletion of resources that the nation has been experiencing as of late. In the eyes of the 1%, sharing the wealth is just not an option – it’s much easier to just kill off everyone below the poverty line and throw whatever goods or monetary gains they possessed back into the system. Thus, The Purge was born, the one night a year when all crime is legal, all emergency responders are dismantled, and the only citizens sure to survive till morning are the ones who are rich enough to afford an elaborate security system that prevents any Purge participants from entering the premises. James Sandin (Hawke) is one of the lucky elites who gets to stay home behind the safety of a steel barrier on Purge night – the security system he helped create, in fact – but when a lone straggler screams for his life outside in the street, Sandin’s son Charlie (Max Burkholder) lifts opens the barrier and lets the stranger into their home, thus leading a large group of masked killers to their home and turning his family into targets if they refuse to give up the man in return for prolonged peace.

In the second film, The Purge: Anarchy, the fight is taken from suburbia into the streets, and a whole new vantage point of this barbaric annual tradition is explored. Three stranded groups of people find their lives intertwined as they fight to stay alive on the most dangerous night of the year. The gang is led by soon-to-be-franchise-favorite Leo Barnes (Frank Grillo), who, after having a change of heart on a night would he could have gotten away with getting an eye for an eye, continues on into the next film, The Purge: Election Year, and capitalizes his protection skills when he joins the security team for a local senator who vocally opposes the Purge. Eventually, coming in after all the rest but serving as a prequel, The First Purge relays the story of the very first year that America underwent its first Purge night, and the consequences of such a treacherous game of trial and error.

Set to premiere September 4th, 2018, The Purge television series seeks to continue the commentary that the first four films started, while simultaneously delivering an entertaining program that seeks to expands the wickedly creative world building that the series previously sparked. The movies have always been more a cautionary tale than a fully conscious debate about current events, and the show will follow the same set up. Set mostly inside a lavish party held by wealthy and proud Purge backers, the story sees what happens to seemingly morally sound citizens when placed in such dire consequences.


THE BAR

When we walk into the warehouse in New Orleans, it appears as though we’ve wandered into a cozy little dive bar, complete with cutesy wooden tables, bright blue neon signs that read things like “Best Ales” and “Fine Imports”, and even a sweet little corner to leave your weapons in before you stroll into the Cantina. Sitting on the chairs in front of the bars are a series of dummies modeling the Purge television shows’ many cool new masks, including a hoodie-wearing piglet, a doe-eyed cartoon blonde with larger than life pigtails, a scrub wearing doctor with a gas mask, a man with a mesh mask and a zipper where his mouth should be, and a white-faced nun with blood streaming out of her black eyes. It’s a terrifying scene we’ve just wandered into, but as Tom Kelly, the head honcho and showrunner for the show tells us, this is actually the safest place to be on Purge Night – it’s a safe zone where no violence can be committed, but participants can pause for a minute to grab a frosty beverage before wandering back out into the night to commit more heinous crimes.


THE CHARACTERS

Amanda Warren as “Jane”

“Jane is a thirty-two-year-old successful, determined woman with a lot of drive,” explains Amanda Warren about her character. “I think what is most important about her is that she’s a self-made career woman who has ascended the corporate ladder without apology, and without compromise.” Convinced that she has hit a glass ceiling at her investment firm, Jane hires an assassin to take out her boss, Don Ryker (William Baldwin). However, over the course of the evening, Jane begins to regret her decision, and opts to leave the safe haven she’s always held out in on Purge night in order to reverse the action she’s taken, and hopefully save her boss in time.

“Jane is a woman with a very strong moral compass, she is a good, good woman and sets certain things in motion on Purge night that have consequences that she wasn’t anticipating,” says Warren. “She tries to remedy it that very night.”

Jane has no experience on Purge night, as she has never participated, meaning she has put herself in a safe haven whereas participants whether they elect to or not are either preyed upon or are the predator themselves simply by being outside as it’s open season. That’s not lost on her.

Just like The Purge franchise has always been as much about bringing the horror as it has been about sparking a debate, Warren wants to make it clear that this show isn’t just about making a statement. Entertaining audiences is a top priority, and the rest all falls into place.

