Connect with us

Editorials

5 Deep Cut Horror Movies to Seek Out in December 2023

Published

on

This month’s installment of Deep Cuts Rising features a variety of horror movies, with most selections reflecting a specific day or event in December.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings feature vengeful Christmas ghosts, home intruders, and more.


The Dumb Waiter (1979)

horror

Image: Geraldine James as Sally in the1979 short film The Dumb Waiter.

Directed by Robert Bierman.

December 28 is National Short Film Day, and no genre thrives in this format as much as horror. And while story often has to be sacrificed or compromised when something is as brief as The Dumb Waiter, Robert Bierman compensates with an unwavering sense of dread. The Vampire’s Kiss director adeptly condenses the plot and action of a standard ’70s long-feature into this tense and well-shot 18-minute clip.

The story here is plain and direct: a woman (Geraldine James) is followed home by a stalker after a car incident. As she prepares for bed, the intruder does everything to find a way inside his would-be victim’s home. The title gives away his ultimate strategy, but inevitability aside, the journey to that endpoint is soaked in suspense.

The Dumb Waiter can be found on the BFI’s Short Sharp Shocks: Volume 2 Blu-ray.


American Nightmare (1983)

Image: Lenore Zann in American Nightmare (1983)

Directed by Don McBrearty.

Despite its title, American Nightmare was made in Canada. So this horror gem not only works for National Maple Syrup Day (December 17) — Canada is the biggest producer of maple syrup — it also has a bleak and wintry backdrop. Often compared to a giallo, this movie follows a man’s search for his missing sister. What Lawrence Day‘s character eventually discovers during his investigation is both dark and disturbing.

Don McBrearty now makes a living directing Christmas telefilms. This may come as a small surprise after watching this sleazy and depressing movie made toward the beginning of his career.

Scorpion Records’ DVD release of American Nightmare isn’t easy or cheap to come by these days, so hopefully a boutique distributor can help make this piece of Canuxploitation less obscure.


The Haunting of Rebecca Verlaine (2003)

horror

Image: A ghost rips open their “present” in The Haunting of Rebecca Verlaine.

Directed by Olaf Ittenbach.

While there is no shortage of Christmas Horror, very few of these festive fright films go on to become seasonal staples. The Haunting of Rebecca Verlaine admittedly doesn’t embrace Christmas anywhere as much as its peers, but it does pack a punch as far as holiday weirdness goes. Natacza Boon plays the protagonist, a woman whose repressed childhood trauma has come back to haunt her. Literally. Upon finding out her biological family was brutally murdered by mysterious intruders on Christmas, Boon’s character then finds herself drawn to the place where the bloodshed took place. Soon enough, the ghosts of her dead relatives demand the survivor brings them the guilty party. Of course, these restless spirits also don’t have an issue with collateral damage.

The fact that Olaf Ittenbach (The Burning Moon) directed and co-wrote this German-made/English-language gem should be enough reason to watch. Other major incentives are the amusingly soapy acting and the gory set-pieces. The type of violence here feels straight out of an old-school horror video game. Additionally, the special effects help make up for the obvious micro-budget quality.

The Haunting of Rebecca Verlaine goes by other titles, including Born Undead and Garden of Love. It’s not the easiest movie to track down nowadays, however, it was issued on DVD and Blu-ray.


The Dark Hours (2005)

horror

Image: Kate Greenhouse, Gordon Currie and Iris Graham resprctively play Samantha, David and Melody in The Dark Hours.

Directed by Paul Fox.

When compared to other movies featured in this column, The Dark Hours may not be considered all that much of a deep cut. There was a time when this indie flick was readily found in video shops, and it has a decent amount of votes on IMDb. Paul Fox’s directorial debut, written by Wil Zmak, played at film-fests and even won some awards. Yet despite all that and a healthy amount of positive reviews, the movie flopped during its meager one-week run at a single theater. It earned only $423 at the box office.

Nevertheless, The Dark Hours shouldn’t be forgotten. It starts out like a typical home-invasion story but set at a cabin. A troubled doctor, played estimably by Kate Greenhouse, surprises both her husband and his assistant, also her sister, at the isolated locale in the woods. From there this party of three adds two more as a pair of intruders force themselves inside and hold the main characters hostage. It all sounds straightforward enough, however, things take a heady turn.

The Dark Hours hasn’t made its way to streaming just yet, but, thankfully, used DVD copies are still affordable.


Kristen (2015)

horror

Image: Terence Schreurs as the namesake of the 2015 Dutch movie Kristen.

Directed by Mark Weistra.

The worst part about New Year’s Day is cleaning up the mess from the previous night. The title character (Terence Schreurs) in the Dutch-language Kristen (a.k.a. Trapped) is stuck with clean-up duty at her father’s bar on January 1st, and her boyfriend hasn’t shown up after going to park the car. Audiences then anticipate a certain kind of movie once Kristen endures a series of increasingly menacing phone calls from an unseen male stranger. Refreshingly, director and writer Mark Weistra subverts expectations.

It’s best to be vague when discussing Kristen to new viewers, which, oddly enough, is also an appropriate description of this entire movie. The overall quality of this well-acted slow-burn is a satisfying, not to mention unsettling way to ring in the New Year.

