Movies
Cannes ‘Ouija House’ Sales Art: The House Always Wins
ITN Distribution and Millman Productions has shared two pieces of Cannes sales art for their supernatural thriller Ouija House, starring Tara Reid (Sharknado), Mischa Barton (The Sixth Sense), and Dee Wallace (Cujo, The Howling, E.T.).
Ouija House concerns a graduate student who, trying to finish the last of her research on a book project she hopes will help her down-on-her-luck mother, brings friends to a house with a dark past, where they soon unwittingly summon an evil entity who makes the house part of its game.
Ben Demaree (Hansel vs. Gretel) directs from a screenplay by Justin Hawkins and Jeff Miller, based on a story by Miller.
In addition to Reid, Barton, and Wallace, the film also stars Carly Schroeder, Chris Mulkey, Mark Grossman, Grace Demarco, and Derrick A. King, with appearances by scream queens Tiffany Shepis, Eva Hamilton, Sarah French, and Susan Slaughter.
Stuart Alson of ITN, David Coppa, Felix McNulty, Tom Hillery, and Ray Young are other Executive Producers. Dylan Matlock, Tom Nagel, and Carly Schroeder are Co-Producers. Maytal Mizrahi is Associate Producer.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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