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How Much is ‘Midsommar’ Like a Real Swedish Midsummer Celebration?

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On June 25, many Swedes gather for one of the year’s most beloved holiday celebrations: Midsummer’s Eve. It’s one of few with relatively little religious content, even though it originates from the 4th-century celebration of John the Baptist’s birth. Like many folk traditions, Midsummer is about the passing of the seasons. It falls near the summer solstice and is thematically similar to how that event has been celebrated in many cultures through the ages. People come together to share food and drink in a summery setting, around the dinner table at home, at larger gatherings in the garden, or in the form of grand communal celebrations outdoors. It’s one of the longest days of the year, luminally encouraging a late, late night of partying, and fittingly it was decided in 1953 that Midsummer’s Eve should always occur on a Friday.

But for horror fans, Swedish Midsummer only means one thing, at least since the past couple of years: the movie Midsommar (2019). Ari Aster‘s gruesome depiction of part-fictional, part actual Swedish lore in the small community of Hårga was divisive among critics and audiences at its release. The film is open to many interpretations and produces new discourse on what almost seems like a daily basis, revealing that even if not universally liked, Midsommar is one of the more talked about horror films in recent years.

In developing the script, Aster had help from set decorator Henrik Svensson in devising the Hårga cult and their customs. It consists of a rich mixture of traditions, rituals, and visuals from Swedish and other folk cultures but somehow darkly twisted. Many events in Midsommar seem out of this world, or at least so arcane that they can be presumed to have very little to do with today’s festivities surrounding Midsummer’s Eve. But in fact, there is more overlap between the fictional and the actual celebration than you would think.

Let’s break down some of the customs depicted in Midsommar and try to answer the question: Do Swedes really do this? But before we proceed, let’s get the pronunciation down once and for all. The Swedish word “midsommar” is pronounced “miss-ommar,” stressing all syllables more or less the same, and that’s that.

Attire and adornments

Although the folk garbs worn by the Hårga members are made up, it’s not uncommon to see similar clothing on Swedish Midsummer and other traditional celebrations in the country. In the old agrarian society, they were just ordinary outfits, varied with the seasons. But the national romantic movement in Europe around the turn of the 20th century picked up on this, much like with many other “peasant” customs, and members of high society started wearing folk costumes on festive occasions. While the bourgeoisie was busy cosplaying and spending a lot of time trying to create a canon of regional garments, the general population had moved on to work clothes more suited to an industrialized society. Many even considered folk costumes a symbol of an archaic and wildly unequal society that they had moved on from in the name of modernity. The community Midsummer celebration in Sweden has an air of theater, and many would consider wearing these uniforms from old times an homage more than a fashion statement, much like wearing a Santa’s hat on Christmas.

Flowers are everywhere in Midsommar and on Midsummer too. The fresh flower wreath worn on the head has become one of the immediately recognizable visuals from the movie, featured in its iconic poster. This summery accessory is actually ubiquitous during Swedish Midsummer, and you’ll see people of all ages wear them regardless of their feelings about body adornments the rest of the year. Traditionally, the wreath is made by the wearer on the same day, again connecting with the seasonal growth theme of the holiday. The full-body May Queen flower bed attire awarded to Dani towards the end is, however, an invention of the filmmakers and not a common sight in Sweden. You could think of it as an almost absurd exaggeration of existing flower-wearing traditions.

The casting of spells

Do Swedes cast love spells and hide runic totems under each other’s pillows on Midsummer? This practice is depicted in Midsommar at first as a somewhat childish make-believe game and later pointing towards something more sinister, and you would think it has little to do with modern celebrations. But Swedes will find rituals along these lines very familiar in a slightly modified form: picking the seven flowers. Midsummer is a magical night in folklore, when nature, animals, and people are more susceptible to spells and more in touch with their spiritual dimension. Thus, it’s an excellent opportunity to find out who your true love is. The way to go about it is to pick seven types of flowers, preferably jumping over seven fences in the process, then hiding them under your pillow on Midsummer’s Eve. That night your future betrothed will appear to you in a dream. In Midsommar, some Hårga women pick flowers walking backward, which is not an uncommon addition to the picking of the seven flowers tradition. Gathering the flowers in complete silence is another variation. Both these customs are about doing things out of the ordinary to break with non-magical everydayness. However, Midsommar takes a rather sweet and innocent ritual and turns it dark: instead of a self-suggestive gesture, an invasive hex pointed at Christian to muddle his mind.

