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Review: ‘The Boys’ #72

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To say that this issue marks the end of The Boys is somewhat disingenuous. In truth, the series ended last issue. Issue #72, the final issue, is merely the epilogue – a final, subtle goodbye to the characters we cared about, and the tying of loose ends from the series. Well, what ends remain that is – let’s be real, most of the characters didn’t quite make it to this point. While this issue doesn’t measure up to the high points of the series, particularly in comparison with the stellar previous issue, it’s still good for what it is. Besides, if you’ve been reading this far into “The Boys”, you already know you’re picking this up.

WRITTEN BY: Garth Ennis
ART BY: Darick Robertson
PUBLISHER: Dynamite Entertainment
PRICE: $3.99
RELEASE DATE: November 14th, 2012

OK, let’s get this out of the way first – Darick Robertson is back! Robertson, for those who forget, is the original artist and co-creator of “The Boys” who left midway through the series due to scheduling issues, though he contributed to side issues like “Butcher, Baker, Candlestickmaker”. While Russ Braun filled in admirably, and in particular drew an arguably superior Butcher, there is something appropriate about Robertson returning to the work he helped create for its end. It brings a sense of closure to this issue, which is the quality that defines this issue in every facet.

There isn’t much of a story in this issue. Ennis just shows us what’s happened to some characters who avoided their deserved comeuppances in the last few issues, like Susan Rayner and James Stillwell. But while that can be humorous, what’s rewarding about the issue is to see how Hughie has grown over the course of the series while still remaining the same affable, moral human being he’s always been. In the final two pages, we finally see Hughie resolve his lingering anxieties and find happiness.

This isn’t the most exciting issue. There are a number of moments that will elicit a chuckle, but other than that it’s mostly just Hughie paying respects to his former friends, talking to Stillwell, and being reunited with Annie. It’s just a way of saying goodbye to the characters, especially Hughie himself. There’s nothing wrong with that, but it’s just not capable of meeting the high quality of some of this series. So “The Boys” doesn’t go out with a bang, just a farewell.

3/5 Skulls

Reviewed by – GeorgeShunick

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A Tall Drink of Summer Terror: Peek Inside the Pages of ‘Hello Darkness’ #23 [Exclusive]

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An ongoing horror anthology series from BOOM! Studios, Hello Darkness is back this summer with Issue #23, and BOOM! has provided Bloody Disgusting with an exclusive sneak peek.

The temperature rises and so does the body count, as the horror anthology series returns for another round of summer slashing in Hello Darkness #23, releasing July 22, 2026.

In “Sunday Pt. II,” Ryan North and Giada Belviso send a Bride of Christ over the deep end into madness.

Then, Rich Douek and Stevan Subic lead you down a bloody path to the old west, where a brash young gunfighter seeks a showdown with “The Man Who Outdrew Death.”

Sink into the cool, briny depths of Kelly Williams’s “Old Wounds” when a grizzled light housekeeper hears the call of the sea one final time.

And finally, serve up a preview platter of erotic thriller “Gastronomique,” as a royal spy, Lady Charlotte, embarks on a cat-and-mouse hunt for the deadly cannibal Tarrare, from Marguerite Bennett and Helena Masellis.

Beat the heat with an all-new pool of fresh nightmares and dive right into horror’s deep end!

Peek inside the bloody pages of Hello Darkness #23 below!

Horror fans rejoice in cadaverous delight, because Hello Darkness is a brand new ongoing anthology series featuring what BOOM! Studios is known for–the best in modern Horror, Fantasy, and Mystery, not to mention the darkest stories yet from a murderer’s row of world class creators. Everything from primal fears to modern political horrors will be explored, in the classic style of Creepy and Eerie and the contemporary chills of Black Mirror.

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