“We know that we’re making ten hours of entertainment, and at the same time hopefully provoking thought and igniting conversation between human beings, and between people, which we’re just not doing. We’re communicating on tech devices. We’re just trying to get people to ask questions – we don’t necessarily know what the answers are.”

When inquired as to why she believes anyone would participate in the Purge, Warren provides a thought-provoking answer.

“What are we binging? Are we binging tolerating one another? I think so. I mean that’s been my experience, just reading the scripts that are coming in,” Warren pauses. “In our real world, we’re such a result-oriented society, with reality shows – where is the cliffhanger, where is the kiss, where is the fight with the bodyguards coming – we want that at the end of forty-five hours of programming. That’s not what you’re gonna get here. So, that’s what’s important about the work that Tom [Kelly] and James [DeMonaco] have done here. That one night a year, when we’re finally going to look at one another in the eye, is right before we kill each other.”

Gabriel Chavarria as “Miguel”

A straight edged type of guy, Miguel is a US Marine with a stern outlook and a strict set of morals. When his little sister Penelope (Jessica Garza) sends him a cryptic letter, Miguel faces his deepest fears, and wanders out into the streets on Purge Night. Prepared to take on whatever may wait for him in the world where crime is legal and senseless violence is encouraged, Miguel uses his military given skills to hunt down and retrieve his sister, and reunite his family – the thing that he cares about more than anything else in the world.

Jessica Garza as “Penelope”

Lost and a little unsure of herself, Penelope joins a Purge-worshipping cult, led by Good Leader Tavis (Fiona Dourif), and even offers herself up to be sacrificed to the cult in the name of the night they all worship, and for all the good that the Purge does. Second guessing her decisions once she learns a little bit more about the ghastly reality of the twelve-hour period, Penelope sends a cryptic letter to her older brother Miguel, who then makes it his mission – literally, as he’s a US Marine – to track down and find her, before it’s too late, and he loses her forever.

Hannah Anderson as “Jenna”

Jenna has always been devout in her anti-Purge mission, devoted to charitable causes and the like, but also has the luxury of locking down on Purge Night as a result of having the available funds. However, for the very first time, Jenna has decided to wander out into the night with her husband Rick, and attend a party, one in which might bring the pair political gain, but will ultimately cost them the price of their souls.

Fiona Dourif as “Good Leader Tavis”

Sooner or later, it was inevitable that a Purge-worshipping cult would pop up in this sick little cleverly twisted cinematic universe, and said cult would need someone to lead them. Enter one Good Leader Tavis, played by none other than genre fan favorite Fiona Dourif, who gained acceptance within the jaded horror community with her performances in Cult of Chucky and Curse of Chucky. In the Purge television show, Dourif plays Tavis, a much-adored and charismatic leader who leads her cult with false love, even going so far as to convince little Penelope that she ought to sacrifice herself for the good of the people, and the night they all hold so dear.

Lili Simmons as “Lila”

Young, rich and rebellious – or so she thinks – Lila is the daughter of a very wealthy set of parents, and although on the outside, she adamantly opposes Purge Night and all it stands for, she still relies on her parents for money and accepts the power that their position yields for her. While attending one of their annual socialite parties, Lila runs into an old friend Rick, and his wife Jenna, a couple who will soon need her assistance, and who she will be all to willing to lend a hand.

“Lila is layered with a bunch of different things,” explains Lili Simmons about her character Lila. “I mean she has this extreme confidence, she is sexy, she is charming, she’s also kind of playfully devious. I feel like she’s one of those people who, and I connect to this, you think you know her, but she’ll never tell you. So this Purge Night, you get to see inside her heart for once, and see her fighting with her morality.”

Although Lila is choosing to attend her parents’ annual Purge party, she has ulterior motives at play.

“Lila comes to her parents who are Ellie and Albert Stanton, and they are huge supporters of the Purge, they’re a very wealthy and privileged family,” states Simmons matter-of-factly. “She comes back to see them and go to this party that they throw every year as members of the NFFA. She’s coming to the party to find certain people who she knows are going to be there, and she knows they’re going to be locked in this house all night. That way, she can deal with some unfinished business.”

