Movies
The Iconic ‘House on Haunted Hill’ Mansion Just Hit the Market in California
It’s always fun to imagine living inside of an iconic horror movie house, which is why we always like to report on such locations going up for grabs. The latest, brought to our attention by Variety, is the mansion from William Castle’s original House on Haunted Hill, which was actually also featured in Blade Runner.
The 6,000 square foot house, with four bedrooms and 3.5 bathrooms, is located in Los Angeles’ Los Feliz neighborhood, and it was built in 1924 by Lloyd Wright, son of Frank Lloyd Wright. The house is highly unique both inside and out, with the exterior being featured in House on Haunted Hill and the interior playing the role of Deckard’s apartment in Blade Runner.
Variety details, “Positioned high on a .83-acre hillside parcel with cinematic views that sweep over the city, the main residence and guest quarters atop a detached garage — originally designed as a chauffeur’s apartment — together measure somewhat more than 6,000-square-feet with four bedrooms and 3.5 bathrooms. The landmarked residence has been featured in dozens of films, television shows, fashion shoots and music videos including Buffy the Vampire Slayer, Twin Peaks and, most famously, 1982’s Blade Runner.”
“An exceptionally, almost dizzying long interior loggia with a mausoleum-like marble floor links multi-level interior spaces that feature the same textured blocks as the exterior along with delicately geometric leaded glass windows and hardwood floors,” the site continues. “The airy living room has a shimmering, mosaic-tiled fireplace and the cathedral-esque dining room offers a soaring, exposed-beam ceiling, another fireplace and a cleverly framed view of the downtown skyline through a frameless corner picture window. There’s also an intimate library, a black and white tiled vintage kitchen restored to functionality and, discretely tucked on a lower level, a games/screening room with open fireplace and curved bar.”
The mansion was severely damaged by an earthquake in 1994 but was subsequently restored, at great expense to its most recent owner. The current price tag? A staggering $23 million.
Check out a full gallery of inside and outside photos over on Variety.
Photo Credit: Hilton & Hyland
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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