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“Salem”: Another 5 Reasons Why You Should Be Watching WGN’s Series (On-Set Interviews!)

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“Salem” started its second season this month with a terrifying bang and some new characters that are going to shake up this tiny Puritan community more than it already has been. The Witch War has begun; allegiances have fallen and trust has been broken. Now it’s every man, woman, child, and witch for themselves.

I was skeptical about “Salem” at first. It’s a bit soap opera-y. It’s not entirely historically accurate…not at all really (there are tiny bits here and there that call on actual historical events as we know them). And I simply didn’t think it would be any good at doing horror. I was SO super wrong. Not about those first two points. It still watches a bit like a soap opera, but a damn steamy one. And it’s not aiming for historical accuracy but who the hell cares? Go read a book.

But the horror! The horror! It does horror so damn well. It’s dark, sensual, disgusting, and terrifying. This week, BD writer Trace Thurman listed his top 5 reasons why we should all be watching “Salem.” And below are reasons 6-10… (SEASON ONE SPOILERS AHEAD)

Elise Eberle

Eberle (“Tiger Eyes”) plays Mercy, one of the very few characters from history, and one of the few characters from history that actually follows historical events fairly close. Once hunted by the witches, she is now one of the darkest and cruelest witches in Salem. But like all great and memorable characters in television history, she is deeply multi-faceted. Though evil and ruthless, she is lost and broken. Aside from Mercy’s phenomenal character trajectory, Eberle is one of the best physical actresses I have seen on television in a very, very long time. Maybe ever. Everything she does is insanely visceral.

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Her entire body and every movement in it carries the weight of all the horror Mercy has been through. I had the chance to speak with Eberle at the “Salem” press junket last month and ask her how she prepares for such a daunting task put upon her body. She spoke of The Alexander Technique and releasing tension in her body (in a way, she’s releasing her own tension to fill our own bodies with tension). “Being aware of your body is such an important thing,” Eberle said, “It’s important [to understand] where your body is and how you can use it to your advantage. I love physical acting. It’s a pretty perfect role and I’m so blessed to have it.” This girl knows what she’s doing and it is the most stunning thing to watch.

The Gore

From Mercy Lewis biting off her fingertip to Tituba’s torture scene to one of the head witches bleeding out in a gruesome yet comical manner…“Salem” is full of blood and gore.

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There are heartbreaking scenes during which Mercy sleeps with rotting dead bodies and equally cringe-worthy scenes in which main Bitch-Witch, Mary Sibley, shoves a toad down her husband’s throat (if you have any gag reflex at all, these scenes will terrorize you). But perhaps the best moment of horrific carnage was when Anne Hale went full “Scanners” on her mother’s head. KaBOOM. That’s what I’m referring to. As in, out of the blue, she telepathically blew up her mother’s head. Speaking with show creator Brannon Braga, he referred to Anne Hale as a “Carrie” type character—unaware of her incredible powers to do some truly horrendous shit. Anne’s powers have only just started to manifest. So we can only imagine what horrors await us in season two.

The Atmosphere

“Salem” is among the top atmospheric television shows airing right now. It’s broody, dark, and chaotic yet calm, filled with stunning costumes and beautiful people. The set is as disgusting as it is accurate, perhaps disgusting because it is accurate. There are pits filled with the rotting corpses of the town’s dead, dark woods and darker whorehouses. This little village sitting on the water should feel safe but it feels nothing like that. It gives off a sense of dread at every turn, especially when every turn is filled with men who will kill to save the town and women who will kill to own the town.

The Psychosexual Horror

If you happen to follow my writing in the slightest, you know how obsessed I am with psychosexual horror—the emotional confusion of eroticism with horror and vice versa. “Salem” utilizes psychosexual horror in such a subtle way that it works for both fans of the genre and those who are wary of it. As I mentioned above, “Salem” exudes sensuality. Literally in every fiber of its being. And when that sensuality if so often paired with the horrors of death, decay, mutilation, and murder…the recipe for psychosexual horror is perfected.

Iddo Goldberg

Goldberg (“Peaky Blinders”) plays Isaac, the town fool. But he is nothing of the sort. He is often described as the wisest man in Salem and he has an absolute heart of gold. He is loyal to a fault, a beautiful human being. His character will absolutely destroy your heart.

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He is the soul of the show and the glue that binds. This character is very important on a socio-level and I had the chance to discuss this with Goldberg. “It’s a lesson to us in society…there are people who we just don’t look at who have an interesting perspective on things or who have useful thoughts to put into the mix and he [Isaac] always manages to crystalize the situation,” Goldberg said of his character on “Salem.” His character alone makes “Salem” worth the watch.