Colin Woodell as “Rick”

After a lifetime of bootstrapping, Rick is finally climbing the soldier ladder. He’s even been invited to a Purge Night party hosted by one of his wealthier new companions, and although he might inwardly oppose the event that the New Founding Fathers have constructed, he drags his wife along anyway in the name of his career. At the party, Rick discovers that rubbing shoulders with the pro-Purge elites presents unexpected challenges to his marriage, and begins to question what he’s willing to give up in order to achieve the American dream.

“Rick is an interesting guy. Rick grew up very underprivileged, sort of had to fight for what he has, because he lost his mom at a young age,” explains Colin Woodell. “We meet him on Purge day at a peculiar time, because he’s beginning to climb this social ladder.”

Rick is married to Jenna who is a very morally sound person, and they’re business partners. Together, the pair own a Real Estate Development firm which builds innovative lower income housing. They want to push the business further, but in order to pull it off, they need a massive investment. Just when they’re about to give up hope, the couple gets invited a party at Albert Stanton’s house – the richest man in town. Stanton just happens to do his biggest deals on Purge Night at this party, so naturally, Rick and Jenna decide to step out for the first time ever on Purge Night, making them extremely vulnerable for the first time, while also trying to maintain their morals.

To add worse to wear, their marriage has been on the fritz for a while now – or more specifically, been in a rut. It just all feels so routine. In a strange way, Purge Night actually injects some excitement into their stagnant relationship.

“It adds an exhilarating factor to this evening. While you can despise it and hate it, and think that it’s horrible, I do think that Purge Night brings out characteristics and qualities in a person that you never imagined existed within yourself,” ponders Woodell. “That’s been one of the fascinating things thinking about this concept, as far as being a part of it versus just being a fan and an audience member. Just thinking about what would I do, and realizing that you can’t really predict what you’re going to do because none of us have really been faced with life-ending instances. When you see your life flash before your eyes, or you see someone murdered in front of you, there’s no real predicting what you would do, and that’s what’s so unique about this concept is that it sheds light on qualities about people that they never even knew existed inside themselves.”

Lee Tergesen as “Joe”

Armored, masked, and seemingly ordinary, Joe drives through the streets on Purge Night, occasionally intervening in the ongoings of the gang members, and the everyday people turned gang members for an evening of ultra-violence. Listening to the taped lectures of a motivational speaker, Joe is a complicated character, and it’s always up in the air as to what he’ll do next.

“Joe is a hero. He is a man among men,” muses Lee Tergesen about his character. “Joe is a guy who has lost his way. He is a typical American guy who has seen better days and wishes it could be the way it used to be, and is struggling with the fact that life keeps going on. He’s somebody who believes in his country and he’s very patriotic and he’s sort of brings a little bit of hope.”

Joe steps in to stop wrongdoing he sees done while he’s driving around on Purge Night, but that doesn’t mean he’s completely opposed to the existence of the Purge. Joe has always considered himself to be a steadfast American, and that means always supporting the government, even when it’s heading in questionable directions.

“He is trying to be true to himself, but he’s trying to find a way through the night,” says Tergesen. “Joe believes America is about the Purge, and ponders why it is something to be embraced. He just thinks it’s a night that you can make it whatever you want it to be.”

William Baldwin as “Don Ryker”

Played by William Baldwin, Don Ryker is a Managing Partner and boss at Jane (Amanda Warren)’s investment firm. Suave, good looking and powerful, Don appears on the outside to be a big Jane supporter, but when she feels as though Don might be the reason why she’s been hitting the glass ceiling as of late, Jane hires an assassin to kill him before the night’s end.


THE PLOT

So far it appears as though there will be at least three major storylines happening simultaneously.

Married couple Jenna and Rick wander out into Purge Night and into a wealthy party in order to attain a higher status in their society, but their decisions over the course of the evening will have them questioning the morality of their actions, and each other. The party will be held at Lila’s parents house, who, much to Lila’s avail, are proud pro-Purgers. Lila is an old friend of Rick’s, and will help he and his wife survive all of the chaos that ensues over the course of the evening.

At the same time, Jane, a steadily advancing businesswoman at a very well respected investment firm, feels that she has hit a blaring glass ceiling. She blames her boss Don Ryker for this halt in her career, and although she has never participated in Purge Night before, decides to use the evening to hire an assassin to clear her boss’ influence from her path, once and for all. The only problem is, Jane begins to regret her decision as time ticks on, and so she ventures out from her usual safe haven to try to put a stop to her plans before they’re carried out and she’s forced to live with the choices she’s made forever.’

