Movies
Five Transgressive Horror Movies to Stream This Week
While there’s plenty to be said and appreciated about cozy, comforting horror that offers catharsis, the genre’s ultimate aim is to terrify, shock, and even repulse. Of course, there is no shortage of ways that filmmakers accomplish this, frequently through gore, violence, and potent scare tactics, but transgressive horror is in a league of its own.
More than just gore, transgressive horror films revel in the taboo. Transgressive horror shatters cultural norms and seeks to explore beyond the boundaries of taste and social sensibilities, challenging viewers with shocking and sacrilegious imagery and themes. And yet, it’s not solely for shock value; transgressive horror has more on its mind than simply gore and depictions of depravity. There’s a purpose behind the pain. This week’s streaming picks are for the seekers of extreme cinema, unafraid to test their limits.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Alucarda – Cultpix

Directed and co-written by Juan López Moctezuma, this English-language Mexican horror film stars Tina Romero as Alucarda. Since infancy, the orphaned Alucarda was raised by nuns at a repressive Catholic convent. Now a teen, Alucarda finally has a friend her age with the arrival of a newly orphaned Justine (Susana Kamini). They become inseparable, perhaps even more so when they stumble upon a crypt and release a Satanic force that seduces the best friends and uses them as a conduit to destroy everything in their path. It’s arthouse meets exploitation grindhouse. Moctezuma weaves a sacrilegious coming-of-age story with striking, blood-soaked imagery that slowly developed a cult following over time. Alucarda exists in the same realm of boundary-pushing religious horror, even sharing similar themes with Ken Russell’s The Devils.
Baskin – AMC+, Shudder

Baskin made huge waves upon release in 2016 with its arthouse meets Lucio Fulci and Hellraiser-inspired descent into Hell. Based on Can Evrenol’s 2013 short film of the same name, Baskin follows a police squad contending with a night of pain, suffering, and the perverse horror of a depraved Black Mass from Hell when they enter an abandoned building. Turkish superstition, extreme imagery, and a deliberately paced journey for the unsuspecting antiheroes make Baskin a unique entry in extreme horror. Evrenol embeds a lot of minutiae and symbolism in his surrealistic nightmare, saturated in a sort of Fulci-inspired dream logic. It’s wrapped up in one gnarly package of perversion and gore.
The Golden Glove – Kanopy, Tubi

The Golden Glove presents one stomach-churning watch based on notorious German serial killer Fritz Honka, impressive in its unwavering goal to force viewers to confront the darkest corners of humanity. Nestled in the red light district of Hamburg, set during the ‘70s, Honka (Jonas Dassler) is a socially awkward loner who spends most of his evenings getting drunk at the Golden Glove. This local watering hole serves as a second home to all sorts of strange, quirky characters. Aside from using the bar as a means to feed his alcoholism, he frequently scours the bar for vulnerable patrons to take home and abuse. Or worse. It’s often much, much worse. This subject matter is of the heaviest variety, and its central character is not one you’re supposed to like. But it is a story with immense artistic merit and a fascinating study of how someone so vile slipped through society’s cracks.
Ichi the Killer – Hi-Yah, Peacock, Plex, Roku, Tubi

Perhaps one the most controversial of all his films, and there’s quite a lot, Ichi the Killer cemented Takashi Miike’s reputation for torture and carnage. Based on a manga, Ichi the Killer has two main characters, Ichi (Nao Omori) and Kakihara (Tadanobu Asano). Ichi is a cowering, weak-willed character progressively manipulated into becoming a reflexive, effective killer. Kakihara is a yakuza enforcer looking for his missing boss. He also happens to be a sadomasochist, and when Ichi’s gnarly body count starts piling up, Kakihara swoons over the potential pain Ichi could give him. While nothing about the premise screams “horror,” the extreme and graphic violence that ensues and occasionally tests your gag reflex makes it count. Miike is making a point about how we consume violence in media. In other words, this gorefest has more depth than meets the eye. It just might be hard to see it past the torrent of blood, viscera, and depraved mayhem.
Martyrs – Plex, Pluto TV, Tubi, Vudu

