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5 Deep Cut Horror Movies to Seek Out in November 2023

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horror
Pictured: 'Door'

This month’s installment of Deep Cuts Rising features a variety of horror movies, with some selections reflecting a specific day or event in November, and others chosen at random.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings feature Dracula, a giant zombie poodle, a golem, and more.


The Tomb of Dracula (1980)

horror

Image: The Tomb of Dracula

Directed by Minoru Okazaki.

For World Television Day (November 21), Dracula followers as well as Marvel fans might get a kick out of the 1980 animated TV-movie based on the serialized comic series The Tomb of Dracula. Between 1972 and 1979, the iconic Count Dracula was reworked into a master antagonist who was routinely opposed by a team of vampire slayers. The same series also contains the introduction of popular Marvel character Blade.

Marvel and Toei Animation collaborated on a feature-length Japanese-language telefilm called Yami no Teiō: Kyūketsuki Dracula (Dark Emperor: Vampire Dracula). It was then dubbed into English and retitled Dracula: Sovereign of the Damned. Although it was once hard to find, a fansubber called Kineko Video got ahold of an original 16mm print and uploaded it to the internet not too long ago. So if you’re craving a wild and fun version of the Dracula myth, sink your teeth into this hidden gem.


The Territory (1981)

horror

Image: The Territory

Directed by Raúl Ruiz.

It’s getting colder outside for a lot of folks, but that doesn’t mean camping is off the menu. Raúl Ruiz’s The Territory is a reminder that the great outdoors can be enjoyed even when the temperatures drop. And for Take a Hike Day (November 17), fans of survival stories should give this Portuguese psycho-thriller a watch.

Infighting quickly plagues these irritating characters as they rough it in the South of France. An unexplained force affects everyone, causing them to act strangely. After getting lost, the group then succumbs to a taboo human act: cannibalism. Go in expecting a sometimes violent art film that asks its audience what they’d do if put in the characters’ shoes.

The Territory is available on various but scarce DVDs. Luckily, someone has been kind enough to upload a digitization online. And despite its French setting, the movie’s dialogue is in English for the most part.


Door (1988)

horror

Image: Door

Directed by Banmei Takahashi.

There is no better movie to watch on National Housewife Day (November 3) than Door. Banmei Takahashi’s domestic terror tale was considered long lost at one point, but it has since been rediscovered and remastered. Now everyone can cheer on Keiko Takahashi‘s character Yasuko as she fight back against an unexpected tormentor.

Housewife and mother Yasuko can’t be blamed if she’s a bit careless from time to time; her husband is either too busy with work or he’s too sick to help out at home. So when she accidentally injures an aggressive door-to-door salesman named Yamakawa (Daijirō Tsutsumi), the offense isn’t taken lightly. Instead, Yamakawa begins to stalk this poor woman inside her own apartment building. Shockingly, Door erupts into a symphony of household violence that ranks it high in the “home is hell” horror subgenre. It’s easy to see why this movie is gaining a legion of new fans.

Door is now streaming on SCREAMBOX. It’s also available on Blu-ray from both Vinegar Syndrome and Third Window Films. The latter physical media release includes the first of the two Door sequels as a bonus feature. Takahashi also directed Door 2: Tokyo Diary.


The Boneyard (1991)

horror

Image: The Boneyard

Directed by James Cummins.

The Boneyard‘s reputation precedes it, but uninitiated viewers shouldn’t be too worried about this early ’90s horror-comedy not living up to expectations. Special effects artist and designer turned director James Cummins (House) turned in a wonderful directorial debut. Here a group of random characters get locked inside a coroner’s building with zombies.

This is not a typical or even serious story about the undead. It’s more in line with the Return of the Living Dead franchise. And anyone who’s seen the movie is sure to bring up the giant zombie poodle. And why wouldn’t they? Oh, and because Thanksgiving (November 23) is briefly mentioned in a throwaway line, the movie can be included in your Turkey Day horror watches.

While The Boneyard once faced the possibility of disappearing, this comedic chiller starring Phyllis Diller can now be easily found on sites like Tubi. It’s also been remastered for Blu-ray.


Clay (2008)

horror

Image: Clay

Directed by Andrew Gunn.

Gateway horror is on the rise these days. Anyone wanting a more mature dose of formative frights, though, may be interested in the BBC adaptation of David Almond’s 2005 novel Clay. The TV-movie of the same name comes across as more of a coming-of-rage drama; two boys are tired of being bullied, so they and a new kid at their school create themselves an uncanny protector.

Clay plays out a bit like the ’80s Twilight Zone episode “The Shadow Man.” The two young protagonists and their classmate here eventually lose control of their creation, a golem made out of clay that goes too far to keep its masters safe. The boys also possess directly opposed ethics, which makes doing the right thing even harder.

Clay is currently streaming on Prime Video.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

Paul Lê is a Texas-based, Tomato approved critic at Bloody Disgusting, Dread Central, and Tales from the Paulside.