Simultaneously happening around the same time across town is US Marine Miguel’s hunt to find his little sister Penelope before she sacrifices herself to Good Leader Tavis and the Purge-worshipping cult she leads. After Penelope sends a cryptic letter to her brother, Miguel sets out on Purge Night to find her, and will stop at nothing to protect the one thing he loves most – his family.

The last little storyline is a bit unclear, but we know for sure that Joe will be wandering out into Purge Night, armed to the teeth, and interact with various characters he finds on the road. Masked and seemingly ordinary, Joe will drive through town, occasionally intervening in the events he sees, all the while listening to the taped lectures of a motivational life coach.


THE COMMENTARY

The Purge franchise has always carried with it an air of entertainment, but also a sharp, deep cutting commentary about the status of society and the way in which politicians treat the poor. It’s been a delicate balancing act, bouncing back and forth between creating enjoyable genre films while simultaneously making movies that say something about human behavior, but Jason Blum and James DeMonaco have always stuck the landing. From what was learned on set in New Orleans, it’s clear that that tricky two-edged sword will most likely be swiftly handled yet again.

“What really got me was the fact that in the first movie, you’re ten minutes in and there’s a black guy being chased down the street by a white mob,” explains showrunner Tom Kelly. ”So, to me, right away, it was like okay, [James DeMonaco] is not just doing a horror show or a drama show. There are other themes that are being addressed that are relevant to the world we’re living in today.”

With its purposeful attack on the poor, it has been questioned in the past whether or not The Purge is a racist event. Is it possible that the elite are merely using this horrific event as an excuse to carry out the genocide of people of color?

“Jane is an independent, American made black woman, and we don’t shove that down anyone’s throat, but it’s there in the dialogue, and little things you pick up on,” relates Amanda Warren. “People see her as a woman or someone who’s black, but I’ll just leave it at that. Tom [Kelly]’s writing is really well done. We want to provoke our audience to think for themselves. We aren’t interested in shoving any results or any ideas down anyone’s throat, we just want people to be ignited by thinking and hopefully get a conversation brewing where people can sit down, put the laptops down, put the phone down and get to know one another again. Just talk about what’s happening in our society versus the society that Tom and James have created.”

Be sure to check out The Purge TV series when it hits USA Network and SYFY on September 4th, 2018, and in the meantime, do your part to support your local Purge.

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Editorials

How ‘Weapons’, ‘Hokum’, and ‘Widow’s Bay’ Continue Stephen King’s Horror Legacy

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Unofficial Stephen King adaptations Weapons, Hokum, and Widow's Bay

After fifty years of continuous writing, Stephen King has become a genre unto himself.

The unrivaled Master of Horror made a splash in 1974 with his debut novel Carrie and has been terrifying readers ever since. Two years later, Brian De Palma brought this shocking story to the screen with an equally electrifying horror film that remains a genre classic and a prototypical example of “Good For Her” horror. This dual debut seemed to open the floodgates, unleashing endless waves of Stephen King films.

From the highs of Misery, Cujo, and The Shawshank Redemption to the schlocky fun of Cat’s Eye, Creepshow, and Children of the Corn, the last five decades have seen just about every notable horror creator take a stab at the author’s massive collection. 

In recent years, this singular subgenre has begun to burst at the seams, expanding to include Stephen King-esque fare. In 2016, brothers Matt and Ross Duffer debuted Stranger Things, a sci-fi series heavily inspired by two of King’s most famous books. The Netflix series remixes Firestarter and It by following a little girl with psychic powers and an intrepid group of kids on bikes who must battle an otherworldly foe and a sinister government agency. With its clever blend of modern effects and comforting nostalgia, this gateway horror series paved the way for Andy Muschietti’s It adaptation which remains the highest grossing horror film of all time. 

Four years later, Mike Flanagan would create Midnight Mass, a spiritual adaptation of King’s second novel Salem’s Lot. Published in 1975, the book sees a tiny New England town torn apart by a centuries-old vampire. Though Flanagan’s story is perhaps more tender, both iterations of the classic horror tale follow close-knit communities shaken to their core by the presence of an  ancient evil. 

