Movies
[News Bites] Latino ‘Paranormal’ Director, ‘Oldboy’ Dated, “Mockingbird” Goodies and MORE!
Although I thought this was already announced, Christopher Landon – who penned Disturbia and the three Paranormal Activity sequels – is set to write and direct the currently untitled Latino version of PA for Paramount Pictures. The quasi-spinoff was teased during the post-credits of PA 4 and is slated for release Spring 2013. Says Deadline: “The spinoff will include the demon from the PA franchise and star mostly Latino actors and film partly in Spanish.”
FilmDistrict will release Spike Lee’s Oldboy on October 11, 2013. Starring Josh Brolin, Elizabeth Olsen, Sharlto Copley, Samuel Jackson, Bruce Hornsby and James Ransone, a man gets kidnapped and held in a shabby cell for 15 years without explanation. Suddenly, he’s released and given money, a cell phone and clothes and is set on a path to discover who destroyed his life so he can take revenge.
Screen Daily reports that The Seasoning House will receive a UK theatrical and home entertainment release, through Kaleidoscope, in 2013. Having premiered at this past summer’ FrightFest in London, the film “Centers around a young Balkan girl (played by Rosie Day) forced to work in a rape house during an unspecified war, who kills a militiaman and goes on the run.”
Paramount Pictures has just closed a deal for the rights to Insurrection, a Boom! Studios comic created by writer Blake Masters, says THR. Masters is also attached to pen the script. A sort of sci-fi “Spartacus,” “‘Insurrection’ is a set in a future where corporations are more powerful than governments and command their own armies. The armies consist of clones who, for decades, have been treated like a sub-class. That all changes when one man stands up and leads a revolution that has vast repercussions.”
Lastly, airing on Friday, October 26, is NBC’s Halloween special, “Mockingbird Lane,” their TV reboot of “The Munsters.” Some promo art has been released alongside the official synopsis and new stills. It looks terrible.
The “Mockingbird Lane” pilot was written by Bryan Fuller and directed by Bryan Singer. “Sweet little Eddie Munster (Mason Cook) is a normal kid about to enter the horrors of puberty. Truth is, he’s about to discover that for him becoming a teenager means growing hair in truly unexpected places — as in all over his body — every time the moon is full! Eddie’s got it pretty good though. His loving, supportive, run-of-the-mill family includes his mom Lily (Portia de Rossi), the daughter of Dracula; his dad Herman (Jerry O’Connell), who brings new meaning to “Frankenstein”; and Grandpa (Eddie Izzard), who would give Dracula a run for his money if he weren’t actually Dracula! Of course then there’s creepy cousin Marilyn (Charity Wakefield), who’s really the odd one because she’s so completely normal.
Buying a house these days is a nightmare, so Herman and Lily are shocked that no one scooped up the rambling Victorian mansion at 1313 Mockingbird Lane that was the site of a series of grisly hobo murders. Settling into their new place, they’re quickly onto the mission at hand: to gently ease Eddie into the reality of his werewolf adolescence. But it’s not always so easy to accept that your child is a little “different” from the rest of the kids. Meanwhile, Herman, who works as a funeral director, is suffering from a heart condition. Since he’s made up mostly of spare parts, he knew his makeshift heart would eventually give out. No worries though, because Grandpa, who is pretty good at procuring body parts, is on the case. All Herman cares about is finding a new heart with the same capacity to love Lily as much as he has for so many decades.”
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
You must be logged in to post a comment.