Movies
‘Street Trash’ Activation Brings the Meltdown to Iconic Horror Movie Filming Locations! [Images]
Bloody Disgusting and Cineverse will release the horror film Street Trash, a brand new spiritual sequel to the 1980s cult horror classic, on Digital outlets beginning November 19.
As part of the marketing campaign for Street Trash, we’ve taken to the streets of Los Angeles to recreate the iconic melting bodies scenes in multiple iconic horror movie filming locations!
A horrifying discovery has been made across multiple locations in LA—grisly remains of melted bodies! In each scene, a melted arm clutches a bottle of booze, surrounded by a grotesque, colorful ooze. It appears the streets are infected with the aftermath of Tenafly Viper—a cheap, lethal booze that liquefies anyone who dares drink it into a ghastly, melting mess…
Each location is connected to houses featured in iconic horror movies. The locales include:
- A Nightmare on Elm Street – Springfield High School
- Insidious – House
- They Live – Fight Alley
- Night of the Creeps – Sorority House
Check out the images below and look for Street Trash (2024) on Digital November 19!
The original Street Trash (1987) will also melt its way onto SCREAMBOX on November 19.
A reimagining of the 1987 classic, Street Trash is directed by Ryan Kruger (“Warrior,” Fried Barry), who also co-wrote the film with James C. Williamson (Fried Barry), based on the original Street Trash movie by Roy Frumkes & Jim Muro.
Kruger also stars in the film alongside Sean Cameron Michael, Donna Cormack-Thomson, Joe Vaz, Lloyd Martinez Newkirk, Shuraigh Meyer, Gary Green, and Warrick Grier.
“In the year 2050, global economic turmoil has destroyed the middle class in Cape Town, South Africa, which is now divided between the ultra-rich and the displaced. Ronald and a group of fellow houseless friends uncover a plot by the local government to ‘wash away’ the houseless population with a sinister chemical agent called ‘V.’ Now, they must risk everything to expose the truth and resist a society that’s determined to erase them.”
“Our reimagining of Street Trash takes place in Cape Town, South Africa where the growing divide between rich and poor has changed the world as we know it,” Kruger previews. “I was a huge fan of the original Street Trash when I was a kid, and I couldn’t be more thrilled to introduce a whole new generation to the melted gonzo goodness that made the original such a classic.”
Shot entirely on 35mm, the film is produced by Justin Martell and Matt Manjourides of US-based studio Not the Funeral Home (“The Last Drive-In With Joe Bob Briggs”), with original Street Trash producer Roy Frumkes and director Jim Muro, along with Bad Dragon and genre film restoration outfit Vinegar Syndrome (New York Ninja), all serving as Executive Producers. Chris McGurk, Brandon Hill, Brad Miska, and Yolanda Macias Executive Produce for Cineverse.
The 1987 cult classic Street Trash was a darkly comedic and gritty horror film that has earned a dedicated following over the years due to its distinct style and unapologetically bizarre approach to storytelling. Directed by J. Michael Muro, the movie was set in the decaying and squalid streets of Brooklyn, New York as it delves into the lives of various eccentric characters, each struggling to survive in their harsh and unforgiving environment.
“I’m excited to reinterpret the original story, update it to better reflect the times we live in and give it a new and original spin,” continues Kruger. “While our reimagining features new, exciting plot elements that give the film many bizarre twists and turns, the core of the film lies with our diverse and unique cast of characters. As a director, I am very character-centric and I can’t wait to see our strange and hilarious ensemble on screen together as they navigate the hostile streets of Cape Town. Our version of Street Trash will be raw, hilarious, packed with vibrant characters and multi-colored explosions of gooey greatness.”
‘A Nightmare on Elm Street’
‘Insidious’
‘Night of the Creeps’
‘They Live’
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
You must be logged in to post a comment.