Connect with us

Editorials

M. Night Shyamalan’s ‘Split’ is a Smash Hit; Let’s Talk About it!

Published

on

Writer/director/producer M. NIGHT SHYAMALAN returns to the captivating grip of ”The Sixth Sense,” “Unbreakable,” and ”Signs” with ”Split,” an original film that delves into the mysterious recesses of one man’s (JAMES MCAVOY) fractured, gifted mind.

I don’t report on the box office very often anymore simply because it’s not only irrelevant to us, but it’s often misreported. And because a film’s success or failure is tough to gauge based on public information, its impact on future films is also hard to assess. Nit-picking a smaller movie’s small box office “take” is like kicking a dog that we aren’t really sure is down, which is why it’s way more fun to report on one’s monstrous success.

M. Night Shyamalan was once considered frontrunner to become the next Spielberg. The Sixth Sense set the bar so high that he’s never been able to reach it again, and honestly was never even close. Since the 1999 blockbuster, which is one of the biggest genre box office hits of all time, Shyamalan has floundered…and although you’ll find a lot of people who love Unbreakable, Signs or even The Village, I’d be hard pressed to find supporters of Lady in the Water, The Happening, The Last Airbender and even After Earth.

It took 15 years for Shyamalan to lower his own bar, and for audiences to stop expecting him to out-twist them. Instead, on the heels of the 2010 Devil (which he produced), the director appears to be more focused on just telling an engaging story. I am a huge, huge, huge fan of the first season of “Wayward Pines” and thought The Visit was a solid horror flick, held back by the found-footage approach that many of us are tired of. This weekend’s Split is really the first time he’s directed something mainstream for us genre fans since 2008’s The Happening, allowing almost a decade of healing between films. It’s been so long, really, that younger audiences don’t even know who Shyamalan is. There’s no expectations anymore, which is allowing him to focus on one thing and one thing only: making a good movie. Sure, he’s still trying to force a twist into his product, but I don’t think general audiences care anymore, which is allowing him to fly again.

[Fantastic Fest Review] James McAvoy is the Reason to See M. Night Shyamalan’s Split

Split is proof. Being back in Chicago allows me to really vibe a film’s awareness. I can tell if a movie is going to break through simply by how many people are talking about it. Everyone was talking Split, and surprisingly I never once heard anyone mention Shyamalan or “twists”. It just looked fun, engaging and interesting, which is something a lot of us needed this past weekend.  People showed up, in troves, propelling Shyamalan back to stardom. I can only hope that this time he puts his mistakes of past behind him and gets behind a project that meets his expectations, not ours….

With that said, it’s being reported that Split is estimated to take in $40 million this weekend on a $10 million budget. Since nobody else breaks it down, here’s the best guess: $10 million budget, minimum of $10 million marketing, with a 50/50 split (no pun intended) with the box office puts Split at break even after just one weekend. The full domestic life of Split, assuming there’s no surprise boost (word of mouth should be strong) or drop, could land it over $100 million, putting it well into the profit range. This doesn’t even include international numbers, which I couldn’t even pretend to guesstimate.

This is a huge win for horror because this success isn’t based on twists, Shyamalan’s name or expectations, but knowing that people will show up to see a movie that’s being supported by the press, and that just “looks good”. While it did cost $10m and star James McAvoy, Split does give hope to independent filmmakers that their little film could be the next to break out, would a studio give it a chance. What a wonderful way to kick off 2017…

Writer/director/producer M. NIGHT SHYAMALAN returns to the captivating grip of ”The Sixth Sense,” “Unbreakable,” and ”Signs” with ”Split,” an original film that delves into the mysterious recesses of one man’s (James McAvoy) fractured, gifted mind.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

Six Post-Apocalyptic Thrillers to Watch While You Wait for “Fallout” Season 2

Published

on

Despite ancient humans having already overcome several potential doomsday scenarios in real life, post-apocalyptic fiction used to be relatively rare until the invention of the atomic bomb convinced us that the end of the world could be just around the proverbial corner.

Since then, we’ve seen many different stories about the collapse of civilization and the strange societies that might emerge from the rubble, but I’d argue that one of the most interesting of these apocalyptic visions is the post-nuclear America of the iconic Fallout games. A witty satire of American jingoism and cold war shenanigans, it’s honestly baffling that it so long for us to finally see a live-action adaptation of this memorable setting.

Thankfully, Graham Wagner and Geneva Robertson-Dworet’s Fallout TV show isn’t just a great adaptation – it’s also an incredibly fun standalone story that makes the most of its post-apocalyptic worldbuilding. And since fans are going to have to wait a while to see the much-anticipated second season, we’ve decided to come up with a list highlighting six post-apocalyptic thrillers to watch if you’re still craving more Fallout!

