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‘Totally Killer’ Images – Kiernan Shipka Stars in Blumhouse’s Time Travel Slasher This Halloween

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Totally Killer slasher

The slasher-comedy Totally Killer is on the way from Blumhouse and Amazon Studios, and we’ve learned this morning that the film will be released in time for Halloween.

Totally Killer hits Prime Video on October 6, 2023! The film is rated “R” for “Bloody violence, language, sexual material, and teen drug/alcohol use.”

While you wait for a trailer, check out a gallery of first-look images below.

Totally Killer sounds quite a bit like the brilliant slasher-comedy The Final Girls, similarly transporting characters back in time and putting them inside of a classic 80s slasher setup.

The film is a continuation of the deal forged by Blumhouse and Amazon Studios in 2019 and will star Kiernan Shipka (Chilling Adventures of Sabrina, Mad Men), Olivia Holt (Cruel Summer), Julie Bowen (Modern FamilyLife of the Party), and Randall Park (Always Be My Maybe, Fresh off the Boat). Nahnatchka Khan (Always Be My Maybe, Young Rock, Don Wong) is directing, and Jen D’Angelo penned the screenplay based on an original script by David Matalon and Sasha Perl-Raver.

The film follows Jamie (Shipka) whose mom, Pam (Bowen) is terrorized by the resurgence of the Sweet Sixteen Killer—a masked maniac that slaughtered a group of teenage girls in the ‘80s. With the help of her friend Amelia (Kelcey Mawema), she travels back in time to 1987 and teams up with the teen version of her mom (Holt) to try and stop the killer. The cast of newcomers and established actors portraying characters in the film include Lochlyn Munro (“Adult Blake”), Charlie Gillespie (“Teen Blake”), Stephi Chin-Salvo (“Marisa Song”), Anna Diaz (“Heather Hernandez”), Jeremy Monn-Djasgnar (“Teen Randy Finkle”), Troy Leigh-Anne Johnson (“Teen Lauren”), Ella Choi (“Teen Kara Molnar”), Kelcey Mawema (“Amelia”), Liana Liberato (“Tiffany Clark”), Nathaniel Appiah (“Teen Doug Summers”), and Jonathan Potts (“Adult Chris Dubusage”).  “The idea of a horror-comedy time travel movie is, I’m gonna be honest, something I never thought of in my life. So when I was approached by the amazing creatives at Blumhouse and Amazon about Totally Killer, it was just so unique and exciting I had to be involved. And then add this incredible cast on top of that? Everybody get readyyyyyyy,” said director Nahnatchka Khan. “We thought this genre mash-up of slasher/comedy with a twist of time travel was just so fun, and Nahnatchka Khan is perfect to direct,” said Chris McCumber, president of Blumhouse Television.     “With Nahnatchka’s vision and the exciting cast led by Kiernan Shipka and Olivia Holt, we are confident Totally Killer will resonate with our audience around the world,” said Julie Rapaport, head of movies at Amazon Studios. “We could not be more thrilled to watch this story come to life and to continue our longstanding collaboration with the incredible team at Blumhouse.” Producers are Jason Blum for Blumhouse and Adam Hendricks and Greg Gilreath for Divide/Conquer. Executive producers are Nahnatchka Khan and Chloe Yellin for Fierce Baby Productions, Chris McCumber and Jeremy Gold for Blumhouse Television, and Brian Parker.

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Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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5 Deep Cut Horror Movies to Seek Out in May 2024

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Pictured: 'The Bone Snatcher'

New month, new horror recommendations from Deep Cuts Rising. This installment features one random pick as well as four selections reflecting the month of May 2024.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings include a self-loathing serial killer, a violinist’s murderous ghost, and a postmodern vamp flick.


Scream, Pretty Peggy (1973)

horror

Pictured: Ted Bessell and Sian Barbara Allen in Scream, Pretty Peggy.

Directed by Gordon Hessler.