In addition to these recent hits, 2025 was a banner year for the Master of Horror. Audiences delighted in six mainstream adaptations, including the massively popular It: Welcome to Derry which chronicles earlier cycles of the titular clown’s reign. With this boost to King’s cultural cache, it’s no surprise that we’ve begun to see more unofficial adaptations of the author’s work and horror creators who build their own unique castles in King’s creative sandbox. 

So what defines a Stephen King-esque story?

For the past fifty years, the prolific author has dipped his toes in nearly every subgenre from supernatural stories and grisly gore to western fantasy and science fiction. Including his vast catalogue of short fiction, King has tackled ghosts, demons, werewolves, zombies, aliens, mutants, and self-driving cars, not to mention bizarre monsters of his own creation. But what truly unites this vast array of horror is King’s focus on relatable characters. In his 2000 memoir/instructional text On Writing, the prolific author describes the amusement he finds in writing disparate characters, placing them in horrific scenarios, then exploring the ways they try to survive.

An unofficial Stephen King adaptation may take place in the author’s native New England — bonus points if it’s set in Maine — and reference his well-known heroes and villains. But what makes the King connection unbreakable is a character-driven story about average people who band together in the face of abject terror. 

Weapons Captures Small Town Stephen King

Creepy kid in nightmare vision from Weapons; Zach Cregger reteams with Roy Lee on Little One

Following his 2022 shocker Barbarian, Zach Cregger returned with Weapons, a sprawling story that begins in a doomed elementary school. On an otherwise ordinary day, Justine (Julia Garner) arrives at her desk to find that all but one of her students have disappeared. As the mystery grows increasingly violent, Justine and Archer (Josh Brolin), the father of a missing boy, find their way to the home of Alex (Cary Christopher), the class’ only surviving student. In some ways reminiscent of Salem’s Lot, Weapons swings wildly through the unfortunate town, introducing us to its flawed inhabitants as we watch their lives fall apart.  

Cregger’s setup nods to a pair of King short stories. Both “Suffer the Little Children” and “Here There Be Tygers” tackle monstrous presences in elementary schools, but as Weapons reaches its final act, Constant Readers may remember another Stephen King tale. Featured in his 1985 collection Skeleton Crew, “Gramma” introduces us to George, a little boy tormented by an aging witch. On an afternoon alone with his sickly grandmother, the frightened child gradually realizes that the imposing old woman has been waiting for an opportunity to cast a spell that will extend her own life by possessing his body.  

Alex finds himself similarly tortured by his aunt Gladys (Amy Madigan), a garish witch who orchestrates a desperate plot to sustain her own strength. Transforming humans into mindless weapons, Gladys has taken over Alex’s family home and lured his classmates to the basement. Holding them in a comatose state, she syphons off their energy to extend her own supernatural life.

Vastly different in many ways, both “Gramma” and Weapons hinge on a sinister witch who uses horrific magical spells to sacrifice the bodies of her vulnerable prey. 

Hokum Echoes The Shining and 1408

Hokum first scare is a doozy in exclusive clip

It’s nearly impossible to watch a film about a haunted hotel without thinking of King’s third novel, The Shining. This icy story follows Jack Torrance, an angry writer struggling with his sobriety and a shameful incident haunting his past. Accompanied by his wife and young son, Jack has taken a job as the winter caretaker for the Overlook, a haunted hotel situated high in the Rocky Mountains. Snowed in, Jack finds himself tormented by dangerous ghosts who amplify his greatest fears. 

Damian McCarthy’s Hokum follows a similarly troubled figure. Ohm Bauman (Adam Scott) is a surly writer who travels to the Bilberry Woods Hotel in rural Ireland to spread his parents’ ashes. Haunted by his own tragic past, Ohm finds himself trapped in the honeymoon suite, a decaying room that’s been permanently closed to protect visitors from a dangerous witch trapped within its walls. Visual nods to King’s text abound with woodcut figurines and an animated clock, mirroring ominous descriptions found in King’s text. 

Another terrifying sequence sees Ohm staring with horror at a closed door, the only thing separating him from the approaching witch. As the door knob slowly turns, Constant Readers remember Jack’s narrow escape from the ghostly woman in room 217. And Ohm’s popular Conquistador books directly reference King’s long-running fantasy series The Dark Tower which follows a gunslinger named Roland Deschain tasked with protecting the nexus of the universe. 