Editorials

Silly, Self-Aware ‘Amityville Christmas Vacation’ Is a Welcome Change of Pace [The Amityville IP]

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Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” 

After a number of bloated runtimes and technically inept entries, it’s something of a relief to watch Amityville Christmas Vacation (2022). The 55-minute film doesn’t even try to hit feature length, which is a wise decision for a film with a slight, but enjoyable premise.

The amusingly self-aware comedy is written and directed by Steve Rudzinski, who also stars as protagonist Wally Griswold. The premise is simple: a newspaper article celebrating the hero cop catches the attention of B’n’B owner Samantha (Marci Leigh), who lures Wally to Amityville under the false claim that he’s won a free Christmas stay.

Naturally it turns out that the house is haunted by a vengeful ghost named Jessica D’Angelo (Aleen Isley), but instead of murdering him like the other guests, Jessica winds up falling in love with him.

Several other recent Amityville films, including Amityville Cop and Amityville in Space, have leaned into comedy, albeit to varying degrees of success. Amityville Christmas Vacation is arguably the most successful because, despite its hit/miss joke ratio, at least the film acknowledges its inherent silliness and never takes itself seriously.

In this capacity, the film is more comedy than horror (the closest comparison is probably Amityville Vibrator, which blended hard-core erotica with references to other titles in the “series”). The jokes here are enjoyably varied: Wally glibly acknowledges his racism and excessive use of force in a way that reflects the real world culture shift around criticisms of police work; the last names of the lovers, as well the title of the film, are obvious homages to the National Lampoon’s holiday film; and the narrative embodies the usual festive tropes of Hallmark and Lifetime Christmas movies.

This self-awareness buys the film a certain amount of goodwill, which is vital considering Rudzinski’s clear budgetary limitations. Jessica’s ghost make-up is pretty basic, the action is practically non-existent, and the whole film essentially takes place in a single location. These elements are forgivable, though audiences whose funny bone isn’t tickled will find the basic narrative, low stakes, and amateur acting too glaring to overlook. It must be acknowledged that in spite of its brief runtime, there’s still an undeniable feeling of padding in certain dialogue exchanges and sequences.

Despite this, there’s plenty to like about Amityville Christmas Vacation.

Rudzinski is the clear stand-out here. Wally is a goof: he’s incredibly slow on the uptake and obsessed with his cat Whiskers. The early portions of the film lean on Wally’s inherent likeability and Rudzinski shares an easy charm with co-star Isley, although her performance is a bit more one-note (Jessica is mostly confused by the idiot who has wandered into her midst).

Falling somewhere in the middle are Ben Dietels as Rick (Ben Dietels), Wally’s pathetic co-worker who has invented a family to spend the holidays with, and Zelda (Autumn Ivy), the supernatural case worker that Jessica Zooms with for advice on how to negotiate her newfound situation.

The other actors are less successful, particularly Garrett Hunter as ghost hunter Creighton Spool (Scott Lewis), as well as Samantha, the home owner. Leigh, in particular, barely makes an impression and there’s absolutely no bite in her jealous threats in the last act.

Like most comedies, audience mileage will vary depending on their tolerance for low-brow jokes. If the idea of Wally chastising and giving himself a pep talk out loud in front of Jessica isn’t funny, Amityville Christmas Vacation likely isn’t for you. As it stands, the film’s success rate is approximately 50/50: for every amusing joke, there’s another one that misses the mark.

Despite this – or perhaps because of the film’s proximity to the recent glut of terrible entries – Amityville Christmas Vacation is a welcome breath of fresh air. It’s not a great film, but it is often amusing and silly. There’s something to be said for keeping things simple and executing them reasonably well.

That’s a lesson that other indie Amityville filmmakers could stand to learn.

2.5 out of 5 skulls

The Amityville IP Awards go to…

  • Recurring Gag: The film mines plenty of jokes from characters saying the quiet part (out) loud, including Samantha’s delivery of “They’re always the people I hate” when Wally asks how he won a contest he didn’t enter.
  • Holiday Horror: There’s a brief reference that Jessica died in an “icicle accident,” which plays like a perfect blend between a horror film and a Hallmark film.
  • Best Line: After Jessica jokes about Wally’s love of all things cats to Zelda, calling him the “cat’s meow,” the case worker’s deadpan delivery of “Yeah, that sounds like an inside joke” is delightful.
  • Christmas Wish: In case you were wondering, yes, Santa Claus (Joshua Antoon) does show up for the film’s final joke, though it’s arguably not great.
  • Chainsaw Award: This film won Fangoria’s ‘Best Amityville’ Chainsaw award in 2023, which makes sense given how unique it is compared to many other titles released in 2022. This also means that the film is probably the best entry we’ll discuss for some time, so…yay?
  • ICYMI: This editorial series was recently included in a profile in the The New York Times, another sign that the Amityville “franchise” will never truly die.

Next time: we’re hitting the holidays in the wrong order with a look at November 2022’s Amityville Thanksgiving, which hails from the same creative team as Amityville Karen <gulp>

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