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[DVD Review] ‘The Last Circus’
Anyone who grew up in the middle of a war with fighting in the streets and air raids have some sort of permanent scaring from it. For Javier, the son of a “Happy” circus clown, the mark inflicted upon him is far greater than anyone could imagine.
The Last Circus directed by Alex de la Iglesia, starts with children watching a makeshift circus before it is crashed by militia looking to recruit anyone able bodied to fight with them. This is where is Javier’s father, the Happy Clown, takes a machete and runs into battle. In the end, he is the sole survivor who has wiped out an entire platoon. However, he is taken prisoner as the higher ranks pull into town. Here we enter the tale of how this will affect his son.
Fast forward to 1973. Taking his father’s advice – that he has had too much sadness in his life as a young child to ever be able to pull off the Happy Clown routine – Javier winds up working as the Sad Clown. The Sad Clown takes the hit of all of Happy Clown’s jokes. This means that Happy Clown holds the power over Sad Clown, no matter the routine. The role is somewhat humiliating, as the people who come to the circus, especially the children, come for Happy Clown. He is the one that makes them laugh.
The circus, run by Happy Clown Sergio, is full of colorful characters including the gorgeous aerial silks acrobat, Natalia. While others smile, nod and agree with Sergio for the sake of him keeping his cool, newcomer Javier does not hesitate to question a rude joke he tells at dinner. Sergio’s rage immediately shows, prompting Natalia to defend Javier only to be backhanded by her husband.
This launches the ultimate showdown of Sad Clown vs. Happy Clown as Javier tries to save Natalia from abusive Sergio. Her affection towards Javier causes much disarray, as she still is somewhat faithful to her husband. With two men, with their own personal demons, fighting over her, chaos ensues with a spectacle of an ending.
The air of the movie is perfectly summed up in the trailer. Sergio, complete in his Happy Clown stature asks of Javier, “Why are you a clown?” to which Javier replies, “What about you?” Cooley, Sergio replies, “Because if I weren’t a clown, I’d be a murderer.”
Javier’s response?
“Me, too.”
Antonio de la Torre is excellent as Sergio. His casual demeanor as he grills Javier whilst eating is eerie enough. His overall appearance, in and out of clown makeup, just oozes evil slimeball. In contrast, Carlos Areces pulls off Javier to the capacity that I felt sorry for him from the start. It wasn’t until he began to torture himself physically – which surely was to represent the turmoil he felt within – that I began to ease away from my heartache. Carolina Bang deserves much applause for her role. Watching, I truly felt conflict of liking and hating her character. Her ease on the aerial silks is amazing, and having studied the art form myself, I know how grueling the process had to have been to get to the level she displays.
Though I felt certain aspects including the initial build up at the circus itself could have been extended, it was still an interesting piece. In the end, The Last Circus is dramatic, visually stunning and intriguing. While it isn’t a true horror film, per se, it does explore the genre through the means of the human psyche. But then again, what is the most terrifying monster of all but man?
DVD
While in my original review of The Last Circus I teetered on the line of total admiration of the film versus mild (mostly due to the storyline), had I had the chance to see the DVD extras, I could have added a point to my final rating scale.
My closing thoughts on the film were that it was “dramatic, visually stunning and intriguing” – a perfect summation of the DVD release.
The Making-of featurette gives perfect background and depth to the film. On camera interviews, mixed with bits of behind the scenes, make it extremely well rounded. The Behind-the-Scenes and Visual Effects segments thoroughly blew my mind. I am not a fan of CGI in massive quantities; however, I was in awe of a number of scenes that I was convinced were simply camera tricks. I can say that this segment is one reason alone to buy the DVD, even if it only lasts a few minutes.
I had also stated in my original review that the US trailer of the film (which is included) portrayed a much different pacing than that of the actual film. It showed that the circus aspect was the majority of the storyline, whereas in the real movie, it is only a base point that is expanded upon. The extras on the DVD include an international teaser and trailer, which oddly show a more accurate synopsis of the story including Javier `s (Sad Clown) childhood.
With basic packaging and a slightly different take on the theatrical poster, The Last Circus DVD will definitely please fans of the film with internal frills rather than cosmetic.
Score: 8/10
Home Video
‘Backrooms’ Heads Home to Digital Next Week
Are you ready to go back?
After a record-breaking box office run and an extended cut re-release, A24 and director Kane Parsons’ Backrooms is heading home to Digital.
Backrooms will be available to rent or buy this Tuesday, July 14.
In the film, Chiwetel Ejiofor stars in Backrooms as the owner of Cap’n Clark’s Ottoman Empire, who discovers a strange doorway in the basement of the furniture showroom. He sets out to explore the mysterious, liminal space, walking headfirst into a creepypasta nightmare.
Renate Reinsve (A Different Man) also stars in Backrooms.
Will Soodik wrote the screenplay.
I wrote in my review, “Backrooms is at once complex and sparse, but never repetitive. It might be set in 1990, but it effectively captures modern anxieties and isolation in a way that frequently makes your skin crawl. While the journey ultimately loses steam by its cryptic end, Parsons’ visual representation of the human psyche disturbs like no other.”
YouTube prodigy Kane Parsons makes his feature directorial debut based on his creepypasta-inspired video series, which debuted in 2022 and has amassed over 190 million views to date.