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‘American Horror Story’ 2×08 Review: Crazy Santa Spreads Death, Rape And Christmas Cheer

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The Angel of Death (played be the always amazing Frances Conroy) carried last week’s episode on her big, beautiful black wings. It would’ve been entertaining without her glorious presence, but because she makes everything better, you can’t argue how much better she made that episode. This week, she’s gone, and her absence has left a dark angel sized hole in my heart. Thankfully, Ian McShane has come to town, and he successfully manages to add some much needed Christmas cheer to this week’s episode. More after the break!

Also, SPOILERS!

The episode starts off Christmas-y enough, with a charity Santa ringing one of those annoying bells outside a market. He spreads some wisdom to a little boy and as he’s packing up to go to his wife — who we quickly learn he dons Santa’s robes to escape — Ian McShane pumps him full of lead.

As if that’s not awful enough, immediately after that murder he visits a seemingly random house while dressed in the bloodied outfit of the guy he just slaughtered. That’s when the stupidest kid alive sees him, mistakes him for Santa — even though he’s not fat, jolly, bearded, and it’s six full days before Christmas — and decides to lead him to her parents.

Even after he puts a gun to her head this little idiot still calls him Santa. I know kids are dumb, but this little girl is beyond dumb. She deserves to be orphaned (did I seriously just write that?).

After Crazy Santa threatens to rape the dad, he shoots both of them in the head and goes on to murder another sixteen people. This is just the first five minutes! American Horror Story sure knows how to do a Christmas episode right.

It’s a year later and we’re back at Briarcliff where Evil Sister Eunice is preparing her Christmas Orgy and Virgin Sacrifice, or, well, not really. Her event seems pretty tame, even if she is cutting off patients’ hair and slapping it on the Christmas tree alongside empty bottles of alcohol and some poor guy’s dentures.

The guard that shot Grace at the end of the previous episode (belated spoiler!) is feeling pretty bad about it. He tells Dr. Nazi that he wants to tell the police and that he doesn’t care what happens to him. He’s a good guy, so obviously, that means he’s going to die (just not for another twenty minutes).

Sister Jude only recently found out that Sister Eunice is evil now and she’s not too happy about it. Jude decides to confront Eunice with a razor to the throat in one of the many showdowns we see this episode. Unfortunately, Dr. Nazi interrupts their little tiff just as it’s getting interesting — and by interesting, I mean Eunice is mind-throwing shit all over the place. Angry Jude gets escorted out of Briarcliff, and my hopes of seeing an epic showdown between her and Eunice leave with her. For now.

Evil Eunice sure does recover quickly: In one scene she has a blade to her throat and in the next she’s freeing Crazy Santa, who’s been locked in solitude for a year after he went all Hannibal on a guy’s face for wearing a Santa hat. We find out a little more about him, too. Apparently, he was thrown in jail for shoplifting, then on Christmas day five inmates took turns raping him in his cell while the guards went caroling. Yikes.

One of my favorite scenes is the one where Dr. Nazi gives Eunice a pair of ruby earrings. She loves them almost a little too much, and as she’s admiring how good they look, Arden dishes on their origin. Back when he was a Nazi in one of the concentration camps, he met a once wealthy Jewish woman who was having stomach troubles. He followed her one day only to see her sifting through her poo so she could get the ruby earrings she swallowed every single day. She eventually dies of internal bleeding and Arden takes her earrings to he can “give them to someone who is worthy.” The whole time he’s telling this story, he’s staring at Eunice in disbelief as she admires herself. When she shows no signs of giving a damn, he admits he hoped Eunice would turn the earrings down in disgust. After she didn’t, he knew there was no humanity left in her.

It’s a neat scene, and it almost made me feel bad about his situation.

Angry Jude sure is angry! She’s complaining to who I can only guess is the Queen of the Nuns about needing to get back into Briarcliff. She throws out her best religious fanaticism, ranting about how the devil is trying to avert humanity’s eyes away from god bit by bit (one of these bits being Rudolph the Red-Nosed Reindeer, apparently.)