As usual, don’t forget to comment below with your own apocalyptic favorites if you think we missed a particularly fun one. And while it’s not on the list, I’d also like to give a shout-out to The Hughes Brothers’ underrated post-apocalyptic action flick The Book of Eli – which I recently covered in its own article.

With that out of the way, onto the list…


6. The Divide (2011)

Xavier Gens may be best known for his memorable contribution to the New French Extremity movement – with the eerily prescient Frontière(s) – but the filmmaker is also responsible for a handful of underrated thrillers that flew under the radar despite being legitimately solid films. One of the most interesting of these flicks is 2011’s The Divide, a single-location exercise in claustrophobic tension.

Telling the story of a group of New Yorkers who find themselves trapped in a bomb shelter after a surprise nuclear attack, this dark thriller is more interested in the ensuing social chaos than effects-heavy physical destruction. And while critics at the time were horrified by the bleak story and cynical characters, I think this mean streak is precisely what makes The Divide worth watching.


5. The Day After (1983)

One of the highest-rated TV films of all time, ABC’s The Day After is one of the scariest movies ever made despite being more of a speculative docu-drama than an actual genre flick. Following an ensemble of families, doctors and scientists as they deal with the horrific aftermath of all-out nuclear war, this radioactive cautionary tale was vital in convincing real-world politicians to review their policies about nuclear deterrence.

In fact, the film is even credited with scaring President Ronald Reagan into changing his mind about expanding the United States’ nuclear arsenal, with this new stance eventually leading to a treaty with the Soviet Union. With a story this powerful, I think it’s safe to say that The Day After is a must watch for Fallout fans interested in the more down-to-earth elements of the apocalypse.


4. The Postman (1997)

If I had a nickel for each unfairly maligned post-apocalyptic epic starring Kevin Costner that was released in the 90s, I’d have two nickels – which isn’t a lot, but it’s weird that it happened twice. And while Waterworld has since seen a resurgence in popularity with fans defending it as a bizarrely expensive B-movie, I haven’t seen a lot of discussion surrounding 1997’s more serious vision of a fallen America, The Postman.

Following Costner (who also directed the flick) as a post-apocalyptic nomad who begins to rebuild America by pretending to be a member of the newly reformed postal service, this David Brin adaptation is consistently fascinating – especially if you view the story as a cynical fairy-tale, which was Costner’s original intention.

And while the flick suffers from some goofy dialogue and a bloated runtime, it makes up for this by having directly inspired Hideo Kojima’s Death Stranding.


3. Turbo Kid (2015)

TURBO KID | via Epic Pictures

Turbo Kid may have been billed as an indie Mad Max with bicycles instead of cars, but François Simard, Anouk Whissell and Yoann-Karl Whissell’s comedic throwback to the post-apocalyptic future of 1997 is much more than meets the eye. From quirky characters to madly creative designs, the flick rises above nostalgia bait by being a legitimately fun time even if you don’t get the copious amounts of ’80s and ’90s references.

And despite the horror-inspired ultraviolence that colors the frequent action scenes as we follow a young comic-book fan deluding himself into thinking that he’s a superhero, it’s the childlike sense of wonder that really makes this a treat for cinephiles. It’s just a shame that we’re still waiting on the sequel that was announced back in 2016…


2. Six-String Samurai (1998)

A lo-fi homage to spaghetti westerns and classic samurai films – not to mention the golden age of rock ‘n roll – Six-String Samurai is a must-watch for those who appreciate weird cinema. While I’ve already written about the madly creative vibes that make this such an entertaining flick, I think it’s worth repeating just in case some of you have yet to give this musical fever dream a try.

And appropriately enough for this list, the film was also a source of inspiration for the 3D Fallout games – especially Obsidian’s fan favorite New Vegas. The game even includes a New Vegas Samurai achievement (unlocked by killing enemies with a katana) with a vault-boy illustration modeled after the film’s rendition of Buddy Holly.


1. A Boy and His Dog (1975)

The grisly post-apocalyptic comedy that inspired the original Fallout games, L.Q. Jones’ adaptation of Harlan Ellison’s novella is just as shocking today as it was back in ’75. Telling the story of a teenage scavenger who travels the wastelands of 2024 America alongside his telepathic canine companion, A Boy and His Dog feels like a Heavy Metal comic brought to life.

While the film’s rampant misogyny and brutal violence make it tough to revisit under modern sensibilities, it’s still a landmark in post-apocalyptic cinema and one hell of a memorable ride. Not only that, but the flick also inspired the creation of Fallout’s most beloved NPC, the ever-loyal Dogmeat.

Continue Reading