Horror Editorials
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‘Summer School’: The ’80s Teen Comedy That Proudly Celebrated Horror Fandom
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In the ‘90s, ‘Harvester’ Explored and Condemned the “Dangers” of Video Game Violence
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[TV Terrors] Remembering Joe Bob Briggs’ “MonsterVision”
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[It Came From the ’80s] Ding Dong, You’re Dead: Uninvited ‘House’ Guests
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5 Reasons Why Horror Fans Should Be Watching “Gotham”
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[Horror Queers] The Horrors of Coming Out in ‘Closet Monster’ & ‘Bugcrush’
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5 ’90s Horror Cartoons That Should Really Be Brought Back
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[It Came From the ’80s] An American Kaiju: ‘Q- The Winged Serpent’
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A Boy’s Best Friend is His Mother: A ‘Psycho’ Film Series Retrospective
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Maestro of Macabre: The 6 Most Influential Mario Bava Horror Films
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30 Years of ‘New Blood’ – Looking Back at ‘Friday the 13th: Part VII’
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10 Murderous Mamas to Celebrate Mother’s Day!
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[Keeping it Golden] ‘Fatal Games’ is Strictly Murder by Numbers
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[Editorial] In Defense of the Modern Slasher and the Female Horror Fan
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5 Well-Known Directors Who Have Never Made a Horror Film… But Should
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Peter Jackson’s ‘The Frighteners’: An Unjustly Forgotten Gem
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[Butcher Block] Ryuhei Kitamura’s Gory Reverse Slasher ‘No One Lives’
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Video Game Retrospective: ‘Fatal Frame’ Series Still the Scariest
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[Horror Queers] The Enduring Appeal of ‘I Know What You Did Last Summer’
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[It Came From the ’80s] The Mad Monster Party of ‘Spookies’
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‘Neon Maniacs’: An Underrated Gem That Deserved So Many Sequels
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10 Most Brutal and Punishing Character Beat Downs In Horror
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[Prime Cuts] ‘Fade to Black’ Was Horror Fan Obsession Taken to the Extreme
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[Butcher Block] A Nihilistic Study of Pain and Flesh in ‘Martyrs’
