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‘Insidious 5’ – That Trailer Floating Around Is Fake But the Fifth Movie Is Filming This Spring

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insidious 5 trailer

There’s a fake trailer for Insidious 5 that’s been floating around on YouTube these past several weeks, and it’s something we’ve been asked about many times now. That trailer is completely fake, alas, because the upcoming fifth movie hasn’t actually even begun filming yet. That being said, Insidious: Chapter 5 is very much in the works, with filming set to begin soon.

After starring in the first two movies as Josh Lambert, we learned in 2020 that Patrick Wilson is returning to the franchise as the *director* of the upcoming fifth installment!

Wilson reveals in a chat with Screen Rant this week that Insidious 5 is definitely still on the way, with filming set to begin this coming Spring. Wilson tells the site, “It’s something that I’m super passionate about, and there hasn’t been a day since they pitched me the idea that I haven’t been all in. It’s been a lot of work by Scott Teems, the writer, and me. And Leigh Whannell has helped out obviously a ton, and of course Blumhouse is a great partner. I’ve done a bunch of stuff with them, so I couldn’t be happier to have my first experience with a very helpful and comfortable group of people that, for some reason, trust me. So, we’ll see.”

Insidious: Chapter 5 “will pick up with the Lamberts ten years after the last movie, as Dalton begins college.” Yes, a direct sequel to Insidious and Insidious: Chapter 2.

Patrick Wilson will also star alongside the returning Ty Simpkins as Dalton Lambert.

This will be Wilson’s debut as a director. Scott Teems (Halloween Kills) wrote the script based on a story by franchise co-creator Leigh Whannell (The Invisible Man).

“I’m honored and thrilled to be at the helm of the next Insidious installment, which will provide an amazing chance to unpack everything the Lamberts went through a decade ago, as well as deal with the consequences of their choices,” Wilson said in a statement back in 2020. “Directing the movie is both professionally and personally a full circle moment for me, and I am extremely grateful to be entrusted in continuing to tell this frightening and haunting story. Into the further we go…”

The first two Insidious movies were written by Leigh Whannell and directed by James Wan, centered on the Lambert family and their terrifying struggles deep within The Further.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has two awesome cats. Still plays with toys.

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Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]

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Renate Reinsve in 'Backrooms' - Horror ARGs

Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.

And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.

However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.

The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).

While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).

At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.

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