Kristen is available for streaming on Plex as well as purchasable on Apple and other digital retailers.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

Paul Lê is a Texas-based, Tomato approved critic at Bloody Disgusting, Dread Central, and Tales from the Paulside.

Editorials

Silly, Self-Aware ‘Amityville Christmas Vacation’ Is a Welcome Change of Pace [The Amityville IP]

Published

on

Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.” 

After a number of bloated runtimes and technically inept entries, it’s something of a relief to watch Amityville Christmas Vacation (2022). The 55-minute film doesn’t even try to hit feature length, which is a wise decision for a film with a slight, but enjoyable premise.

The amusingly self-aware comedy is written and directed by Steve Rudzinski, who also stars as protagonist Wally Griswold. The premise is simple: a newspaper article celebrating the hero cop catches the attention of B’n’B owner Samantha (Marci Leigh), who lures Wally to Amityville under the false claim that he’s won a free Christmas stay.

Naturally it turns out that the house is haunted by a vengeful ghost named Jessica D’Angelo (Aleen Isley), but instead of murdering him like the other guests, Jessica winds up falling in love with him.

Several other recent Amityville films, including Amityville Cop and Amityville in Space, have leaned into comedy, albeit to varying degrees of success. Amityville Christmas Vacation is arguably the most successful because, despite its hit/miss joke ratio, at least the film acknowledges its inherent silliness and never takes itself seriously.

In this capacity, the film is more comedy than horror (the closest comparison is probably Amityville Vibrator, which blended hard-core erotica with references to other titles in the “series”). The jokes here are enjoyably varied: Wally glibly acknowledges his racism and excessive use of force in a way that reflects the real world culture shift around criticisms of police work; the last names of the lovers, as well the title of the film, are obvious homages to the National Lampoon’s holiday film; and the narrative embodies the usual festive tropes of Hallmark and Lifetime Christmas movies.

This self-awareness buys the film a certain amount of goodwill, which is vital considering Rudzinski’s clear budgetary limitations. Jessica’s ghost make-up is pretty basic, the action is practically non-existent, and the whole film essentially takes place in a single location. These elements are forgivable, though audiences whose funny bone isn’t tickled will find the basic narrative, low stakes, and amateur acting too glaring to overlook. It must be acknowledged that in spite of its brief runtime, there’s still an undeniable feeling of padding in certain dialogue exchanges and sequences.

Despite this, there’s plenty to like about Amityville Christmas Vacation.

Rudzinski is the clear stand-out here. Wally is a goof: he’s incredibly slow on the uptake and obsessed with his cat Whiskers. The early portions of the film lean on Wally’s inherent likeability and Rudzinski shares an easy charm with co-star Isley, although her performance is a bit more one-note (Jessica is mostly confused by the idiot who has wandered into her midst).

Falling somewhere in the middle are Ben Dietels as Rick (Ben Dietels), Wally’s pathetic co-worker who has invented a family to spend the holidays with, and Zelda (Autumn Ivy), the supernatural case worker that Jessica Zooms with for advice on how to negotiate her newfound situation.

The other actors are less successful, particularly Garrett Hunter as ghost hunter Creighton Spool (Scott Lewis), as well as Samantha, the home owner. Leigh, in particular, barely makes an impression and there’s absolutely no bite in her jealous threats in the last act.

Like most comedies, audience mileage will vary depending on their tolerance for low-brow jokes. If the idea of Wally chastising and giving himself a pep talk out loud in front of Jessica isn’t funny, Amityville Christmas Vacation likely isn’t for you. As it stands, the film’s success rate is approximately 50/50: for every amusing joke, there’s another one that misses the mark.

Despite this – or perhaps because of the film’s proximity to the recent glut of terrible entries – Amityville Christmas Vacation is a welcome breath of fresh air. It’s not a great film, but it is often amusing and silly. There’s something to be said for keeping things simple and executing them reasonably well.

That’s a lesson that other indie Amityville filmmakers could stand to learn.

2.5 out of 5 skulls

The Amityville IP Awards go to…

  • Recurring Gag: The film mines plenty of jokes from characters saying the quiet part (out) loud, including Samantha’s delivery of “They’re always the people I hate” when Wally asks how he won a contest he didn’t enter.
  • Holiday Horror: There’s a brief reference that Jessica died in an “icicle accident,” which plays like a perfect blend between a horror film and a Hallmark film.
  • Best Line: After Jessica jokes about Wally’s love of all things cats to Zelda, calling him the “cat’s meow,” the case worker’s deadpan delivery of “Yeah, that sounds like an inside joke” is delightful.
  • Christmas Wish: In case you were wondering, yes, Santa Claus (Joshua Antoon) does show up for the film’s final joke, though it’s arguably not great.
  • Chainsaw Award: This film won Fangoria’s ‘Best Amityville’ Chainsaw award in 2023, which makes sense given how unique it is compared to many other titles released in 2022. This also means that the film is probably the best entry we’ll discuss for some time, so…yay?
  • ICYMI: This editorial series was recently included in a profile in the The New York Times, another sign that the Amityville “franchise” will never truly die.

Next time: we’re hitting the holidays in the wrong order with a look at November 2022’s Amityville Thanksgiving, which hails from the same creative team as Amityville Karen <gulp>

Continue Reading