The TV-movie Scream, Pretty Peggy first aired as part of ABC Movie of the Week. Bette Davis plays the mother of a reclusive sculptor (Ted Bessell), and after the previous housekeeper goes missing, a local college student (Sian Barbara Allen) fills the position. Little does she know, though, the young employee’s predecessor was murdered — and the killer is still on the loose.

Admittedly, Scream, Pretty Peggy isn’t difficult to figure out; its inspiration is obvious. However, Bette Davis’ overstated performance and the son character’s macabre artwork are enough to stay tuned and learn who’s behind the killings.

Scream, Pretty Peggy is now available on physical media from Kino Lorber. Perhaps watch the movie with your own mother this Mother’s Day (May 12).


Paganini Horror (1989)

Pictured: The ghostly killer in Paganini Horror.

Directed by Luigi Cozzi.

For National Buy a Musical Instrument Day (May 22), check out this absurd Italian entry in the subgenre of cursed music horror. A rock band unleashes hell when they unknowingly use a satanic piece of music composed by Niccolò Paganini, the violinist who was rumored to have made a Faustian deal.

Even though Paganini Horror is hardly deemed a standout of Italian Horror, and the movie indeed drags itself toward the finish line, there are some bright spots worth focusing on. For instance: Donald Pleasence. If that’s not enough, the very ’80s aesthetic helps gloss over the flaws in Daria Nicolodi‘s uneven script.

Paganini Horror is now on physical media from Severin Films and is also streaming on SCREAMBOX.


Nadja (1994)

horror

Pictured: Suzy Amis Cameron and Karl Geary in Nadja.

Directed by Michael Almereyda.

These vampires may or may not cast a reflection, but they sure do love to reflect. David Lynch executive-produced as well as briefly appeared in the film, which Roger Ebert succinctly described as “Deadpan Noir” in his review. This tale of revenge and philosophical pondering begins with the vampiric namesake (Suzy Amis Cameron) seducing the daughter (Galaxy Craze) of Van Helsing after he killed Nadja’s father, Dracula. From there a war erupts between the two sides, all while taking place in modern NYC.

Nadja is quite slow but also just strange, stylish and creative enough to keep your attention. In addition, the trip hop soundtrack is easy on the ears, and Peter Fonda plays a memorable Van Helsing. Overall, this is a unique and artsy approach to vampire horror.

Nadja is now streaming on Freevee.


The Bone Snatcher (2003)

horror

Pictured: Scott Bairstow, Warrick Grier and Rachel Shelley in ‘The Bone Snatcher’.

Directed by Jason Wulfsohn.

For National Sunscreen Day (May 27), dig up the monster movie The Bone Snatcher. It will take more than a high SPF to protect the sunburned characters here; they are stuck in a South African desert with a bizarre monster called the Esikhulu.

The best things about The Bone Snatcher are its setting and the creature. This beast, which is brought to life on screen using a combination of practical and digital effects, sports a ghastly design to go with its unnerving ability to animate skeletons. Something else this movie has going for it is a refusal to show the monster too often; that way there is less chance of becoming desensitized to the Esikhulu. Ultimately, this has nothing on John Carpenter’s The Thing, however, those more forgiving fans of Syfy-ish creature-features should be satisfied.

The Bone Snatcher is currently streaming on Tubi.


#1 Serial Killer (2013)

Pictured: Jason Tobin in #1 Serial Killer.

Directed by Stanley Yung.

May is AAPIM, and the subversive #1 Serial Killer (originally titled Chink) is relevant when discussing the “Invisible Asian” notion. Acknowledging the irony, Stanley Yung’s movie has gone widely unnoticed despite its potent take on race and identity.

Jason Tobin (Warrior) delivers a compelling performance as the vile protagonist here. The self-hating, Ted Bundy-admiring character discriminates against other Asians after years of mistreatment and disregard, and that growing rage finally manifests as cathartic violence.

#1 Serial Killer is currently available at digital retailers like Apple.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

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