Episode three of “Salem” season two airs Sunday April 19 on WGN America. Look for more features on Bloody Disgusting from my visit to the “Salem” set and interviews with the cast and crew.

Editorials

5 Deep Cut Horror Movies to Seek Out in May 2024

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Pictured: 'The Bone Snatcher'

New month, new horror recommendations from Deep Cuts Rising. This installment features one random pick as well as four selections reflecting the month of May 2024.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings include a self-loathing serial killer, a violinist’s murderous ghost, and a postmodern vamp flick.


Scream, Pretty Peggy (1973)

horror

Pictured: Ted Bessell and Sian Barbara Allen in Scream, Pretty Peggy.

Directed by Gordon Hessler.

The TV-movie Scream, Pretty Peggy first aired as part of ABC Movie of the Week. Bette Davis plays the mother of a reclusive sculptor (Ted Bessell), and after the previous housekeeper goes missing, a local college student (Sian Barbara Allen) fills the position. Little does she know, though, the young employee’s predecessor was murdered — and the killer is still on the loose.

Admittedly, Scream, Pretty Peggy isn’t difficult to figure out; its inspiration is obvious. However, Bette Davis’ overstated performance and the son character’s macabre artwork are enough to stay tuned and learn who’s behind the killings.

Scream, Pretty Peggy is now available on physical media from Kino Lorber. Perhaps watch the movie with your own mother this Mother’s Day (May 12).


Paganini Horror (1989)

Pictured: The ghostly killer in Paganini Horror.

Directed by Luigi Cozzi.

For National Buy a Musical Instrument Day (May 22), check out this absurd Italian entry in the subgenre of cursed music horror. A rock band unleashes hell when they unknowingly use a satanic piece of music composed by Niccolò Paganini, the violinist who was rumored to have made a Faustian deal.

Even though Paganini Horror is hardly deemed a standout of Italian Horror, and the movie indeed drags itself toward the finish line, there are some bright spots worth focusing on. For instance: Donald Pleasence. If that’s not enough, the very ’80s aesthetic helps gloss over the flaws in Daria Nicolodi‘s uneven script.

Paganini Horror is now on physical media from Severin Films and is also streaming on SCREAMBOX.


Nadja (1994)

horror

Pictured: Suzy Amis Cameron and Karl Geary in Nadja.

Directed by Michael Almereyda.

These vampires may or may not cast a reflection, but they sure do love to reflect. David Lynch executive-produced as well as briefly appeared in the film, which Roger Ebert succinctly described as “Deadpan Noir” in his review. This tale of revenge and philosophical pondering begins with the vampiric namesake (Suzy Amis Cameron) seducing the daughter (Galaxy Craze) of Van Helsing after he killed Nadja’s father, Dracula. From there a war erupts between the two sides, all while taking place in modern NYC.

Nadja is quite slow but also just strange, stylish and creative enough to keep your attention. In addition, the trip hop soundtrack is easy on the ears, and Peter Fonda plays a memorable Van Helsing. Overall, this is a unique and artsy approach to vampire horror.

Nadja is now streaming on Freevee.


The Bone Snatcher (2003)

horror

Pictured: Scott Bairstow, Warrick Grier and Rachel Shelley in ‘The Bone Snatcher’.

Directed by Jason Wulfsohn.

For National Sunscreen Day (May 27), dig up the monster movie The Bone Snatcher. It will take more than a high SPF to protect the sunburned characters here; they are stuck in a South African desert with a bizarre monster called the Esikhulu.

The best things about The Bone Snatcher are its setting and the creature. This beast, which is brought to life on screen using a combination of practical and digital effects, sports a ghastly design to go with its unnerving ability to animate skeletons. Something else this movie has going for it is a refusal to show the monster too often; that way there is less chance of becoming desensitized to the Esikhulu. Ultimately, this has nothing on John Carpenter’s The Thing, however, those more forgiving fans of Syfy-ish creature-features should be satisfied.

The Bone Snatcher is currently streaming on Tubi.


#1 Serial Killer (2013)

Pictured: Jason Tobin in #1 Serial Killer.

Directed by Stanley Yung.

May is AAPIM, and the subversive #1 Serial Killer (originally titled Chink) is relevant when discussing the “Invisible Asian” notion. Acknowledging the irony, Stanley Yung’s movie has gone widely unnoticed despite its potent take on race and identity.

Jason Tobin (Warrior) delivers a compelling performance as the vile protagonist here. The self-hating, Ted Bundy-admiring character discriminates against other Asians after years of mistreatment and disregard, and that growing rage finally manifests as cathartic violence.

#1 Serial Killer is currently available at digital retailers like Apple.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

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