No list of transgressive horror is complete without the New French Extremity horror offering whose reputation precedes it. Its visceral examination of pain elicits such a strong physical response it’s still one of the more extreme entries in the genre. Writer/Director Pascal Laugier’s extreme horror film follows Lucie (Mylene Jampanoi), a young woman shattered by childhood abuse, as she drags childhood friend Anna (Morjana Alaoui) along on her violent quest for retribution. Of course, there’s no predicting how this journey will wind up, but it’s guaranteed to induce maximum discomfort and leave jaws on the floor. It’s a downer of the highest order.
Editorials
5 Things We Learned From The ‘Whalefall’ Trailer
Pulitzer Prize-winning author Daniel Kraus took the literary world by storm back in 2023 with the release of his hit novel Whalefall. A terrifying yet intimate survival thriller with mythological undertones, the book was almost immediately bombarded with offers from movie studios wanting to adapt its claustrophobic imagery to the big screen.
Fast forward to June of 2026, and we finally got our first glimpse at Brian Duffield’s long-awaited adaptation of Whalefall, starring Austin Abrams as our unfortunate lead who gets swallowed alive by a sperm whale. While this two-and-a-half-minute teaser only covers the beginning of the story, it’s already been making waves online (and in-person at select 4DX promotional screenings) as one of the most stressful cinematic experiences of the year.
In fact, my own wife had to cover her eyes and exclaim, “You’re definitely not dragging me to watch this one” when we saw the whale’s jaws begin to close in on Abrams, with this incident alone already leaving me convinced that this will likely be one of the biggest genre hits of the year. With that in mind, I’d like to invite you to take a closer look at the teaser in order to break down interesting details and get a better idea of what’s in store for genre fans when the movie finally comes out this October.
Of course, as usual, don’t forget to comment below if you noticed something we didn’t!
Now, without further ado, here are five things we learned from the Whalefall trailer!
5. Austin Abrams Performed Many of His Own Stunts

Much like in his previous film, No One Will Save You, Duffield insisted that this visceral experience should be grounded by our main character’s believable reactions, regardless of the plot’s effects-heavy setup. That’s why the camera always makes sure to linger on Abrams through his diving mask, so we know that it’s really him going through this ordeal alongside the audience.
While plenty of CGI was used in order to bring this larger-than-life story to the big screen without killing our leading man, Abrams apparently insisted on performing many of his underwater stunts himself (several of which are visible in the trailer) – much to the chagrin of a worried Duffield and the flick’s stunt coordinator, Shauna Duggins.
4. The Film Seamlessly Transitions Between the California Coast and Underwater Sets

Duffield obviously wasn’t about to drag his crew out to the middle of the ocean and shoot inside a real sperm whale, but it’s reassuring to see the filmmaker blend on-location footage with the underwater tank segments and the literal belly of the whale set.
There may be plenty of CGI stitching these elements together, but the trailer shows us that only the truly impossible shots are completely digital, meaning that the filmmakers didn’t take the easy way out when it came to adapting this unique story.
3. The Whale is Only Part of the Story

Book adaptations tend to leave out inner monologues and the occasional flashback in order to streamline the narrative (which is one reason why it’s so difficult to translate Stephen King novels to the big screen), but a claustrophobic parable like Kraus’ Whalefall would get a bit dull after a while if the whole thing was entirely set within the creature’s stomach.
That’s why it’s such a relief that the trailer hints at how Duffield will also be adapting many of the book’s introspective moments chronicling our protagonist’s harsh upbringing under his troubled father. Not only do these inclusions give the audience some much-appreciated breathing room, but they also give Josh Brolin a chance to shine as a truly complicated character.
2. The Movie is Keeping the Book’s Scientific Accuracy…

While Kraus’ novel was inspired by a viral video of kayakers nearly being swallowed by a humpback whale, the writer ended up consulting with marine biologists about exactly what kind of situation might lead to a whale actually eating a human being alive.
The answer was surprisingly specific, as cetaceans are almost universally known to be friendly towards humans. However, even a gentle giant can make mistakes, and as we see in the trailer, Abrams’ unpleasant fate is more of an accident than anything else – with the massive sperm whale only trapping the poor diver in the first (and thankfully acid-free) chamber of its stomach due to a mix-up involving a giant squid.
Fortunately for the film’s special effects artists, they can now reference the first-ever footage of a real-life sperm whale chowing down on one such squid, as this freaky recording was released late last year.
1. …With a Catch!

Duffield may be doing his best to recreate the grounded (or is it submerged?) thrills of Kraus’ novel, but there are limits to what can be depicted onscreen while still guaranteeing an entertaining movie. That’s why it’s no surprise that Whalefall will take advantage of certain cinematic parlor tricks as the director tests the limits of both physics and biology so we can actually watch his movie.
For starters, the innards of the whale itself have been greatly exaggerated so there’s enough space to make out the action, and in the spirit of movies like Neil Marshall’s The Descent, there also seems to be plenty of non-diegetic lighting meant to show us what’s going on even if Abram’s character wouldn’t necessarily be able to see anything.
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