Arden then does what he does best and interrupts again, only this time it’s so he can admit he was wrong and team up with Jude to take down Evil Eunice! I’m ashamed of how excited I got when this happened, but I couldn’t help but picture Sister Jude and Dr. Nazi walking down a hallway in slow-motion with the camera facing them as they look supremely badass. Dubstep may or may not have been blaring in said fantasy. Unfortunately, my dream of a spin-off series gets dashed rather quickly.

Meanwhile, the festivities at Briarcliff are continuing, where a very pale Monsigneur visits to give Eunice a special star to put on the tree — side note: does anyone else get weird vampire vibes from him? — and Ian McShane utters one of the best lines in the episode.

Let me set the scene first.

He’s sitting on a chair facing a gorgeous, denture-laden tree, with an almost definitely doped up woman on his lap. She looks at him, he looks back. Their eyes meet, and he says “”what do you say we blow this pop stand, go savage some elves, and then suck on each other?” So great.

There’s also a sweet and brief flashback of a pre-committed Kit and his girl on Christmas. They have a stunning tree, there’s a kid on the way, then, suddenly, Grace is there and she’s pregnant (and, possibly, sans accent)! Now, obviously Kit’s doped up and feeling bad about getting Grace killed, but seriously AHS writers: don’t bring her back. I know anything’s possible in this show and the aliens seems to have a weird fascination with Grace, but please, let her stay dead. I don’t want her to have a recurring hallucinatory role in this show.

I bet you were wondering when we’d have another showdown, huh? Well, we’re about to get not just one, but two.

Lana meets up with Kit to let him know she totally knows who Bloody face is. She also realizes the cops aren’t coming, because Kit’s still there. When she goes to get help, fucking Threadson shows up wearing his best creepy face. He’s a little pissed he had to destroy all his Bloodyface stuff, but now he’s looking to reinvent himself, and he’d very much like to use Lana’s skin to do that.

Than, Kit saves the day! Lana desperately wants to kill Threadson, but the duo decides to lock him up instead.

The other showdown happens when Arden leads Sister Jude into her old office so she can have her showdown with Eunice. Unfortunately for her, Arden actually wasn’t on her side, and instead, Eunice (who just got back from killing the guard who shot Grace) locks Crazy Santa in with Jude, who immediately begins to freak out. I would too, it’s just weird to see Jude begging for her life.

Long story short: Jude stabs Crazy Santa in the neck right before he got too rapey.

Oh, and the aliens took Grace’s body. I don’t know why.

Burning questions: The aliens. What’s going on there? They appear every once in a while to make me wish they’d leave and never return. And the Also, Monsigneur: is he a vampire? Lastly, Sister Jude says Rudolph the Red-Nosed Reindeer is one of the things to blame for humanity’s corruption, then Evil Sister Eunice (hilariously) says she plans to play that same movie during the “entertainment portion” of her Christmas event. Does that mean Rudolph the Red-Nosed Reindeer really is one of the devil’s tools? DISCUSS!

What did you think of this week’s episode?


Have a question? Feel free to ever-so-gently toss Adam an email, or follow him on Twitter and Bloody Disgusting.

Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

Editorials

5 Deep Cut Horror Movies to Seek Out in May 2024

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Pictured: 'The Bone Snatcher'

New month, new horror recommendations from Deep Cuts Rising. This installment features one random pick as well as four selections reflecting the month of May 2024.

Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.

This month’s offerings include a self-loathing serial killer, a violinist’s murderous ghost, and a postmodern vamp flick.


Scream, Pretty Peggy (1973)

horror

Pictured: Ted Bessell and Sian Barbara Allen in Scream, Pretty Peggy.

Directed by Gordon Hessler.

The TV-movie Scream, Pretty Peggy first aired as part of ABC Movie of the Week. Bette Davis plays the mother of a reclusive sculptor (Ted Bessell), and after the previous housekeeper goes missing, a local college student (Sian Barbara Allen) fills the position. Little does she know, though, the young employee’s predecessor was murdered — and the killer is still on the loose.