In addition to these thematic comparisons, Hokum bears striking resemblance to King’s terrifying short story “1408.” Collected in 2002’s Everything’s Eventual, the terrifying story follows Mike Enslin, a dejected writer who’s risen to fame penning essays about his adventures in haunted locations. Mike arrives at the Hotel Dolphin and bullies his way into the titular room, despite the manager’s dire warnings. McCarthy nods to this story with an ominously misplaced hotel room door, reminiscent of King’s entry to 1408, an unsuspecting portal that appears to move each time Mike looks away. 

However, McCarthy’s most direct reference lies in a minicorder Ohm uses to capture notes. Trapped inside the dreaded honeymoon suite, this device offers well-timed messages while sitting next to a decomposing corpse. Mike records his time in 1408 with his own trusty minicorder. Described for the reader, his tape has captured the man’s slow descent into madness as the room prepares to swallow him whole. With conclusions that differ wildly in tone, both Ohm and Mike find their lives irrevocably changed by encounters with the supernatural realm. 

Widow’s Bay Builds Its Own Version of Castle Rock

Betty Gilpin and Hamish Linklater in "Widow’s Bay," now streaming on Apple TV.

Katie Dippold’s Widow’s Bay has taken the idea of an unofficial King adaptation and turned it into an art form. The Apple TV series sees the residents of the titular island plagued by a curse that dates back centuries. Not only does the picturesque hamlet not accommodate wifi connections, those born on the island face certain death should they ever try to leave. Desperate to modernize the tiny town, Mayor Tom Loftis (Matthew Rhys) draws in waves of tourists just as a new cycle of terror begins. 

Blending horror with deft comedy, Dippold makes cheeky references to King’s body of work. Tom warns that, “there’s something in the fog,” reminding readers of King’s 1980 novella The Mist. And Loftis’ own stay in the town’s haunted hotel sees him tormented by the ghost of a murderous clown. We even spy a vintage King hardback peeking out of a local book trade box.

In many ways Widow’s Bay feels like a new iteration of the author’s Little Tall Island, a tiny village off the coast of Maine. In addition to the 1992 novel Dolores Claiborne and a handful of harrowing short stories, this quaint fishing village is also the setting for King’s 1999 teleplay Storm of the Century. Premiering on ABC primetime, this tragic tale follows a terrified group of islanders who batten down the hatches for a dangerous Nor’easter only to find a more sinister threat lurking within. 

Constant Readers may also be reminded of Castle Rock, the author’s favorite fictional town.

First introduced in the 1981 novel Cujo, the charming village becomes the star of Needful Things, King’s satire about consumerism. After several Castle Rock stories, we’re reintroduced to its residents as they gossip about the arrival of Leland Gaunt and the grand opening of his curio shop. Anything their hearts desire can be found in his varied inventory, so long as they’re willing to pay the price. Pitting cantankerous neighbors against each other, Gaunt ignites a wave of grisly violence by exploiting long-held resentments and feuds. 

The town’s only defense against this supernatural threat is beleaguered sheriff Alan Pangborn. Still grieving the deaths of his wife and younger son, Alan struggles to connect with his older child and pick up the pieces of his shattered life. Also a widower, Loftis struggles to raise his own restless son and explain the strange details of his wife’s tragic death. Attempting to unravel the island’s dark secrets, Tom is aided by quirky residents including a surly fisherman named Wyck (Stephen Root) and Patricia (Kate O’Flynn), an earnest Town Hall employee. King’s own novels feature many of these proactive alliances with disparate characters combining their strengths to overcome insurmountable odds. 

With Widow’s Bay renewed for a second season and Mike Flanagan’s Carrie series on the horizon, the future seems bright for new King adaptations, both spiritual and directly pulled from his catalogue. The prolific author also shows no signs of slowing down with two publications nearing release. His upcoming novel, Other Worlds Than These, is the long-awaited third Talisman book which teases direct ties to his Dark Tower world. Holly Forever will be a new installment of his crime series, offering a different kind of genre fare.

This embarrassment of riches spawning multiple worlds seems ripe for spiritual adaptation and will likely inspire horror creators for decades to come.

Kate O’Flynn, Stephen Root and Matthew Rhys in “Widow’s Bay,” now streaming on Apple TV.

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