Movies
Orion Sets ‘The Pact’ Director’s ‘The Prodigy’ for Early 2019 Release
The Pact director Nicholas McCarthy will see his newly titled The Prodigy (formerly Descendant) release in theaters on February 8, 2019, via Orion Pictures.
Taylor Schilling (pictured in Netflix’s “Orange is the New Black”) stars with Jackson Robert Scott (It, AMC’s Fear the Walking Dead). Peter Mooney (Burden of Truth), Colm Feore (Thor) and Brittany Allen (What Keeps You Alive, Jigsaw, It Stains the Sands Red, Extraterrestrial) also star.
Pulling from The Omen and Bad Seed, the feature tells the story of a young mother who, concerned about her 8-year-old son’s disturbing behavior, thinks something supernatural may be affecting him.
Screenwriter Jeff Buhler penned The Midnight Meat Train and Insanitarium, and is working on remakes of Pet Sematary and Jacob’s Ladder.
The film is being produced by Tripp Vinson (The Exorcism of Emily Rose), which is expected to begin in March in Toronto. Daniel Bekerman, Lisa Zambri, Nick Spicer and Jeff Buhler will serve as exec producers.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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