Admittedly, Scream, Pretty Peggy isn’t difficult to figure out; its inspiration is obvious. However, Bette Davis’ overstated performance and the son character’s macabre artwork are enough to stay tuned and learn who’s behind the killings.

Scream, Pretty Peggy is now available on physical media from Kino Lorber. Perhaps watch the movie with your own mother this Mother’s Day (May 12).


Paganini Horror (1989)

Pictured: The ghostly killer in Paganini Horror.

Directed by Luigi Cozzi.

For National Buy a Musical Instrument Day (May 22), check out this absurd Italian entry in the subgenre of cursed music horror. A rock band unleashes hell when they unknowingly use a satanic piece of music composed by Niccolò Paganini, the violinist who was rumored to have made a Faustian deal.

Even though Paganini Horror is hardly deemed a standout of Italian Horror, and the movie indeed drags itself toward the finish line, there are some bright spots worth focusing on. For instance: Donald Pleasence. If that’s not enough, the very ’80s aesthetic helps gloss over the flaws in Daria Nicolodi‘s uneven script.

Paganini Horror is now on physical media from Severin Films and is also streaming on SCREAMBOX.


Nadja (1994)

horror

Pictured: Suzy Amis Cameron and Karl Geary in Nadja.

Directed by Michael Almereyda.

These vampires may or may not cast a reflection, but they sure do love to reflect. David Lynch executive-produced as well as briefly appeared in the film, which Roger Ebert succinctly described as “Deadpan Noir” in his review. This tale of revenge and philosophical pondering begins with the vampiric namesake (Suzy Amis Cameron) seducing the daughter (Galaxy Craze) of Van Helsing after he killed Nadja’s father, Dracula. From there a war erupts between the two sides, all while taking place in modern NYC.

Nadja is quite slow but also just strange, stylish and creative enough to keep your attention. In addition, the trip hop soundtrack is easy on the ears, and Peter Fonda plays a memorable Van Helsing. Overall, this is a unique and artsy approach to vampire horror.

Nadja is now streaming on Freevee.


The Bone Snatcher (2003)

horror

Pictured: Scott Bairstow, Warrick Grier and Rachel Shelley in ‘The Bone Snatcher’.

Directed by Jason Wulfsohn.

For National Sunscreen Day (May 27), dig up the monster movie The Bone Snatcher. It will take more than a high SPF to protect the sunburned characters here; they are stuck in a South African desert with a bizarre monster called the Esikhulu.

The best things about The Bone Snatcher are its setting and the creature. This beast, which is brought to life on screen using a combination of practical and digital effects, sports a ghastly design to go with its unnerving ability to animate skeletons. Something else this movie has going for it is a refusal to show the monster too often; that way there is less chance of becoming desensitized to the Esikhulu. Ultimately, this has nothing on John Carpenter’s The Thing, however, those more forgiving fans of Syfy-ish creature-features should be satisfied.

The Bone Snatcher is currently streaming on Tubi.


#1 Serial Killer (2013)

Pictured: Jason Tobin in #1 Serial Killer.

Directed by Stanley Yung.

May is AAPIM, and the subversive #1 Serial Killer (originally titled Chink) is relevant when discussing the “Invisible Asian” notion. Acknowledging the irony, Stanley Yung’s movie has gone widely unnoticed despite its potent take on race and identity.

Jason Tobin (Warrior) delivers a compelling performance as the vile protagonist here. The self-hating, Ted Bundy-admiring character discriminates against other Asians after years of mistreatment and disregard, and that growing rage finally manifests as cathartic violence.

#1 Serial Killer is currently available at digital retailers like Apple.


No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this recurring column, Deep Cuts Rising, comes in. Each installment of this series will spotlight several unsung or obscure movies from the past — some from way back when, and others from not so long ago — that could use more attention.

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