Movies
[Review] ‘The Bye Bye Man’ — The “Why Why Was This Made Man”
Don’t think it, don’t say it, don’t write it, or he’ll come for you. With some villains like Jason Voorhees, or Harry Warden, all it takes to put yourself out of harm’s way is avoiding a certain place, or choosing not to throw a certain party on a certain romantic holiday. However, when it comes to The Bye Bye Man, all it takes for this Grim Reaper of sorts to claim his next victim is for that person to let their mind wander for a single moment, and allow themselves to think about the dreaded man in the cape. Once The Bye Bye Man is in your head, there is no escape from his wrath, and the more you think about him, the closer he comes, until he finally takes you once and for all.
In the new movie The Bye Bye Man, three college friends, Elliot, his girlfriend Sasha, and his best friend John all move in to an old house together on the outskirts of their college campus. At first, it seems like they’re getting away with murder, as they’re able to snag a spacious two story for such a low price, but soon it becomes clear that there’s more to their little bargain than meets the eye. One night Elliot discovers an old coin in a nightstand left by the previous owners, followed by hysterical drawings and writings, all topped off with the carved words “The Bye Bye Man” engraved into the wood. He laughs it off, but as the gang slowly begins to experience strange occurrences within their home, suddenly the history left in this old house doesn’t seem so funny anymore. One by one the three begin to go mad, hearing coins rolling, seeing the lights from a speeding train, hallucinating things that aren’t there – it all can only mean one thing: The Bye Bye Man is coming for them, and soon, he will claim them all.
Director Title claims that the key to scaring modern day audiences is creating a connection between the viewers and the characters onscreen, so that when they begin to encounter trouble, it becomes that much more terrifying because people don’t want to watch these kids be tormented and eventually become an addition to the villain’s kill count. However, although this might have been what the director intended, it’s not clear at all in the film, which offers little backstory into these characters, giving the audience nothing to work with other than knowing that these are three friends and two of them are dating. Because of this brief introduction, and a speedy inclusion of The Bye Bye Man, when things start to go awry, it feels less like good kids getting taken advantage of, and more like these people were crazy from the start. There’s no character arc to speak of. The gang, as far as the audience can see, starts out relatively crazy, and only gets weirder and wackier, making their descent into madness much more comical than horrific.
Aside from the poorly developed characters, the mythology of the Bye Bye Man himself is extremely fuzzy. There’s just too much going on, with little explanation as to why any of this started happening in the first place. You know that The Bye Bye Man is coming when you hear the flip of the coin. You also know he’s coming when you hear the sound of the train and see its lights booming in your direction. You also know he’s coming when you see his big CG dog. You also know he’s coming when you see his big black cloak. In the end, one starts to wonder if there are actually any signs that don’t indicate that this villain is headed our way. Although in interviews, the director cites the reason behind the sounds of the train being associated with The Bye Bye Man as the result of a childhood trauma, which led to a grown version of the boy who was tormented to eventually come back as the evil entity who seeks vengeance, none of that is made clear in the movie itself, or even actually mentioned. It’s not always necessary to explain exactly how evil spirits came to be, but with such a strong tie to the train, and such shotty mythology to begin with, it only makes this mess of a movie seem that much more muddled.
Also, even though The Bye Bye Man is supposed to affect each of his victims in their own specific way, bringing the skeletons in their closet to light and exaggerating the demons that already exist within the dark depths of each individuals’ mind, it seems like every person who is affected by the spirit of this madman just winds up doing the exact same thing. They all mutter the same words, “Don’t think it don’t say it”, and write those very same words over and over again on paper and walls and desktops and whatever surface they can find, they all act angry and jealous, and they all eventually fly into a crazed rage and kill everyone around them. Given this, what exactly is it that is so specific about his torment for each person? It doesn’t make much sense, and again, only adds to the muddled mythology.
In its defense, there are some good things to be said about The Bye Bye Man. The idea that all a person has to do to become a victim of a killing spree is let sinister thoughts enter their head is a very interesting premise to begin with, even if it is executed poorly in the end. There’s a pretty solid opening sequence with modern day horror icon Leigh Whannell going from house to house in a suburban neighborhood with a shotgun, blasting away everyone who has ever been associated with the hooded figure, and leaving a wicked trail of bodies in his wake. There’s also a pretty great performance, as per usual, from superb creature actor Doug Jones, who does the best he can to create a terrifying component of the story for his depiction of The Bye Bye Man, although he’s given little to work with. It’s also very encouraging that there’s a female director behind the wheel, and that she feels so passionately about the work she’s done here. It would just be nice if her vision were a little clearer in the final product.
Although there are good intentions here, and some positive aspects to take away from the film, in the end, there’s not enough to save this typical January release from falling under the radar. With a fuzzy mythology, characters that start out crazy, laughably bad scare tactics, and horribly shoddy editing, The Bye Bye Man can’t quite survive the environment he’s placed into. It’s a shame, because there is some talent to speak of, sprinkled in amongst the mess. However, in the end, The Bye Bye Man won’t join the ranks of the greats, and as much as he tries to stay in our heads, will most likely soon be forgotten.
Editorials
Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.

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