Dancing around the pole

Dani has a significant emotional breakthrough in what can be considered the beginning of Midsommar‘s climax, the dance scene. The young women of Hårga are served drug-infused lemonade and invited to dance in various patterns around a decorated pole until they faint, steadily incited by droning folk music from a small ensemble and the commands of an elder. The last person standing wins the most coveted of prizes – they are crowned May Queen and revered as such for the remainder of the feast, with all sorts of peculiar ceremonies that come with the title. Dani participates in this game of endurance, at first reluctantly but with more and more glee, or something like it.

The Midsummer Pole (or Maypole, internationally speaking) is the quintessential Midsummer symbol in Sweden. At large community celebrations, it is usually erected at the center of a meadow as a group activity, after decorating it with birch leaves and flowers, leaving plenty of room around it. Because yes, like in Midsommar, dancing around the pole is an essential activity on this day. Similar to the movie, it is usually done in several circles with ever-changing modes and variations. But the modern dance around the Maypole is geared more towards the youngest, with childish songs such as “Små grodorna” (“The Little Frogs”) that include imitating frogs and such. Accompaniment by a small group of live musicians is a common sight, usually on traditional instruments such as violin and accordion. The goal of the current day Midsummer circle dance is not to determine a May Queen. It serves more as a socially acceptable opportunity to play like kids for a little while, hopefully not collapsing along the way. If drugs are involved, it’s more likely in the form of beer than psychedelics.

Death and sacrifice

More horrific than curious is the Hårga inclination towards blood sacrifice. In discussions about whether Dani or Christian is the worst person, many seem to completely miss that Pelle is, in fact, the real villain in Midsommar. Underneath a soft and sympathetic demeanor hides the person responsible for bringing new victims to the cult, ready to be sacrificed as part of the symbolic nine in the film’s final scenes. In Sweden, historical research into pre-Christian Midsummer traditions regularly revives the debate on whether there was once upon a time an element of blood sacrifice. So far, the evidence is thin. If it ever happened, it is even less likely humans were subjected. So this is one you can strike off your list of things to expect on a Midsummer’s Eve celebration in 2021.

Of course, the most memorable deaths in Midsommar are those near a high, rocky cliff known as the ättestupa. The literal meaning of the term is something like “clan precipice.” It was a place where supposedly the oldest members of society would jump off, or be pushed, to their death when they could no longer contribute to the group. So when the anthropologist Josh hears that Hårga might be into the ättestupa, he is fascinated and frightened – having heard of it only in academic research. It’s a realistic reaction that aligns with the current research consensus on the subject, which is that there is no credible confirmation of any ättestupa actually having been in use. But it’s something many Swedes had heard of long before the movie came out, often through high school history teachers that felt a need to spice up slightly boring lectures with some dubious but thrilling horror content.

When in Sweden

Midsommar has an abundance of overt and obscure references to Swedish folklore. You can take almost any ritual seen in the movie, do some research on it, and find out it has a counterpart in some existing, ancient tradition. As traditions are living things and only survive for as long as they are practiced, many have fallen into oblivion by now. But numerous customs survive to this day and still find their way to any modern celebration of Midsummer’s Eve in Sweden, some in a somewhat original form and others simplified.

If you are ever invited to Sweden to celebrate Midsummer, don’t be afraid. You are not likely to fall prey to a pagan death cult. But you will probably, hopefully, partake in some odd customs like jumping around like frogs or picking flowers backward. However, you will not be able to shed every last association to Ari Aster’s vision. Because in all likelihood, you are surrounded by people dressed in white linen or cotton, the occasional folk costume, everyone with a floral wreath on their head. The Maypole is up, and the day is long. Let the festivities begin.

Markus Amalthea Magnuson is a film writer and technologist from Stockholm, Sweden. He holds a BA and MA in Cinema Studies and wrote his master's thesis on cyborgs and gender in film and television. He is the Head of Short Film Programming at the genre festival Monsters of Film and curates notable science fiction movies at scifiagenda.com

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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